|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bruce, you might be interested to know that the credits for this edition are Nick as producer for Fox, MV and Matt as executive producers of the reissue and you and me as producers of the restoration, as it was done under your label and the program and master has not changed. Of course La-La Land paid me for the work on this, which involved making and delivering a new DDP, now with ISRCs, and for gathering all the essays together and reviewing the art. Mike M. Well, lovely! And I encourage anyone who didn't get ours to jump all over this, seriously. Mike's work is stellar. There's no upset from me at all - we sold what we were going to sell, just as with all our Herrmann releases. It's all good and Jim Titus is great. Between him and our Doug Haverty, cover art and packaging is in excellent hands. So, Bruce... please forgive me for being so ignorant, but YOUR release(Which I have, of course!) and the new LLL release sound exactly the same.... is this correct?!?!? Yes, exactly the same in every way. That's been stated here now several times
|
|
|
|
|
|
I thought it had, but just wanted to make sure! Thanks for answering!
|
|
|
|
|
I used the same Sonic project from 2014 when we did this for the Robert Wise centenary and made a new DDP with encoded ISRCs from Fox, which they now insist on for all releases. Uploaded to La-La Land's plant rather than Kritzerland's. Those are the only differences. Mike M.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The score is now in public domain so anybody can put it out. Brm That's your version of a joke, right?
|
|
|
|
|
The score is now in public domain so anybody can put it out. Brm That's your version of a joke, right? No. Certain recordings, including ELVIS! , from the 50's have copyrights expired. Amoeba has carried this this title from other labels because of this.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|