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 Posted:   Jun 27, 2017 - 8:27 AM   
 By:   Hurdy Gurdy   (Member)

Thanks to the recent 'Top 10 Mark Isham' thread, I have a stack of CD's by him*, on my desk in work, that I am currently replaying again to see how I feel about them, since the last time I spun 'em.
I know he's a bit of an acquired taste around here, but I loved a lot of his stuff during the 80's and 90's.
I remembered liking this one, but had forgotten how great it really is.
40 minutes of exotic, mysterious and wondrous scoring, sprinkled with tropical splendour and some Ecuador rhythms.
I haven't seen the film, but listening to tracks like 'Underground Cathedral, Giant Tortoise, The Wonders That Lie Below (a true highlight) and Voyage Into The Unknown' really does conjure up exotic images of rare species and amazing nature sights.
While some of the other discs have been met with 'it's okay or meh', this is really good stuff that will be leaping onto my mp3 player asap.
Any other fans of this music out there?


*Fire In The Sky, Timecop, Crash, Miracle, Bobby, 8 Below.

 
 
 Posted:   Jun 27, 2017 - 12:23 PM   
 By:   Thor   (Member)

I used to dislike Isham, but now I really like him. CRASH is one of my favourite, electronic-heavy scores of all time. This, too, sounds like something potentially up my alley. Thanks for the heads-up!

 
 Posted:   Jun 27, 2017 - 12:52 PM   
 By:   thx99   (Member)

Yes, Galapagos gets frequent spins from me, more so than most other scores of Isham's, except maybe Miracle. It was a wonderful surprise when I picked up the CD many years ago.

 
 Posted:   Jun 27, 2017 - 12:57 PM   
 By:   That Neil Guy   (Member)

I listen to Galapagos just about every week. It's part of several playlists I play in the background during the work day.

 
 Posted:   Jun 27, 2017 - 3:19 PM   
 By:   spook   (Member)

GALAPAGOS is great isn't it Kev. And another great example of how versatile Mark Isham can be.
I've been a devoted fan of his ever since hearing those first haunting notes in MRS SOFFEL. I've followed him through the years and have pretty much everything released i think. I too like his earlier stuff a lot and its great rediscovering older scores again. Recently had COOL WORLD on regular rotation. Infectious, brilliant, toe-tapping stuff! Like any composer, every one isn't a 10/10 winner but there's something about his scoring i just love. GALAPAGOS is one of those great listens that can just take you away in the music.
For me, although an entirely different mood, i doubt he'll ever top MRS SOFFEL although i look forward to being proved wrong in every new release he produces.

 
 Posted:   Jun 27, 2017 - 3:46 PM   
 By:   Justin Boggan   (Member)

Shows you how different people can be. I went to youtube to sample this and after four cues, I gave up. To me it was unremarkable, rather uncreative in it's ethnic sound pallet and ideas, and rather immature in some of the writing.

 
 
 Posted:   Jun 28, 2017 - 11:47 AM   
 By:   PeteP   (Member)

Shows you how different people can be. I went to youtube to sample this and after four cues, I gave up. To me it was unremarkable, rather uncreative in it's ethnic sound pallet and ideas, and rather immature in some of the writing.

"immature"

Can you define what you mean by that? [not trying to be confrontational, honestly curious what that word choice means in this context]

 
 
 Posted:   Jun 28, 2017 - 12:05 PM   
 By:   notkafkaesque   (Member)

To me it was ... rather uncreative in it's [sic] ethnic sound pallet [sic] ... and rather immature in some of the writing.

Yes, examples please, of what you mean by "rather immature" writing. Of course, if he is using an ethnic sound "pallet," wouldn't that be pretty creative?

NK

 
 
 Posted:   Jun 28, 2017 - 2:59 PM   
 By:   Hurdy Gurdy   (Member)

Thor = you're welcome smile

Doug = I played MIRACLE today. I'd let the lengthy block suites put me off somewhat in the past (don't ask me why), but it is pretty moving and inspiring stuff..and trademark Isham. Have you heard EIGHT BELOW? It has some similar moments and style to MIRACLE.

spook = My devotion to his music via his recent scores has certainly waned these past few years, but the stuff I really know and grew up with will always be special to me. His Film Music CD with those 3 early scores on is sublime.

J-Bogg = You have to hear with better ears than that wink

 
 
 Posted:   Jun 28, 2017 - 4:27 PM   
 By:   humster   (Member)

My favourite Isham period is the mid 80s to early 90s when he was writing some wonderful jazz/electronic scores. His work for Alan Rudolph in particular is sublime. LOVE AT LARGE (my favourite of their collobrations) is a gorgeous mix of electronic synth music and sultry jazz that is for some reason completely overlooked. Also, his first instrumental album for Windham Hill VAPOR DRAWINGS has a completely unique sound (to my ears) and is well worth tracking down.

 
 
 Posted:   Jun 29, 2017 - 3:40 PM   
 By:   Hurdy Gurdy   (Member)

Vapour Drawings is great.
I have Love At Large on CD but haven't played it in years.
Looks like another trip to the Isham pile smile
I think I'll dig out the Nick Nolte and Jeremy Irons (on the cover) ones too.

 
 Posted:   Jun 29, 2017 - 4:04 PM   
 By:   spook   (Member)

REVERSAL OF FORTUNE.... beautiful, sad stuff.

 
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