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REALITY CHECK
music composed by Wojciech Golczewski
http://www.howlinwolfrecords.com/storerealitycheck.html
Visit the link above for more details and sample cues.
REALITY CHECK creates a narrative culled from over 500 unused music cues from various film projects and is designed as a complete sensory and psychological journey for the listener. Composed, arranged, and produced by Wojciech Golczewski, REALITY CHECK features a glossy digipak design with liner notes by James Anthony Phillips, artwork by Marie Bergeron, and vivid packaging designs by Javier Burgos.
BIO: Wojciech Golczewski is a polish composer who began writing music in his teenage years. Though he studied fine arts, both at an arts high school and at the Academy of Fine Arts in Poznan, he decided to focus his professional efforts entirely on music. Golczewski’s musical career started in the European demoscene, an art subculture where artists show off their programming and musical skills. Following a career in composing for video games including PlayStation 3 titles like LINGER IN SHADOWS and DATURA, the composer scored his first feature film with ERASER CHILDREN, an Australian sci-fi. His other recent scores include the Norwegian thriller DARK SOULS, the Icelandic crime thriller CITY STATE, werewolf film LATE PHASES and last year’s WE ARE STILL HERE, which was nominated for the 2015 Fangoria Chainsaw Award for the Best Horror Score.
TRACKS:
1. The Puppets Dream (4:10)
2. Sid Vortex (2:35)
3. Solitude (3:26)
4. Insomnia (3:25)
5. Impulse (3:12)
6. Check One (1:14)
7. Find Me (4:00)
8. Check Two (1:33)
9. Being Human (5:01)
10. Gravity (5:09)
11. The Void (3:26)
12. Reality Check (1:56)
13. The Sham Mirrors (2:14)
14. The Architect (2:32)
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TRACKS:
1. The Puppets Dream (4:10)
2. Sid Vortex (2:35)
3. Solitude (3:26)
4. Insomnia (3:25)
5. Impulse (3:12)
6. Check One (1:14)
7. Find Me (4:00)
8. Check Two (1:33)
9. Being Human (5:01)
10. Gravity (5:09)
11. The Void (3:26)
12. Reality Check (1:56)
13. The Sham Mirrors (2:14)
14. The Architect (2:32)
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How does a composer get 500 un-used cues? I don't think if we added up all the cues from Elmer Bernstein's thirteen [known] rejected scores, we'd have 500 cues. Especially when IMDb only shows sixteen projects for him. That would be about 31 un-used cues per project. What?
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