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 Posted:   Aug 10, 2016 - 6:44 PM   
 By:   mastadge   (Member)

Sequel to the 2006 miniseries gloriously scored by George Fenton.

First listen to the score: https://www.facebook.com/bbcearth/videos/1253466768020210/
There's an interview with 2 of the composers, Jacob Shea and Jasha Klebe, there too.

Here's an embed:

 
 Posted:   Aug 10, 2016 - 11:56 PM   
 By:   Lokutus   (Member)

Sounds good.

 
 
 Posted:   Aug 11, 2016 - 12:05 AM   
 By:   Tango Urilla   (Member)

That sample sounds really good! If this is the sound he's moving toward with his post-superhero career, I'll be a happy listener.

 
 Posted:   Oct 11, 2016 - 12:23 PM   
 By:   mastadge   (Member)

 
 
 Posted:   Oct 11, 2016 - 12:27 PM   
 By:   Kim Peterson   (Member)

So why was George Fenton not asked to come back and score this? Where is he?

 
 Posted:   Oct 11, 2016 - 1:48 PM   
 By:   CK   (Member)

So why was George Fenton not asked to come back and score this? Where is he?

Yeah, this. I was positively livid when I read that Fenton wouldn't be scoring this...still am, actually.

 
 
 Posted:   Oct 11, 2016 - 10:41 PM   
 By:   jb1234   (Member)

So why was George Fenton not asked to come back and score this? Where is he?

Yeah, this. I was positively livid when I read that Fenton wouldn't be scoring this...still am, actually.


Ditto. It's a major disappointment. Fenton's score was a large part of Planet Earth's appeal to me. I'm not a Zimmer fan, which makes it worse.

 
 
 Posted:   Oct 31, 2016 - 3:30 PM   
 By:   couvee   (Member)

The series is starting this sunday November 6 on BBC. I see that Silva Screen will release a 2CD set of the score by Jacob Shea and Jasha Klebe ('for bleeding fingers music' with only a 'Main Theme' by Hans Zimmer) on November 11.

To echo the opinions above, if only George Fenton could have worked his magic on this (sigh). I doubt if they come up with a similar quality score. I will probably still buy it as a sucker for wildlife scores, especially those magnificent Attenborough shows.

 
 
 Posted:   Oct 31, 2016 - 3:51 PM   
 By:   Thor   (Member)

I've heard a sampler of the album, and it varies from the good (incl. Zimmer's theme) to the less impressive and rather aimless. I'll await further evaluation untill I get the whole thing.

 
 Posted:   Dec 1, 2016 - 7:56 AM   
 By:   The Thing   (Member)

http://www.bbc.co.uk/news/entertainment-arts-38170406

Quote from David Attenborough:

"I'm told we are attracting a larger than normal number of younger viewers," Sir David told the Radio Times.

"Apparently the music of Hans Zimmer in particular is striking a chord with the young. And that pleases me enormously."

 
 
 Posted:   Jan 29, 2017 - 1:17 PM   
 By:   Camillu   (Member)

In the 'Diaries' (making of) scenes at the end of Episode 4 (Deserts), the crew races across Madagascar looking for a swarm of locusts, and the music is an adaptation of the Zoosters Breakout music from Zimmer's Madagascar.

 
 
 Posted:   Jan 22, 2018 - 11:53 AM   
 By:   nerfTractor   (Member)

So why was George Fenton not asked to come back and score this? Where is he?

Yeah, this. I was positively livid when I read that Fenton wouldn't be scoring this...still am, actually.


Ditto. It's a major disappointment. Fenton's score was a large part of Planet Earth's appeal to me. I'm not a Zimmer fan, which makes it worse.


And now the same has happened with Blue Planet II. Zimmer (and co) provide pleasant enough accompaniment but the glorious music of Mr Fenton is very sorely missed.

 
 
 Posted:   Jan 22, 2018 - 1:00 PM   
 By:   bobbengan   (Member)

So depressing to read that quote about "how hip the youth of today are for those Swingin' Zimmin' Hans Zimmer tunes!" from a man whose opinion I otherwise hold very dear.

I now believe with true earnest that Zimmer has destroyed the art form of finely-crafted orchestral musicianship in film, totally and utterly, by intimating upon the industry that ANYONE can be a "composer" whether you bare any actual musical proficiency or not.

You don't need to exemplify any craft through your musical ideation - melodic aptitude, orchestrational finesse, harmonic intelligence, contrapuntal ideas? None of that boring old crap!

Nope! Just get a bunch of recent Berkeley or USC grads to "intern" for you, have 'em drop some sick drone beds, lay dow a few dope "awe and wonder" chords atop that (be sure to phrase all voices together so there's no implied counterpoint), tell 'em to smash that ostinato button, modulate a key here and there so there's a sense it's all going somewhere (even though it isn't) - And done! Sit back and let those royalty checks come pouring in!

Oh, and remember to play some sick guitar riffs at Coachella now and then to show the hip youth how you're not like those moldy, boring ol' composers in powdered wigs that grandpa listens to - No no no, you're a cool cosmopolitan dude who's in touch with the youth of today!

It's easy, bro! Anyone can do it!

 
 
 Posted:   Jan 22, 2018 - 1:42 PM   
 By:   amatalqa   (Member)

Actually this is quite a fantastic score. I love Fenton's as well, but this one has many riches to offer. One of my favorite score albums of the year.

 
 
 Posted:   Jan 25, 2018 - 12:01 PM   
 By:   tombombadill   (Member)

The quote from Sir David Attenborough is taken out of context. The context is a BBC interview in which he provides his reaction to Blue Planet II's superior popularity over The X Factor among younger viewers). In other words, he is stating what has been told to him that Hans Zimmer's music has proven to be popular among the younger set. He is not stating that this was the reason for Hans Zimmer's initial selection.

 
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