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Brainstorm (Horner) und The Fly (Shore) come to mind. A fuller more natural sound on vinyl compared to the CD versions.
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Although the FSM Poltergeist sounds good, I've always felt the LP, which was sourced from the digital tape, had less noise and sounded better. I think it's explained in the FSM liner notes how for some reason the analog backup tapes had issues and the digital tapes weren't an option.
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Higher-end components tend to exacerbate the effects of poor mastering, not mitigate them. This is true, no doubt. In any case, I do have some of the LPs/CDs mentioned in this thread and a Technics SL 1200 LTD at my disposal, I could check. On the whole, I'd say that -- everything else being the same -- vinyl LP's don't have a chance vs. CDs when it comes to accurately reproducing sound.
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LPs tended to be mixed specifically for the needs of that format, whereas CDs aren't. That could account for the aural differences. Some (particularly early) CDs were using the mixes specifically made for LP, which is why they did not sound as well as they could. This is particularly true of many early 80s soundtrack CDs.
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