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Roger says:
This time around we bring you a two-CD set giving an early 90s action score a facelift. Disc 1 features the complete score in film order. The second disc features the highly creative assembly created by the composer for the first soundtrack album.
http://www.intrada.net/phpBB2/viewtopic.php?f=12&t=7150
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Roger says:
This time around we bring you a two-CD set giving an early 90s action score a facelift. Disc 1 features the complete score in film order. The second disc features the highly creative assembly created by the composer for the first soundtrack album.
"Facelift" makes me think of Face/Off, but that's a late 90's action film.
And highly creative assembly could indicate a Hans Zimmer score, considering most of his soundtracks from that era consisted of long suites. Maybe Backdraft, K2 or The Point of No Return?
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Definitely sounds like Hans Zimmer's K2 to me. It's from 1991, and the OST was just two long suite tracks called "The Ascent" and "The Descent", which can certainly be considered a "highly creative assembly" of a film score.
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http://www.soundtrackcollector.com/title/5577/K2
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I was talking about Hans Zimmer's score, not the US score by Jankel.
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The second disc features the highly creative assembly created by the composer for the first soundtrack album.
So, there were more than just one soundtrack album released for this title, or is that just a reference to the previously released album?
Definitely sounds like K2 to me. It's from 1991, and the OST was just two long suite tracks called "The Ascent" and "The Descent", which can certainly be considered a "highly creative assembly" of a film score.
Backdraft came out in the same year. The album cues for that one were quite different from those appearing during the film too. Album cues almost sounded like re-recordings.
Don't tease me. I'd love Backdraft.
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I wouldn't consider the Backdraft OST a "highly creative assembly" by any means. A different mix, sure (less electronics). Be a creative assembly? It's in chrono order.
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Drop Zone was my first thought when I saw the clue, but being from 1994 that'd be Mid 90s, not Early 90s.
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Well I assume it would be the original score by Hans Zimmer score, not the US replacement score by Jankel
Hans' score was never replaced. This story has been going on for many years.
The story is simple. Jankel wrote the first score in 1991 for the US version. Only AFTER for the European release Hans got to rescore it, in 1992. Nick Glennie-Smith wrote some cues, and he only joined Hans at Media Ventures in 1992.
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I wouldn't consider the Backdraft OST a "highly creative assembly" by any means.
I agree...
Fighting 17th => 1m01
Brothers => 4m10A + 5m10B
The Arsonist's Waltz => 5m13
335 => 6m18
Burn It All => 6m18 + 7m19
You Go, We Go => 7m19
Fahrenheit 451 => 7m20
Show Me You Firetruck => 7m21
Doesn't match "creative assembly" at all... lol
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But the mix was dramatically different on Backdraft's album versus the film's score, plus there were many edits. I don't know why anyone would want K2, but people would definitely spring for Backdraft.
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