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 Posted:   Jan 21, 2017 - 5:12 AM   
 By:   Graham Watt   (Member)


So, to sum up, I don't think it matters.


It gives people something else to take umbridge over. Otherwise, I agree with you.


Yeah Mr Guy, I hope ol' zoobs doesn't take any oxbridge himself - zooba, we love ya! - but I think that some of us soundtrack fruit n' nutcases are a shade too sensitive, or overly defensive or something, about our film scores and beloved composers.

 
 
 Posted:   Jan 21, 2017 - 7:57 AM   
 By:   alintgen   (Member)

Leaving the composer's name off of the cover confirms the basic fact that soundtrack recordings are released first and foremost of promote the film. The music, no matter how good or important, is secondary.

 
 
 Posted:   Jan 21, 2017 - 9:28 PM   
 By:   Zooba   (Member)

In the end as always here guys, it's something to talk about.

In the world in which we live "What really matters anyway?"

Talk is cheap and if I was a HO I'd probably be pretty inexpensive. I have no idea what I meant by that.

Happy Weekend everybody!

I haven't been caught by Thor for not using the "search engine" for a few days now, so I guess I'm in pretty good shape.

Cheers!

 
 Posted:   Jan 22, 2017 - 2:50 PM   
 By:   Adm Naismith   (Member)

The one that puzzled me was THE LIVING DAYLIGHTS.

Very unusual for a Bond soundtrack to credit anybody on the front.

And it was a shit poster and a crappy cover anyway.


AND they didn't credit Gladys Knight in the Main Titles like EVERY OTHER title song...

 
 Posted:   Jan 23, 2017 - 12:05 AM   
 By:   Krakatoa   (Member)

I just pulled out my LP and it's this...



...but with MCA-1660
in a rectangular box in the upper right-hand corner. But the back cover has MCA-2087 in small print, same location. Whatever. Seems to me I purchased it right after film's release.

I remember now. It was the first MCA CD release, I think around 1992, that did not have the composer name on the cover art.

 
 Posted:   Jan 23, 2017 - 3:58 AM   
 By:   Thomas   (Member)

The one that puzzled me was THE LIVING DAYLIGHTS.

Very unusual for a Bond soundtrack to credit anybody on the front.

And it was a shit poster and a crappy cover anyway.



I'm reporting your post for abuse as it's a direct criticism of my avatar...wink

 
 Posted:   Jan 23, 2017 - 4:37 AM   
 By:   johnbijl   (Member)

Seriously, I think the only composer with enough name value to sell soundtracks on it's own is Ennio Morricone. Even with Williams or Zimmer the title of the movie seems to be te biggest selling point.

Perhaps that with only a handful of others recognition could lead to extra sails. I bought Aliens also because I likes Star Trek II so much.

That said, there are other, more important reasons to put the name of the composer on the front cover. Respect and rightful recognition for example.

 
 Posted:   Jan 23, 2017 - 4:42 AM   
 By:   Stephen Woolston   (Member)

The one that puzzled me was THE LIVING DAYLIGHTS.

Very unusual for a Bond soundtrack to credit anybody on the front.

And it was a shit poster and a crappy cover anyway.



I'm reporting your post for abuse as it's a direct criticism of my avatar...wink


How dare you not credit the guv'nor! big grin razz wink

 
 Posted:   Jan 23, 2017 - 4:46 AM   
 By:   Stephen Woolston   (Member)

I tend to agree that putting the composer's name on the front of a soundtrak LP isn't going to have a material effect on sales.

1. If it's a new release, people buy it on the title of the film, knowing they liked the music.

2. If it's old, it's basically for people who care, and they already know who it's by.

That said, it doesn't cost anything (more) to credit the composer, so why not, really.

Cheers

 
 Posted:   Jan 23, 2017 - 5:01 AM   
 By:   Stephen Woolston   (Member)

Some other examples of composer not credited, although, in fairness, some of these were various artists soundtrack albums rather than sole composer albums:











 
 
 Posted:   Jan 23, 2017 - 5:18 AM   
 By:   OnyaBirri   (Member)

Talk is cheap and if I was a HO I'd probably be pretty inexpensive. I have no idea what I meant by that.

I have HO trains, steam to diesel transition era (1940s-60s).

 
 Posted:   Jan 23, 2017 - 5:18 AM   
 By:   Stephen Woolston   (Member)

And of course there's this. Okay, it's not the score album, but no mention of Jerry Goldsmith or John Barry anywhere, front or back. Credits the whole of the rest of the world, though.





Cheers

 
 
 Posted:   Jan 23, 2017 - 10:22 AM   
 By:   Howard L   (Member)

Growing up buying soundtracks I have to admit it's not something I noticed or cared about. But in retrospect I think it's rather disrespectful leaving the composers name off the cover.

This. And like we really care about the vast majority of people who don't care about film music and film music composers. We're the only ones that care. Which is why threads like this have meaning to us only.

And of course there's this. Okay, it's not the score album, but no mention of Jerry Goldsmith or John Barry anywhere, front or back. Credits the whole of the rest of the world, though.

This too.

 
 Posted:   Feb 11, 2017 - 9:13 AM   
 By:   Doug Raynes   (Member)

Remarkably, Miklos Rozsa's name doesn't appear on this front cover and his name as composer only appears in tiny print (magnifying glass not supplied) on the back cover as part of the music publisher (EMI) credit.

Sony later released EL CID and KING OF KINGS and remembered to credit Rozsa on those front covers.




 
 
 Posted:   Feb 11, 2017 - 9:38 AM   
 By:   AndyDursin   (Member)

Never mind the front cover..
How about not on the album at all?

Check out THE BONFIRE OF THE VANITIES. If memory serves Dave Grusin's name appears nowhere except the little box of film credits. Must have been a contractual thing as Atlantic and not his own label (GRP) released it at the time.

 
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