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How far we've fallen... starting SPLIT and the main title....visually, could gave been an edgy JNH bit of brilliance, or ANYTHING, but this...drone- indigestion -sounding- garbage- crap- nothing this score will most likely continue to be throughout. I hope the film is better then this shite the score is pointing towards. I didnt read this thread for spoiler-anxiety, but really...not boding well... I hope I live long enough to enjoy one more round of good scoring in film. This trend is pathetic & you have to be truly psychotic to want an album of something like this. Like, mental.
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I liked the film too, definitely worth a watch, but I like The Happening as well, so my endorsement is useless.... SPOILERS: I didn't really like that in the end, SPLIT became MNS' bid for sequelizing, since we may never see the rest of this & Unbreakable continued. Guys, dont start what you can't guarantee to finish! The way the opening was shot, I swore lead girl was the one behind it all. Only if you are a resident if the MCU or DCU should they do this 2 hour franchise building filmmaking. The score isn't even worth this sentence - the Unbreakable cue at the end was a lightning rod. I was concocting a score in my wannabe composers mind the whole time of two string quartets divided and pitted against each other in polytonality, with an ARP2500 picking up the slack, supplying an old school, weirdo tonality. Again, this lazy as hell scoring has got to go. Just lazy.
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Yeah but a good composer given a teeny budget & some room for ingenuity can go far. I cite most of the original TWILIGHT ZONE TV scores, LoDuca's original THE EVIL DEAD and Horner's TESTAMENT (13 players IIRC) & SOMETHING WICKED THIS WAY COMES for random examples of limited players turning out good, effective & often ingenious work. Present day though, it ain't happening & all the lost opportunities are painful
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JNH did not return, but man how cool it was to hear his Visions theme from UNBREAKABLE at the end of SPLIT.
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