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 Posted:   Feb 12, 2017 - 4:11 PM   
 By:   Bill in Portland Maine   (Member)


He just won Best Score Soundtrack for Star Wars VII: The Force Awakens.

Awesome. The more I listen to that score, the more amazed I am. A really tremendous return to the franchise. Can't wait for Episode 8.

-

 
 Posted:   Feb 12, 2017 - 4:34 PM   
 By:   LordDalek   (Member)

See the Grammy's are smart! They ain't willing to give Morricone a belated life time achievement award for a recycled soundtrack written for The Thing!

 
 Posted:   Feb 12, 2017 - 4:34 PM   
 By:   LordDalek   (Member)

See the Grammy's are smart! They ain't willing to give Morricone a belated life time achievement award for a recycled soundtrack written for The Thing!

 
 
 Posted:   Feb 12, 2017 - 4:44 PM   
 By:   townerbarry   (Member)

I was just there on Grammy.com and seen that Johnny Williams won!!! How about that. No. 23.

 
 
 Posted:   Feb 12, 2017 - 4:45 PM   
 By:   Morricone   (Member)

See the Grammy's are smart! They ain't willing to give Morricone a belated life time achievement award for a recycled soundtrack written for The Thing!

Since you didn't wink I might as well chime in. No they gave it to a score where the most prominent and indelible moments were written in 1977.

 
 
 Posted:   Feb 12, 2017 - 4:47 PM   
 By:   rickO   (Member)

The Force Awakens soundtrack is a spectacularly assembled album, pretty much perfect. It flows well, touches base with all the main ideas, and delivers a punch with sound quality.

-Rick O

 
 
 Posted:   Feb 12, 2017 - 4:56 PM   
 By:   townerbarry   (Member)

See the Grammy's are smart! They ain't willing to give Morricone a belated life time achievement award for a recycled soundtrack written for The Thing!

Since you didn't wink I might as well chime in. No they gave it to a score where the most prominent and indelible moments were written in 1977.



A very slight correction for you and others.

The Weinstein Brothers Miramax help produce and distribute Hateful 8.

And The Weinstein boys placed massive ads in THR and Variety for Morricone.

Those ads paid off. The Academy I know...still does not listen to movie scores. lol

 
 
 Posted:   Feb 12, 2017 - 4:58 PM   
 By:   townerbarry   (Member)

The Force Awakens soundtrack is a spectacularly assembled album, pretty much perfect. It flows well, touches base with all the main ideas, and delivers a punch with sound quality.

-Rick O


I would agree on what was heard on in the movie and not on the cd. There are some...who have released the entire score on youtube...and yes that is wrong! but the entire score sure does rock and flow.

 
 Posted:   Feb 12, 2017 - 5:35 PM   
 By:   JackBlu78   (Member)

It's always so crazy how a score can be so popular and probably sells very well and it is like moving a mountain to get an expanded full score CD set released.

Personally I usually don't buy these soundtrack albums for newly released films. I usually wait it out and or do without and spend my money on new catalog title releases.

 
 Posted:   Feb 12, 2017 - 5:39 PM   
 By:   RoryR   (Member)

He just won Best Score Soundtrack for Star Wars VII: The Force Awakens.

Meh. As Ingrid Bergman once said, "It's nice to win an award."

 
 
 Posted:   Feb 12, 2017 - 6:09 PM   
 By:   Morricone   (Member)

See the Grammy's are smart! They ain't willing to give Morricone a belated life time achievement award for a recycled soundtrack written for The Thing!

Since you didn't wink I might as well chime in. No they gave it to a score where the most prominent and indelible moments were written in 1977.



A very slight correction for you and others.

The Weinstein Brothers Miramax help produce and distribute Hateful 8.

And The Weinstein boys placed massive ads in THR and Variety for Morricone.

Those ads paid off. The Academy I know...still does not listen to movie scores. lol


And the entire Grammy membership (like AMPAS) votes on the final award. So a country music award composer is voting for best media score. Either way the final wins are voted on by people many of whom do not listen to everything they should.

 
 
 Posted:   Feb 13, 2017 - 8:42 AM   
 By:   ILOVESCORES65   (Member)

See the Grammy's are smart! They ain't willing to give Morricone a belated life time achievement award for a recycled soundtrack written for The Thing!

I usually don't chime in on these things, but your ignorant statement needs a reply. Morricone wrote a fully "original" score for THE HATEFUL EIGHT. It was the director, Quentin Tarantino, who temped certain scenes with selections from THE THING and EXORCIST II: THE HERETIC. Whether or not you like the score is one matter, but please avoid throwing around "FAKE NEWS" into the mix.

Angry Peter

 
 Posted:   Feb 13, 2017 - 9:18 AM   
 By:   Shaun Rutherford   (Member)

I disagree that the album assembly is strong - what in the hell was Williams doing putting Rey's Theme in between the two action cues? - but the score is so much more than just references to the glory years of 1977. Rey's Theme alone should have been nominated for Best Instrumental Composition (Newman was up for his Bridge Of Spies End Title, as was Morricone for the MT for The Hateful Eight).

 
 Posted:   Feb 13, 2017 - 9:42 AM   
 By:   SchiffyM   (Member)

I disagree that the album assembly is strong - what in the hell was Williams doing putting Rey's Theme in between the two action cues?

Gee… I kinda like that.

 
 Posted:   Feb 13, 2017 - 9:46 AM   
 By:   SchiffyM   (Member)

the final wins are voted on by people many of whom do not listen to everything they should.

Well yes, but you can't take these things too seriously. They're awards shows. No Oscar voter can see every movie, no Emmy voter can see even a tiny fraction of available television, etc. Ultimately, the Grammys can be a fun show, but they're not necessarily a sign of any enduring legacy. That gets sorted out by natural selection over decades.

- SchiffyM (a former Emmy voter who saw next-to-no television)

 
 
 Posted:   Feb 13, 2017 - 9:49 AM   
 By:   Hurdy Gurdy   (Member)

I'm with the SchiffyM(eister) too.
I love the way Rey's Theme breaks up the two similar escape/chase action cues.
R.R..R...Rutherford...y..y..yyou're just plain wr..rr..rrrong!!

 
 
 Posted:   Feb 13, 2017 - 10:54 AM   
 By:   Morricone   (Member)

the final wins are voted on by people many of whom do not listen to everything they should.

Well yes, but you can't take these things too seriously. They're awards shows. No Oscar voter can see every movie, no Emmy voter can see even a tiny fraction of available television, etc. Ultimately, the Grammys can be a fun show, but they're not necessarily a sign of any enduring legacy. That gets sorted out by natural selection over decades.

- SchiffyM (a former Emmy voter who saw next-to-no television)



I’d like to add a note of integrity here. From somewhere in the 1970s the film academy found an absurd arbitrariness in the voting for certain categories. Members would fill out ballots like multiple choice questions in a quiz. Guessing a lot. They instilled a rule that in the following categories you had to prove you saw all five nominations (ticket stubs, signing in at screenings) in order to vote in that category.

FOREIGN LANGUAGE FILM
DOCUMENTARY
LIVE ACTION SHORT
ANIMATED SHORT
DOCUMENTARY SHORT

I thought this was fantastic and the nature of the wins in these categories changed dramatically with a lot of surprises. At that point I had ardently wished they could spread that to every category, as unrealistic that sounds. A couple years ago they dropped that rule because all five nominees were included in DVDs sent to members and they now assume you saw them all (of course when you assume you make an ass of u and me). But for those 40 some years in those categories the word “art” and “honors” really meant something and for that gesture (and a few other things) I have been a fan of the Academy, despite all the other crap associated with it. They have literally “tried” to make things work.

Indeed, for me, all awards mean a little less, not because of who votes (World Soundtrack awards are us), but the fact, like clockwork, the “popular” title will win and many voters haven’t even listened/saw the rest.

Which is why the only exciting thing for me is the surprise win. It means somebody broke through the odds. Something in what they did rose above it all. Example Alan Arkin winning a few years ago against Eddie Murphy.

 
 Posted:   Feb 13, 2017 - 10:56 AM   
 By:   other tallguy   (Member)

I disagree that the album assembly is strong - what in the hell was Williams doing putting Rey's Theme in between the two action cues? - but the score is so much more than just references to the glory years of 1977. Rey's Theme alone should have been nominated for Best Instrumental Composition (Newman was up for his Bridge Of Spies End Title, as was Morricone for the MT for The Hateful Eight).

That was pretty much my answer as well: Rey's Theme. It is so good.

I adore Rouge One. I've been playing it rather obsessively.

Then I watched The Force Awakens last week, which I consider to be a really "OK" Star Wars score. And I have to admit to thinking "Ah. Now THIS is the real stuff."

I guess Williams' "OK" is better than other people's outstanding.

 
 Posted:   Feb 13, 2017 - 11:08 AM   
 By:   Shaun Rutherford   (Member)

McGann, you ignorant slut.

It breaks up the flow of the action cues! I moved it after the Main Title because I'M in charge and you can all blow me!!!!!!!!!!!

 
 Posted:   Feb 13, 2017 - 1:32 PM   
 By:   JeffM   (Member)

Did they even mention this on the Grammy show? I watched most of it, but I didn't see/hear anything about this category, even to say that they "won earlier today."

 
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