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 Posted:   Jul 19, 2016 - 10:18 PM   
 By:   Jim Cleveland   (Member)

81 years old.....
Helluva career!!

http://www.msn.com/en-us/movies/news/garry-marshall-%e2%80%98pretty-woman%e2%80%99-director-and-creator-of-%e2%80%98happy-days%e2%80%99-dies-at-81/ar-BBuxnFp?li=BBnb7Kz

 
 
 Posted:   Jul 20, 2016 - 12:07 AM   
 By:   Bob DiMucci   (Member)

Garry Marshall's first feature film directorial effort was 1982's YOUNG DOCTORS IN LOVE. It was also the first collaboration of Marshall and actor Hector Elizondo, who played "Angelo Bonafetti," the son of organized crime lord "Salvatore Bonafetti" (Tito Vandis). Elizondo went on to appear in many of Marshall's movies, some in just a small bit, and Marshall considered Elizondo his lucky charm. Marshall emphasized an eccentric fashion style as director and wore a different baseball jacket to the set every day. He said, "Wardrobe is very important, otherwise the actors would say, 'This is not a director!'".

Marshall felt that he had a number of up-and-coming actors in his cast: "You look at the cast sheet and you see how many people there are going to be in this film, maybe seventy, and you watch and see how many of them will move on real fast after YOUNG DOCTORS". Marshall and producer Jerry Bruckheimer decided to cast then-unknown actors in order to find new comedic talent and save on production costs. The film marked the theatrically released motion picture debuts of Patrick Collins, Ted McGinley, Michael Richards, Kyle T. Heffner, and Crystal Bernard. It was the first feature film appearance of Taylor Negron, who also starred in FAST TIMES AT RIDGEMONT HIGH, released August 1982, and Rick Overton, whose other 1982 production, AIRPLANE II: THE SEQUEL opened 10 December 1982.

YOUNG DOCTORS IN LOVE grossed $30.5 million in its first nine and a half weeks in theaters. Maurice Jarre scored the film. Regency International released an LP of music and dialogue, but it has not had a CD re-issue.

 
 
 Posted:   Jul 20, 2016 - 12:30 AM   
 By:   Bob DiMucci   (Member)

1984's THE FLAMINGO KID was a coming-of-age tale that took place during the summer of 1963. It told the story of "Jeffrey Willis" (Matt Dillon), a boy who has just finished high school and isn't quite sure what the future holds. He gets a summer job at the Flamingo Club where he meets "Phil Brody" (Richard Crenna), a successful car dealer who fills Jeffrey's head with ideas about how to make his fortune. The film was the first to receive the newly-created PG-13 rating. But the picture was shelved for five months, making RED DAWN the first film to be released with a PG-13 rating. Curt Sobel scored the film, which grossed about $24 million. Both Motown and Varese Sarabande released the same LP of period pop songs from the film, neither of whom have re-issued the album on CD.

 
 
 Posted:   Jul 20, 2016 - 12:49 AM   
 By:   Bob DiMucci   (Member)

NOTHING IN COMMON was a comedy-drama about a successful ad man (Tom Hanks) who must juggle his ever-demanding career while the marriage of his parents (Jackie Gleason and Eva Marie Saint) breaks up. Rumor has it that director Garry Marshall wouldn't go ahead with the making of the film without the inclusion of Jackie Gleason. Gleason had grown tired of film-making, and wished to retire from the business. After several attempts to get him on board, Marshall finally called Gleason on the phone and insisted that if he didn't do this film that the last film he would be remembered for was SMOKEY AND THE BANDIT III. Gleason immediately accepted, and it proved to be his final film. He would die a year after the film's release. Patrick Leonard scored the film, but only two minutes of his score appeared on the Arista Records soundtrack CD of pop songs that was released.

 
 
 Posted:   Jul 20, 2016 - 1:04 AM   
 By:   Bob DiMucci   (Member)

OVERBOARD was a 1987 romantic comedy starring real-life couple Goldie Hawn and Kurt Russell. Hawn is a cruel but beautiful heiress who screws over a hired carpenter (Russell), who later is the first one to find her when she gets amnesia. Looking for a little revenge, he convinces her that she's his wife. Garry Marshall liked letting his actors improvise, and Kurt Russell was quite good at it. Looking back on the film, Marshall thought that it's "still one of the funniest pictures I ever made." Alan Silvestri's score was released by Music Box Records in 2011.

 
 
 Posted:   Jul 20, 2016 - 1:18 AM   
 By:   Bob DiMucci   (Member)

BEACHES was the story of a privileged rich debutante (Barbara Hershey) and a cynical struggling entertainer (Bette Midler) who share a turbulent, but strong childhood friendship over the years. The 1986 comedy-drama marked the first produced project for actress-producer Midler’s company, All Girl Productions. Midler helped music supervisor Marc Shaiman select songs for the 1988 film, and her recording label, Atlantic Records, encouraged her to record the soundtrack as an album.

BEACHES opened to mixed reviews but achieved box-office success, taking in over $53 million in receipts in its first 160 days of release. Production designer Albert Brenner and set decorator Garrett Lewis received an Academy Award nomination for Best Art Direction-Set Decoration. The soundtrack album reached number three on Billboard’s best-selling albums in the U.S. list in May 1989, and a 26 June 1989 People news item announced that Midler’s recording of “Wind Beneath My Wings” had reached number one. Only a single cue of Georges Delerue's background score appeared on the soundtrack album. A second cue appeared in a later Universal Jazz compilation box set of Delerue's music.

 
 
 Posted:   Jul 20, 2016 - 2:33 AM   
 By:   Bob DiMucci   (Member)

The 1990 romantic comedy PRETTY WOMAN proved to be Garry Marshall's biggest commercial hit, grossing over $460 million on an estimated budget of $14 million. The film was not always conceived to be as light-hearted as it turned out. According to an interview in 2009, director Werner Herzog was approached by Richard Gere to direct the film when it was still a dark drama. He politely declined. Both Drew Barrymore and Winona Ryder wanted to audition for the role of "Vivian," but Marshall felt that they were too young for the part. Marshall took a "hands on" approach with his star Julia Roberts. While shooting the scene where "Vivian" (Roberts) is laying down on the floor of Edward's penthouse watching old "I Love Lucy" re-runs, in order to achieve a genuine laughter Marshall had to tickle Roberts' feet (out of camera range) to get her to laugh so hysterically. During the film's lovemaking scene, Roberts got so nervous, a visible vein popped out of her forehead. Marshall got into bed with her and Richard Gere, and Marshall and Gere massaged her forehead until the vein disappeared. Julia also broke into hives and was given calamine lotion until they were finally able to shoot the scene.

Richard Gere started off much more active in his role, but Marshall took him aside and said "No, no, no. Richard. In this movie, one of you moves. And one of you doesn't. Guess which one you are?" James Newton Howard scored the film, but none of his music showed up on the EMI Records soundtrack CD.

 
 
 Posted:   Jul 20, 2016 - 2:58 AM   
 By:   Bob DiMucci   (Member)

Marshall's final three films as director were a trilogy of holiday themed romances. The first was 2010's VALENTINE'S DAY, and the last was 2016's MOTHER'S DAY. The middle film of the trilogy was 2011's NEW YEAR'S EVE. Although the film was originally conceived as some kind of continuation of VALENTINE'S DAY, the project evolved into a different entity, recasting some of the protagonists in different roles. Marshall's regular cameo actors were in the film, including his daughter, Kathleen Marshall; his sister, Penny Marshall; Hector Elizondo; Larry Miller; and Joel McCrary. NEW YEAR'S EVE was the only one of Marshall's holiday films that did not turn a profit. John Debney scored the film, but none of his music appears on the digital download album release.

 
 Posted:   Jul 20, 2016 - 11:25 AM   
 By:   First Breath   (Member)

RIP Mr. Marshall.

I have only seen one of the films he directed, Nothing In Common from 1986. Most of his films didn't really fit my taste in movies.

I had no idea he was an actor too.

Interesting that Bruckheimer produed Young Doctors In Love. I wonder how Jarre's score sounded? Like Moroder? :-D

 
 
 Posted:   Jul 20, 2016 - 12:02 PM   
 By:   Bob DiMucci   (Member)

Marshall was an actor long before he became a director, but nearly all of his roles were small ones. One of his earliest roles was as a plainclothes cop in Richard Rush's 1968 PSYCH-OUT. Ronald Stein was the composer for four of the ten tracks on the Sidewalk Records soundtrack LP.

 
 
 Posted:   Jul 20, 2016 - 12:26 PM   
 By:   Bob DiMucci   (Member)

Garry Marshall played an "Underworld Boss" in Ron Howard's feature film directorial debut, 1977's GRAND THEFT AUTO. The main theme from Peter Ivers' score appeared on a CD compilation of music from Howard's films released by Milan America.

 
 
 Posted:   Jul 20, 2016 - 12:26 PM   
 By:   Broughtfan   (Member)

If Garry Marshall did nothing other in his career than to bring together the talents of Tony Randall and Jack Klugman I would still have been eternally grateful, his "take" on "The Odd Couple" giving me (and so many others) many wonderful hours of laughs and entertainment. Was my privilege to have had the opportunity to say these words (more or less) to the man, about ten years ago, while we were both standing in the cashier's line at Dupar's restaurant (we were both there for the pancakes).

Thank You, Mr. Marshall (preferring to remember you with a smile rather than with sadness).
As a tribute, probably my favorite line from "The Odd Couple" ep."The Princess" (as best as I can recall exchange):

Oscar arrives to Princess' hotel penthouse:

Felix - Oh hello, Mr. Madison. How very good to see you.
Felix (continuing, nearly panicked) - Oscar! Oscar!
Oscar - What?
Felix (indicating Oscar's dress, a regular brown suit, cringing) - Your clothes! (Oscar responds perplexed)
Felix - I told you to wear a morning coat!
Oscar (clueless) - I wear this coat every morning.

 
 
 Posted:   Jul 20, 2016 - 12:38 PM   
 By:   Bob DiMucci   (Member)

Marshall played a casino manager in Albert Brooks' 1985 comedy LOST IN AMERICA. In his autobiography, Marshall wrote that he was initially exasperated by Brooks, who demanded take after take of their scene. But once he saw the rushes and realized that his frustration made his character funnier, he deferred to Brooks's comic judgment. The film's score, by Arthur B. Rubinstein, has not had a release.

 
 
 Posted:   Jul 20, 2016 - 12:48 PM   
 By:   Howard L   (Member)

Oh no and here I was just talking about Werner Turner!

 
 
 Posted:   Jul 20, 2016 - 1:05 PM   
 By:   Bob DiMucci   (Member)

1991's SOAPDISH is a comedy about the goings-on in front and behind the cameras of a long-running television soap opera, "The Sun Also Sets." Marshall plays "Edmund Edwards," the daytime network head who "gets paid $1.2 million to make the command decisions" on the show, and who says he definitely likes things "peppy and cheap." Michael Hoffman directed the film. A 14 September 1990 Daily Variety brief reported that Carl Reiner was hired to play “Edmund Edwards,” but a later Entertainment Weekly piece claimed that Hoffman cast Garry Marshall after meeting him in the Paramount studio commissary. Alan Silvestri's score was released by Varese Sarabande at the time of the film's release, and was re-issued by Quartet in an expanded version in 2015.

 
 
 Posted:   Jul 20, 2016 - 1:26 PM   
 By:   Bob DiMucci   (Member)

A LEAGUE OF THEIR OWN was a 1992 comedy about a 1940's women's baseball team. The movie focuses on the combative relationship between the catcher (Geena Davis) and her sister, the pitcher (Lori Petty). Director Penny Marshall cast her daughter Tracy Reiner as "Betty Spaghetti" and her brother Garry Marshall as candy-bar magnate and team owner "Walter Harvey." Garry was cast at the last minute because Penny couldn't afford her original choice for the part, Christopher Walken. She also cast her niece, Kathleen Marshall, Gary's daughter, as outfielder "'Mumbles' Brockman." Marshall received a poster credit as an actor. Hans Zimmer's score claimed a few tracks on the Columbia Records soundtrack CD that was released.

A LEAGUE OF THEIR OWN opened on 1 July 1992 and proved popular to the tune of a $132 million box office gross. By April 1993, Columbia Pictures had turned the property into a CBS sitcom which aired as a mid-season replacement. Marshall reprised his "Walter Harvey" role in two episodes of the series, but the series only aired four episodes before being pulled from the schedule (two additional filmed episodes were burned off during the summer doldrums in August 1993).

 
 
 Posted:   Jul 20, 2016 - 1:56 PM   
 By:   Bob DiMucci   (Member)

In uncredited roles, brother and sister Garry and Penny Marshall play a creepy husband and wife in the 1993 Bette Midler horror comedy HOCUS POCUS. He's the one dressed as Satan. Garry had previously directed Midler in BEACHES (1988). Kenny Ortega directed HOCUS POCUS. John Debney's score was last released by Intrada in 2013.

 
 Posted:   Jul 20, 2016 - 2:06 PM   
 By:   Solium   (Member)

Love Nothing In Common, Lost In America and A League of Their Own. RIP.

 
 
 Posted:   Jul 20, 2016 - 2:17 PM   
 By:   Bob DiMucci   (Member)

In the Drew Barrymore romantic comedy NEVER BEEN KISSED, Marshall played "Rigfort," the publisher of the Chicago Sun-Times, who gets the brilliant idea to send a young copy editor (Barrymore) back to high school as an undercover reporter to befriend the popular cool kids and get a scoop as to what really goes on in the world of high school. In one scene, Marshall's character is speaking to his employees in the newspaper's board room and says, "I don't even know my own kids." His real life daughter, Kathleen Marshall, is sitting to his right when he's speaking. Raja Gosnell directed the 1999 film. David Newman's score did not make an appearance on the Capitol Records CD issued with the film.

 
 
 Posted:   Jul 20, 2016 - 2:37 PM   
 By:   Bob DiMucci   (Member)

Garry Marshall co-starred with Zach Braff doing voice-over work for the 2005 Disney animated film CHICKEN LITTLE. Braff played Chicken Little, while Marshall played his alternately exasperated and understanding father, "Buck Cluck." Mark Dindal directed the film. John Debney's score claimed 6 of the 15 tracks on the Disney soundtrack CD.

 
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