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TIMEMASTER - Original Soundtrack by Harry Manfredini
http://tinyurl.com/zc6vflg
SRP: $17.95
LISTEN TO A SOUND CLIPS FROM the from the album [bTIMEMASTER
TIMEMASTER-Main Title: http://tinyurl.com/jqm9kym
Virtually Western Reality: http://tinyurl.com/jbyqo6x
The first 100 copies ordered through the website will include a booklet autographed by composer Harry Manfredini.
Starts Shipping the week of March 13, 2017
Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents the premiere soundtrack release of TIMEMASTER, featuring music composed by Harry Manfredini (FRIDAY THE 13TH, SWAMP THING, HOUSE, THE OMEGA CODE) for the 1995 family scifi adventure film written and directed by James Glickenhaus (THE EXTERMINATOR, THE SOLDIER, SHAKEDOWN), starring Jesse Cameron-Glickenhaus, Pat Morita, Joanne Pacula, Duncan Regehr, Michael Dorn, Michelle Williams and Zelda Rubinstein.
Released in 1995, TIMEMASTER is a time-travel adventure concerning an organization of aliens who send teams of “collectors” across space and time to gather other life forms which they will use as contestants or pawns in life-or-death virtual reality games. Led by The Chairman (Michael Dorn), these collectors have targeted Earth as their next source for players and pawns. TIMEMASTER is an ambitious story that spreads through various time periods as Jesse (Jesse Cameron-Glickenhaus), the son of the collectors’ most recent gathering of contestants joins forces with a former collector turned rebel (THE KARATE KID’s Pat Morita) to fight back against the Chairman and rescue Jesse’s parents. Joanna Pacula and Duncan Regehr co-star as Jesse’s Mom and Dad, with popular actress Michele Williams in one of her first feature film roles as Annie, Jesse’s love interest.
Harry Manfredini, best known for scoring the first ten FRIDAY THE 13TH horror films (1980-2001), composed the music for TIMEMASTER. One of Manfredini’s business partners and a long-time associate, Jerry Lambert, was the line producer on TIMEMASTER and he suggested to Glickenhaus that Harry be considered for the film’s music. His score for the film is a mixture of four recurring motifs and ten standalone musical set-pieces, an effective combination of dramatic underscore and action-driving fortissimo composition. Because Jesse visits many different eras of past and future, Manfredini had the chance to really stretch his sonic muscles and compose music for many different periods and genres.
Born in Chicago, Harry has spent most of his life in music. While living in the Midwest, he worked as an arranger and performer. He also earned a Bachelor of Music degree from DePaul University and a Master of Arts degree from Western Illinois University, where he subsequently taught theory, orchestration, and conducting. Harry moved to New York to pursue his doctorate at Columbia University. Upon completion of his doctoral courses, the opportunity arose for him to further his longtime dream of a career in film music. The years of classical training and the twenty years in the popular music scene (he plays great sax) combined with a good sense of drama to make him a natural in film music.
Harry has scored over one hundred films. His major feature credits include the highly successful FRIDAY THE 13TH series for Paramount Pictures, and now New Line Cinema. SWAMP THING for UA/Embassy, HOUSE, A breakaway hit for New World Pictures, and DEEP STAR SIX and ACES-IRON EAGLE III for Carolco Pictures. These films characterize his style as an action, suspense, and thriller composer but Harry's credits also include SPRING BREAK, a good-time rock and roll summertime success for Columbia Pictures and MY BOYFRIEND'S BACK, a teen comedy for Touchstone Pictures. Harry's dark, jazzy, dramatic scores have been heard in A GUN, A CAR, A BLOND, and HIDDEN AGENDA. Harry’s score to WISHMASTER helped make it the number one independent film of 1998, and he repeated in 1999 with his score to THE OMEGA CODE, the largest grossing independent for 1999.
Dragon’s Domain Records is excited to announce the premiere soundtrack release of TIMEMASTER, featuring music composed by Harry Manfredini, mastered by James Nelson at Digital Outland. The booklet contains liner notes written by author Randall Larson featuring the participation of the composer.
TIMEMASTER is a limited edition release of 1000 units. TIMEMASTER will begin shipping the week of March 13th, 2017.
01. Opening Titles 3:18
02. Jesse, Veronica and the
Grime Bandits 4:51
03. Virtually Western Reality 7:38
04. Jesse’s Quest 4:23
05. Domino’s Go Fix ‘em 0:43
06. Timely Bubbles 2:54
07. Annie, Bioticks & Mom 5:00
08. Thus Spoke Billysnubdraw 3:48
09. Careful What You Wish For 4:27
10. Where Are We 2:06
11. Fight and Flight 4:43
12. The Blue Future 3:09
13. China Blue Source 2:15
14. The Shaolin Temple/Mordified 5:48
15. Ski Torture 6:21
16. Love in a Neutral Country 1:53
17. Die Kutluire 1:36
18. Finale 2:49
19. Final Credits 4:32
Total Time: 72:59
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A huge THANK YOU to Dragon's Domain for releasing this gem!
Once you asked what a "proper" release is... THIS is a proper release (factory pressed, with booklet, liner notes, professional art, all in a jewel case).
Hope more Manfredini scores are in the pipeline, like OMEGA CODE or HIDDEN AGENDA.
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A huge THANK YOU to Dragon's Domain for releasing this gem!
Once you asked what a "proper" release is... THIS is a proper release (factory pressed, with booklet, liner notes, professional art, all in a jewel case).
Hope more Manfredini scores are in the pipeline, like OMEGA CODE or HIDDEN AGENDA.
I hate to break to you, but DIGITAL RELEASES are "Proper" as well.
Ford A. Thaxton
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This is a great little score! Goldsmith fans should find a lot to like, particularly the western theme in track 3.
Track 3 is a favorite of mine as well.
Ford A. Thaxton
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I hate to break to you, but DIGITAL RELEASES are "Proper" as well.
Ford A. Thaxton
Nope, no way, never. Some of us are happy to be fixated on defining CDs and LPs as being proper and digital-only as being un- not- non-proper. T'ain't nuthin' you can do to change that. You just gotta live with it, Fordy, as much as we gotta live with you telling us digital releases are proper.
By the way, saying you "hate to break" it to us is, let's face it, disingenuous, Ford. You LOVE to break it to us. 
As an aside, when I say the word "proper" I like to say, "Prop-ah."
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Timemaster was James Glickenhaus final movie, before he started in the car business.
Let's hope another Glickenhaus movie, Shakedown/Blue Jean Cop from 1988 will get its score (by Jonathan Elias) released someday.
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Nope, no way, never. Some of us are happy to be fixated on defining CDs and LPs as being proper and digital-only as being un- not- non-proper.
Exactly!!
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I just revisted the first two House movies recently and really loved the scores, especially the second one. Seeing as how the Varese CD is hard to find and incomplete anyway, I'm considering looking into this one. Worth a shot?
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