|
|
|
|
|
|
|
|
|
Peace and love B It's all you need. Bwana.
|
|
|
|
|
As long as you dont like prog-rock.... We be cool.
|
|
|
|
|
|
|
|
WhatsA "tumbao"?
|
|
|
|
|
Quincy Jones, Count Basie & Frank Sinatra
|
|
|
|
|
Fyi According to his listing in American Heritage Dictionary (2002) his middle name is Delight and he is " primarily known for his musical composition for movies and television".
|
|
|
|
|
Quincy Jones, Count Basie & Frank Sinatra Thats a trio not a tumbao. Lol!!!!!
|
|
|
|
|
Quincy Jones in Paris, 1960
|
|
|
|
|
|
|
|
Quincy at the Royal Albert Hall for his Prom. August 2016.
|
|
|
|
|
|
|
|
WhatsA "tumbao"? C'mon! I really want to know.
|
|
|
|
|
As long as you dont like prog-rock.... We be cool. I don't mind a little, OLD OLD King Crimson. But, overall not much of a fan. I'll take Deep Purple over that.
|
|
|
|
|
https://en.wikipedia.org/wiki/Tumbao I think it's well known that the wave of post-Beatles artists did hit black virtuoso players hard. They heard these newbies playing a watered-down version of what they themselves had perfected for decades, and getting away with it. Also there's the thing of Blues coming from genuine grievance and pain, now becoming chic amongst people who just wanted to have fun with it. But they learned it could be mutually beneficial and could cut both ways. I remember hearing a blues singer saying something like, '... and then they (the Beatles wave) had that long hair thing goin' on, and we just couldn't compete with that: that's where the Afro came from. We were never gonna be able to copy the Beatles cut ...' The 'new' style was even associated with a 'new' haircut that the originators couldn't grow! It must've felt like a hijack. But that doesn't preclude them making money from the boom. I once helped write and voiceover a pilot for a late night blues radio show conjured up by an ad agency. Auntie Beeb (BBC) didn't bite on that one.
|
|
|
|
|
|
https://en.wikipedia.org/wiki/Tumbao I think it's well known that the wave of post-Beatles artists did hit black virtuoso players hard. They heard these newbies playing a watered-down version of what they themselves had perfected for decades, and getting away with it. Also there's the thing of Blues coming from genuine grievance and pain, now becoming chic amongst people who just wanted to have fun with it. But they learned it could be mutually beneficial and could cut both ways. I remember hearing a blues singer saying something like, '... and then they (the Beatles wave) had that long hair thing goin' on, and we just couldn't compete with that: that's where the Afro came from. We were never gonna be able to copy the Beatles cut ...' The 'new' style was even associated with a 'new' haircut that the originators couldn't grow! It must've felt like a hijack. But that doesn't preclude them making money from the boom. Zeppelin was accused of outright plagiarism, which I believe was settled for mega bucks outside court.
|
|
|
|
|
|
Wahhhhhh!
|
|
|
|
|
As long as you dont like prog-rock.... We be cool. I don't mind a little, OLD OLD King Crimson. But, othat. Oh yeah. First lp is a classic
|
|
|
|
|
|
|
|
Over at another board I go to, the interview was scene a different way, with the headline reading something like: Another old guy complains about modern music
|
|
|
|
|
|
|
|
|
|