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 Posted:   May 15, 2017 - 5:38 PM   
 By:   SBD   (Member)



POLTERGEIST II
Composed and Conducted by JERRY GOLDSMITH
INTRADA Special Collection 370

In 1986, MGM premiered its sequel to the hit 1982 film Poltergeist. Returning to score Poltergeist II was composer Jerry Goldsmith, who had received an Oscar nomination for the first film's score. Relying sparingly on musical ideas and themes from the first film, Goldsmith wrote a new score, focusing on the new characters and supernatural ideas presented in the film. For Intrada, the film presented a landmark -- it was only its second release, following the prior year's inaugural release of the same studio's Red Dawn, but its first being tied to the premiere of a summer blockbuster (hopefully) film and its first Jerry Goldsmith album. The costs were enormous, including full payments to both the musicians' and singers' unions -- costs that only made a 30-minute album possible. The composer and music engineer Bruce Botnick assembled a program focusing on certain elements of the score, while ignoring others (mainly the aggressive action and large choral pieces).

Since that time, the soundtrack to Poltergeist II has been re-released and expanded by Intrada and several other labels, with alterations and additions along the way. The score has returned home now and it hails the most definitive version yet. This three-CD set presents the complete score from the digital Sony PCM 3324 mixes Goldsmith and Botnick prepared back in 1986 for presentation on CD. While clean and quiet as you'd expect from the digital medium, the producing team added a fair amount of reverb. The complete score is presented again, this time newly remixed from the 1/2" analog film mixes stored in the MGM vaults, designed more to suit the film. While not as balanced as the digital mix, it features a much more crisp, detailed sound, mainly due to the lack of reverb.

The third disc features a wealth of alternate and unreleased material, the most impressive of which is the unreleased, complete initial version of the final confrontation, “Reaching Out/The Astral,” which features a distinctive three-part female chorus throughout the winding chordal sequences and, at one point, a solo soprano intoning her own descant. “The Astral” was Goldsmith’s own titling of the climactic sequence where Carol Anne reappears. For this early alternate confrontation music, besides the unique choral material, Goldsmith wrapped with a more detailed finale emphasizing a variety of colors before finishing with a deliberate, accented trombone coda. It is all being premiered here both with and without chorus. Both versions were dropped in postproduction and Goldsmith’s now-familiar re-scored sequence was used instead. Flipper-style booklet art plus all-new liner notes from Doug Fake chronicling entire history of this Intrada project complete this impressive Jerry Goldsmith presentation.

INTRADA Special Collection 370
Barcode: 7 20258 53702 7
Retail Price: $21.99
SHIPPING NOW
For track listing and sound samples, please visit:
http://store.intrada.com/s.nl/it.A/id.10863/.f
www.intrada.com

CD 1 – Complete Soundtrack
(Digital Mixes)
01. The Power (7:49)
02. Things (1:58)
03. The Mall (2:11)
04. The Past (0:27)
05. Late Call (With Ringtone) (3:26)
06. The Dream (0:38)
07. Clouds (0:53)
08. It’s No Use (2:50)
09. Take Care (0:31)
10. Butterflies (0:51)
11. The Visitor (6:39)
12. Wild Braces (2:19)
13. Leave Us Alone (4:12)
14. The Smoke (4:45)
15. The Drink (0:47)
16. The Worm (7:00)
17. Out Of The Ceiling (1:11)
18. Back To Cuesta Verde (3:16)
19. Reaching Out/The Astral (8:31)
20. Carol Anne’s Theme (End Title) (3:05)
CD 1 Total Time: 64:03

CD 2 – Complete Soundtrack
(Analog Mixes)
01. The Power (7:49)
02. Things (1:58)
03. The Mall (2:11)
04. The Past (0:27)
05. Late Call (With Ringtone) (3:26)
06. The Dream (0:38)
07. Clouds (0:53)
08. It’s No Use (2:50)
09. Take Care (0:31)
10. Butterflies (0:51)
11. The Visitor (6:39)
12. Wild Braces (2:19)
13. Leave Us Alone (4:12)
14. The Smoke (4:45)
15. The Drink (0:47)
16. The Worm (7:00)
17. Out Of The Ceiling (1:11)
18. Back To Cuesta Verde (3:16)
19. Reaching Out/The Astral (8:31)
20. Carol Anne’s Theme (End Title) (3:05)
CD 2 Total Time: 63:53

CD 3 – The Extras
01. The Power (Without Choir) (7:49)
02. Late Call – Part I (Without Ringtone) (3:25)
03. The Dream (Revised) (0:39)
04. It’s No Use (Without Choir) (2:50)
05. The Visitor (Without Choir) (6:39)
06. Wild Braces (Without Choir) (2:19)
07. The Smoke (Without Choir) (4:45)
08. The Worm (Without Choir) (7:00)
09. Reaching Out/The Astral – Alternate (8:30)
10. Reaching Out/The Astral – Alternate (Without Choir) (8:30)
11. Reaching Out/The Astral (Without Choir) (8:31)
12. The Star-Spangled Banner (Francis Scott Key) (0:14)
CD 3 Total Time: 61:37

 
 
 Posted:   May 15, 2017 - 5:53 PM   
 By:   Thgil   (Member)

The ringtone is included in both programs! Hell yesssssss! I shall most certainly be grabbing this one. I just need to wait for Varese's titles a week from now.

Thank you, Intrada!

 
 
 Posted:   May 15, 2017 - 5:56 PM   
 By:   jfallon   (Member)

I know they are online samples but hearing some amazing clarity with less tape hiss. I am so on the fence here... can't believe I might be dipping a 4th time for this. Am I nuts? What to do what to do

 
 Posted:   May 15, 2017 - 6:06 PM   
 By:   The Mutant   (Member)

Very cool.

 
 
 Posted:   May 15, 2017 - 6:20 PM   
 By:   rickO   (Member)

How do the analogue versions differ from Kritzerland's release?

-Rick O.

 
 Posted:   May 15, 2017 - 6:33 PM   
 By:   SchiffyM   (Member)

Not blaming Intrada, but man, that is some ugly artwork (the painted cover, that is).

 
 Posted:   May 15, 2017 - 6:51 PM   
 By:   JackBlu78   (Member)

Not blaming Intrada, but man, that is some ugly artwork (the painted cover, that is).

That is artwork that was commissioned by Shout Factory's offshoot horror line Scream Factory's blu Ray cover art. That artist creates that same type of artwork for a boatload of their releases. I hate them so much it's hard to even type it because the amount of foul language would get me banned. Sad Intrada had to use it but I'd imagine it has something to do with MGM and maybe wanting to change up the cover art so a few won't mistake it for another edition.

That Saw looking artwork MGM used for their BLU from a few years back is even worse. But oh well sign of the times I suppose. :-(

Music wise this release is most impressive can't wait to hear it. :-)

 
 
 Posted:   May 15, 2017 - 6:54 PM   
 By:   Zooba   (Member)

I remember the very first INTRADA release of this and being disappointed that the Choral Tracks did not appear on it. "God is in his Holy Temple" was such cool music in the movie and not to have it on that first release was definitely a let down.

Well now after all these releases from INTRADA, VARESE DELUXE and KRITZER'S I guess we have it all. That poor Poltergeist II cow's teets must be near the bleeding point.

Always loved Jerry's score to the film. I liked the Native Indian approach and really loved the Grandmother's Theme.

I remember working on HARRY AND HENDERSON'S on location in Seattle Washington as David Suchet's stand-in the summer POLTERGEIST II came out. I would talk to director Bill Dear as much as I could and asked him who he was thinking of to score HARRY. I asked if he'd consider Jerry Goldsmith and he said he hated Goldsmith's POLT II Score and that he wanted Randy Newman to score HARRY. Well he got Bruce Broughton, because that's who Spielberg wanted.

 
 
 Posted:   May 15, 2017 - 6:54 PM   
 By:   That Bloke   (Member)

Wow. most impressive.

Two things:
1. Track times for each cue on the digital and analog discs are the same, yet total time on CD2 is 10 seconds shorter than CD1.

2. That "grey cover" with Carol Anne and the Reverend's shadow is scary and disturbing.

 
 Posted:   May 15, 2017 - 6:59 PM   
 By:   The Mutant   (Member)

Not blaming Intrada, but man, that is some ugly artwork (the painted cover, that is).


You should see what they did to Village of the Damned. Yikes.

 
 
 Posted:   May 15, 2017 - 7:16 PM   
 By:   Last Child   (Member)

Which only makes me glad I dont collect soundtracks past 1980.

 
 
 Posted:   May 15, 2017 - 7:18 PM   
 By:   kaseykockroach   (Member)

For being one of the worst horror sequels ever made, this score sure has a following!

I have the Kritzerland, and will wait for responses here to see if it's worth looking into again.

 
 Posted:   May 15, 2017 - 7:23 PM   
 By:   SBD   (Member)

Not blaming Intrada, but man, that is some ugly artwork (the painted cover, that is).

That is artwork that was commissioned by Shout Factory's offshoot horror line Scream Factory's blu Ray cover art. That artist creates that same type of artwork for a boatload of their releases. I hate them so much it's hard to even type it because the amount of foul language would get me banned. Sad Intrada had to use it but I'd imagine it has something to do with MGM and maybe wanting to change up the cover art so a few won't mistake it for another edition.


Seriously?! I think the Scream Factory artwork is fantastic. (In general; this cover is nice, though the Freddy Kreugeresque style of Kane is off-putting.) I'd kill to have the same artist do a poster for a horror movie of mine.

$21.99 for a 3CD set? What a freakin' deal.

 
 Posted:   May 15, 2017 - 7:25 PM   
 By:   Tom Servo   (Member)

The ringtone is included in both programs! Hell yesssssss! I shall most certainly be grabbing this one. I just need to wait for Varese's titles a week from now.

Thank you, Intrada!


I hate that f*cking ring tone in that track.

 
 
 Posted:   May 15, 2017 - 7:57 PM   
 By:   Thgil   (Member)

I hate that f*cking ring tone in that track.

I've always loved Goldsmith's penchant for in-score sound effects. We differ. That's life. smile

 
 Posted:   May 15, 2017 - 7:59 PM   
 By:   Tom Servo   (Member)

The ringtone is included in both programs! Hell yesssssss! I shall most certainly be grabbing this one. I just need to wait for Varese's titles a week from now.

Thank you, Intrada!


I hate that f*cking ring tone in that track.


I've always loved Goldsmith's penchant for in-score sound effects. We differ. That's life.


I pretty much love every single sound effect Goldsmith added into his scores by way of synths, but hearing someone's phone ring isn't the same kind of cool that synth sounds play in GREMLINS, UNDER FIRE or BABY.

 
 Posted:   May 15, 2017 - 8:01 PM   
 By:   Solium   (Member)

Not blaming Intrada, but man, that is some ugly artwork (the painted cover, that is).

That is artwork that was commissioned by Shout Factory's offshoot horror line Scream Factory's blu Ray cover art. That artist creates that same type of artwork for a boatload of their releases. I hate them so much it's hard to even type it because the amount of foul language would get me banned. Sad Intrada had to use it but I'd imagine it has something to do with MGM and maybe wanting to change up the cover art so a few won't mistake it for another edition.


Seriously?! I think the Scream Factory artwork is fantastic. (In general; this cover is nice, though the Freddy Kreugeresque style of Kane is off-putting.) I'd kill to have the same artist do a poster for a horror movie of mine.

$21.99 for a 3CD set? What a freakin' deal.


Criticism of the cover art is pretty harsh. It's professionally rendered by a skilled artist. The layout is decent enough and the likenesses are spot on. I do agree the "villains" face is pretty ugly.

 
 Posted:   May 15, 2017 - 8:07 PM   
 By:   bdm   (Member)

Wasn't planning on pulling the trigger on this, but they sold me.

...Don't like the artwork? Download one you like, or Photoshop your own - its 2017!wink

 
 Posted:   May 15, 2017 - 8:07 PM   
 By:   Shaun Rutherford   (Member)

Who is that little girl supposed to be in the Scream Factory cover?

 
 Posted:   May 15, 2017 - 8:10 PM   
 By:   The Mutant   (Member)

Just gotta say, as someone who has purchased this score multiple, multiple times, I appreciate the $21 price point for a three disc set. That's pretty rad.

 
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