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 Posted:   Feb 7, 2017 - 4:10 AM   
 By:   moolik   (Member)

No clue who wrote the score...not on imdv or otherwise listed...any clues...I really like the staccato rhythm!

https://www.youtube.com/watch?v=sojtTb2zwdg

 
 Posted:   Feb 7, 2017 - 4:32 AM   
 By:   Justin Boggan   (Member)

It's probably all a track job. Another FSM posts says there's Bartok in there (another source cites the piece Music for Strings, Percussion and Celesta).

 
 
 Posted:   Feb 18, 2017 - 8:39 AM   
 By:   moolik   (Member)

Ah...thanks...found it..it is indeed taken from BELA BARTOK's Concerto for percussion...
This little segment actually reminds me of Goldsmiths track "Broken Vows" from THE OMEN....Bartok seems to be a great influence for a lot of film composers.
John Williams STAR WARS is always mentioned along with Holst but Concerto for Orchestra for example has a definite hint of RETURN OF THE JEDI " Approaching the Death Star "..check it out its nice to hear the similarity or influence.

 
 
 Posted:   Feb 18, 2017 - 9:04 AM   
 By:   Graham Watt   (Member)

I remember when this was on the telly hundreds of years ago, and I went, "Wow! Jerry Goldsmith!" Put in a couple of steel drums and you get ESCAPE FROM THE POTA.

I think in this particular case it's a very fortunate use of existing music. It really does seem to lend the scene a sense of "urgency" (if you know what I mean) and works tremendously well with the "modern" ('70s) visuals and cutting.

P.S. - That particular staccato piano sound heard in THE MONEY MOVERS also turned up in CLOSE ENCOUNTERS, in the track "Climbing the Mountain" (I think). I suppose if we spread the net wider than just that little part of Bartók, we'll see that his influence was enormous across a whole range of composers.

 
 Posted:   Feb 18, 2017 - 10:52 AM   
 By:   RoryR   (Member)

It's probably all a track job. Another FSM posts says there's Bartok in there (another source cites the piece Music for Strings, Percussion and Celesta).

From John O'Callaghan's book "Simians & Serialism" Page 98:

"Bartok's five pitches from Movement III of Music for Strings, Percussion and Celesta, C-A-Bb-Eb-D, which form the root of the serial row for the entire Planet of the Apes score, make a bold appearance in "The Clothes Snatchers." Here, in mm.31-34, as Taylor, Dodge and Landon chase after the sub-humans, Goldsmith transposes the pitches up three semitones to D#(Eb) utilizing row P-3. Much like Bartok, he puts these pitches on prime display with accents in the high-registers of the piccolo, piano, xylophone and violin pizzicato."

(Sorry, my keyboard doesn't allow me to make correct musical type characters or accents)


 
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