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Harold Faltermeyer is saying that these two scores are coming this fall. What kind of album will it be? For BHCI, three score tracks have been released over the years - Axel F., Shootout and Discovery. How much more score is there in the film? No score from BHCII has ever been released in any form. How much score did HF write for the film? My feeling is that this release will be a single CD with scores from both films. Probably on La La Land Records. Any ideas?
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My feeling is that this release will be a single CD with scores from both films. Probably on La La Land Records. I hope so very much you are wrong and that we instead get the scores to all 3 BHC movies.
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Harold Faltermeyer is saying that these two scores are coming this fall. What kind of album will it be? For BHCI, three score tracks have been released over the years - Axel F., Shootout and Discovery. How much more score is there in the film? No score from BHCII has ever been released in any form. How much score did HF write for the film? My feeling is that this release will be a single CD with scores from both films. Probably on La La Land Records. Any ideas? The instrumental of 'Bad Boys' from Harold F is one of the action themes in BHC 2
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Harold Faltermeyer is saying that these two scores are coming this fall. Source, please ?
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I shit my pants
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Harold Faltermeyer is saying that these two scores are coming this fall. What kind of album will it be? For BHCI, three score tracks have been released over the years - Axel F., Shootout and Discovery. How much more score is there in the film? No score from BHCII has ever been released in any form. How much score did HF write for the film? My feeling is that this release will be a single CD with scores from both films. Probably on La La Land Records. Any ideas? Depending on licensing, I would hazard a guess a 2 CD package, album presentations on each disc with score tracks included as "bonus material". Would possibly be stretching the 80min mark of the CD for the second film but would easily work for the first.
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My feeling is that this release will be a single CD with scores from both films. Probably on La La Land Records. I hope so very much you are wrong and that we instead get the scores to all 3 BHC movies. Honestly, I really don't need the BHC3 score. I still find it a pity that HF didn't score it. I wonder if Landis ever asked him, I doubt he did. Landis had worked with Rodgers before, on Coming To America.
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Harold Faltermeyer is saying that these two scores are coming this fall. What kind of album will it be? For BHCI, three score tracks have been released over the years - Axel F., Shootout and Discovery. How much more score is there in the film? No score from BHCII has ever been released in any form. How much score did HF write for the film? My feeling is that this release will be a single CD with scores from both films. Probably on La La Land Records. Any ideas? Depending on licensing, I would hazard a guess a 2 CD package, album presentations on each disc with score tracks included as "bonus material". Would possibly be stretching the 80min mark of the CD for the second film but would easily work for the first. Would be a good solution, as I still haven't got any of the song albums in my collection...
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The song is called Bad Guys by the way, not Bad Boys.
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Rogers' score is what I want. I don't want the Faltermeyer efforts. Faltermeyer's edit that is known as the Axel Foley Theme, is all I really need. I'm hoping they are -- assuming LLLRs is doing it -- the score to the unaired pilot not too long ago, by Robert Duncan.
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The song is called Bad Guys by the way, not Bad Boys. You're right, it's been awhile that i listened to it
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They should do a full 2 disc set with the exact score as played in the movies, full and unedited. For anyone interested, In Part 2 when Foley is talking on the phone in Billy's flat, there is a funky theme that's played for about a minute. You can actually hear a much full and longer version of this score for part 2 in the background very faintly in one of the behind the scenes videos on the dvd, so someone obviously has all the music in its full format ready to release even way back then. Unfortunately you can't extract the music easily as the cast is talking over it, but maybe someone else can try and do it. Also, It beggars belief why a Synthesized score is such a pain in the ass to licence. I could understand if it was an orchestra and so forth, but for a Synthesizer score done by literally 1 guy, surely thiscould have been sorted without any issues way back. It seems like Paramount likes to piss people off by holding classic unreleased music to ransom for some unknown reason. The same with Universal who have Fletch.
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They should do a full 2 disc set with the exact score as played in the movies, full and unedited.The same with Universal who have Fletch.
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Posted: |
Oct 26, 2016 - 4:42 AM
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By: |
panavision
(Member)
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They should do a full 2 disc set with the exact score as played in the movies, full and unedited. For anyone interested, In Part 2 when Foley is talking on the phone in Billy's flat, there is a funky theme that's played for about a minute. You can actually hear a much full and longer version of this score for part 2 in the background very faintly in one of the behind the scenes videos on the dvd, so someone obviously has all the music in its full format ready to release even way back then. Unfortunately you can't extract the music easily as the cast is talking over it, but maybe someone else can try and do it. Also, It beggars belief why a Synthesized score is such a pain in the ass to licence. I could understand if it was an orchestra and so forth, but for a Synthesizer score done by literally 1 guy, surely thiscould have been sorted without any issues way back. It seems like Paramount likes to piss people off by holding classic unreleased music to ransom for some unknown reason. The same with Universal who have Fletch. I don't think Paramount or Universal are trying to piss fans off, it's more than likely a licensing issue with MCA or whoever released the original, plus lawyers are required to go through historic paperwork and all that costs money - and will the studio gain anything from it in terms of profits? Appeasing 3000 fans of the score is not high on their list of priorities, I guess. Thanks to LaLa Land for persevering.
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They should do a full 2 disc set with the exact score as played in the movies, full and unedited. For anyone interested, In Part 2 when Foley is talking on the phone in Billy's flat, there is a funky theme that's played for about a minute. You can actually hear a much full and longer version of this score for part 2 in the background very faintly in one of the behind the scenes videos on the dvd, so someone obviously has all the music in its full format ready to release even way back then. Unfortunately you can't extract the music easily as the cast is talking over it, but maybe someone else can try and do it. Also, It beggars belief why a Synthesized score is such a pain in the ass to licence. I could understand if it was an orchestra and so forth, but for a Synthesizer score done by literally 1 guy, surely thiscould have been sorted without any issues way back. It seems like Paramount likes to piss people off by holding classic unreleased music to ransom for some unknown reason. The same with Universal who have Fletch. I don't think Paramount or Universal are trying to piss fans off, it's more than likely a licensing issue with MCA or whoever released the original, plus lawyers are required to go through historic paperwork and all that costs money - and will the studio gain anything from it in terms of profits? Appeasing 3000 fans of the score is not high on their list of priorities, I guess. Thanks to LaLa Land for persevering. The thing with this is that there is no big massive orchestra to deal with or anything like that. It's basically one person and his engineers, Harold Faltermeyer, Keith Forsey etc so there shouldn't be a holdup. Paramount have done the same with Top Gun. They re released the songs soundtrack (which is incomplete by the way) multiple times but never the actual score tracks which is not good enough really. Most people prefer the opening theme without the guitar, and thats only been available in recent years as a bootleg. Is it going to cost them anything to release the music? They basically own it all, what with the composer giving up the material as soon as its made. It doesn't make sense really. The same thing has happened with Jan Hammer who basically had to rerecord his own music for the 2 disc complete collection (for 1 disc). You could probably fill a 10 cd set with all the cues from Miami Vice from Jan Hammer. I even recall Tim Truman giving up also when he was trying to get his season 5 miami vice music released. I mean, just put them all in a box set CD package or at least download only in lossless. Surely it can't be that expensive to release?! I've seen terrible orchestral scores be released over the years when their movie weren't even that successfull, so the mind is truly boggled when this stuff happens. Ah well. What can you do?!
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They should do a full 2 disc set with the exact score as played in the movies, full and unedited.The same with Universal who have Fletch. What is this? A cover made by a fan?
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What is this? A cover made by a fan? I made it in reference to the desire for “complete, unedited film tracks,” which is not what anybody actually wants, as demonstrated by this mess: I was hoping somebody would get it, but I'm guessing the audiences are too divergent for that.
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