|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
"Star Trek: First Contact" without a doubt.
|
|
|
|
|
|
|
|
|
|
|
A productive year for Goldsmith, yes, but maybe his dullest. I'll choose City Hall, but I'd rather talk about the Goldsmith of 1978, 1966, 1995, or most any other year.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I forgot -- he had one more score that year, the rejected "2 Days in the Valley".
|
|
|
|
|
Ghost and the Darkness is the best score he did that year, but First Contact has my favorite theme. I personally think it was a year of good (and perhaps underrated) scores, not absolutely five-star great ones, from the master. Yavar
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|