Anastasia went on tour with this, she even did a Hungarian embassy charity concert in DC.
She put her own stamp on it. She likes championing under-represented composers.
The D.C. affair was chamber music. I don't think she ever got to play the concerto in concert. Which is a pity. The self-financed Naxos recording was an attempt to expand her career. We haven't heard much from her since. Too bad. She is a fine musician who put a personal stamp on her interpretation. Alas, there are many fine musicians who don't get all the opportunities they deserve.