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 Posted:   Mar 14, 2016 - 9:48 PM   
 By:   CindyLover   (Member)

It's only fair it gets its own thread!

INTRADA Announces:



ABULELE
Composed by FRANK ILFMAN
Conducted by MATTHEW SLATER
INTRADA Special Collection Vol. 339


We wanted a big, old-school soundtrack that would pay tribute to those ’80s movies we grew up on, but one
that would also be fresh and in my own voice. All of those scores had distinctive themes, so it was important for me to do that here.

-- Frank Iflman

Film music speaks to us in the most purely emotional language. Nothing bridges generations better than a symphonic sound imbued with a sense of wonder. Music with memorable themes encourages us to brave dark places and embark on thrilling adventures, with the assurance that we’ll find a friend beyond our wildest imagination. Such is the vocabulary of Frank Ilfman’s (Big Bad Wolves) score for the Israeli fantasy Abulele, reminiscent of kindred melodic spirits like E.T., The Goonies and Harry and the Hendersons. Rather than having Middle Eastern music that called attention to the film’s setting, Director Jonathan Geva and composer Ilfman knew that the production value of a large orchestral score would be essential to translating Abulele to a world audience. The score was recorded with the London Metropolitan Orchestra at Air Studios, their sumptuous work enhanced by recording engineer Paul Golding (The Lord of the Rings) and mixer Casey Stone (Ant-Man).

Abulele is Israel’s first major fantasy film, anchored by a convincingly realized, Cheshire Cat-inspired creature. Yet even with glowing yellow eyes and the power of invisibility, Abulele proves to be anything but fearsome to the withdrawn Adam (Yoav Sadian Rosenberg). Haunted by his elder brother’s death, Adam is given new purpose in life when he discovers the lumbering, lost Abulele in the shadows of his apartment’s bomb shelter. Abulele helps Adam triumph against bullying kids and an unsympathetic teacher. The boy eventually faces a more perilous challenge, however: evading a military “Organization” hell-bent on capturing this gentle giant at any cost.

INTRADA Special Collection Vol. 339
Retail Price: $19.99
SHIPPING NOW

1. Prologue (1:34)
2. First Encounter (5:06)
3. The Creature (1:29)
4. A Story About A Monster (2:48)
5. No Way Out, No Way In (1:46)
6. The Legend Is True (6:49)
7. We Are Friends (7:38)
8. It Will Come And Catch You (8:06)
9. Meeting Abulele (1:59)
10. Adam’s Theme (4:52)
11. The Assault (2:21)
12. We Will Hunt It Down (12:10)
13. Returning Home (5:01)
14. End Titles (5:18)

Total Time: 67:05

http://store.intrada.com/s.nl/it.A/id.10120/.f

 
 
 Posted:   Mar 14, 2016 - 10:44 PM   
 By:   bobbengan   (Member)

I'm confused. What does this have to with that Jerry Goldsmith score I've been asking for expanded and complete with alternates and unused music?

There must be some mistake, as this is not that. Pleas remit. Thank you.

 
 Posted:   Mar 14, 2016 - 11:06 PM   
 By:   SchiffyM   (Member)

I'm confused. What does this have to with that Jerry Goldsmith score I've been asking for expanded and complete with alternates and unused music?

There must be some mistake, as this is not that. Pleas remit. Thank you.


I'm glad I'm not the only one sick of all these Frank Ilfman releases!

 
 
 Posted:   Mar 14, 2016 - 11:31 PM   
 By:   bobbengan   (Member)

I'm glad I'm not the only one sick of all these Frank Ilfman releases!

We're pretty funny, are we not?

Score sounds like a mixed bag: Thematic bits sound nice, action music not so much.

It suffers from "Giacchino Syndrome" - It WANTS to sound like vintage Williams or whatever, but it's just not as good. See SUPER 8 as another excellent example: Music written by a "film composer" and not a "Composer who happens to write for film". It's like a second-generation copy of the real deal, and suffers accordingly in terms of inspiration and quality as a result.

The film itself looks like it's part of the dangerous new "80's/90's Nostalgia" nonsense that's become overwhelmingly popular in the past decade or so. Filmmakers without much to really comment on or without particularly rich ideas of their own just pay homage to the films they loved growing up, without adding anything new. I hate this movement with almost feverish intensity, because people are sheepishly buying into it. I've been saying for years that nostalgia is the ultimate danger to creativity and this film - Which I will admit I have only the trailer to judge by - seems to demonstrate that in a very cookie-cutter fashion. Boooooooorrrrrrriiiiiinnnnnggggg!!!

But we're here to discuss the score - And I'll wait and see what others says before potentially dipping in...

 
 
 Posted:   Mar 16, 2016 - 6:54 PM   
 By:   bobbengan   (Member)

I feel really sorry for this release so I'm bumping it.

 
 
 Posted:   Mar 16, 2016 - 9:02 PM   
 By:   kaseykockroach   (Member)

Your reservations are commendable, but this would probably be a fun impulse buy.
The movie looks deplorable though.

 
 Posted:   Mar 16, 2016 - 9:25 PM   
 By:   mastadge   (Member)

It suffers from "Giacchino Syndrome" - It WANTS to sound like vintage Williams or whatever, but it's just not as good. See SUPER 8 as another excellent example: Music written by a "film composer" and not a "Composer who happens to write for film". It's like a second-generation copy of the real deal, and suffers accordingly in terms of inspiration and quality as a result.

Which makes it a perfect fit for a J.J. Abrams film, since he's one of a generation of filmmakers who seems to have learned everything he knows about human emotion from the previous generation of filmmakers rather than from actual human interaction. Which is kind of weird, given that he seems to be pretty in touch with what actual people want in their blockbusters, but there it is.

 
 Posted:   Mar 16, 2016 - 9:25 PM   
 By:   mastadge   (Member)

I feel really sorry for this release so I'm bumping it.

Thanks for bumping it because I missed the announcement!

 
 
 Posted:   Mar 16, 2016 - 11:15 PM   
 By:   bobbengan   (Member)

Which makes it a perfect fit for a J.J. Abrams film, since he's one of a generation of filmmakers who seems to have learned everything he knows about human emotion from the previous generation of filmmakers rather than from actual human interaction. Which is kind of weird, given that he seems to be pretty in touch with what actual people want in their blockbusters, but there it is.

As a director, believe me, you don't want to get me started on this topic. Needless to say, I don't believe fanboys should be allowed to make films. Because all you get is homage, kitsch and pastiche.

 
 Posted:   Mar 17, 2016 - 6:02 PM   
 By:   Sirusjr   (Member)

Agree with Bobbengan. This sounds pretty uninspired as far as "orchestral" film scores go. The first sample was nice but it went all downhill from there. Nothing to see here.

 
 
 Posted:   Mar 18, 2016 - 8:32 PM   
 By:   thestat   (Member)

I liked the music Ilfman did previously for Big Bad Wolves. A film that rightfully seems to condemn Israel fascism in the Palestine and the oppressive settler actions with which no human should abide, especially the Israeli.

There are loads of great symphonic moments here that illuminate the talent of the composer. The solo writing is very powerful and works to convey a sense of real power that mirrors early Elfman.

 
 
 Posted:   Mar 19, 2016 - 10:46 PM   
 By:   bobbengan   (Member)

Had a little extra cash and decided to purchase this today - If only to support these kinds of "left field" releases Intrada occasionally dabbles in that usually generate a chorus of crickets around here.

I'll keep you guys posted on my thoughts when I get it.

 
 
 Posted:   Mar 19, 2016 - 10:59 PM   
 By:   kaseykockroach   (Member)

I'm actually considering getting this too, but hope to hear a full track or two to get a full idea what I'd be in for. Excited for your thoughts, Bob!

 
 
 Posted:   Mar 19, 2016 - 11:49 PM   
 By:   bobbengan   (Member)

I'm actually considering getting this too, but hope to hear a full track or two to get a full idea what I'd be in for. Excited for your thoughts, Bob!

I'll keep you posted!

 
 
 Posted:   Mar 20, 2016 - 12:06 AM   
 By:   dr.doom   (Member)

I'm actually considering getting this too, but hope to hear a full track or two to get a full idea what I'd be in for. Excited for your thoughts, Bob!

I'll keep you posted!

i bought it and will share my thoughts once i get it and had time to listen to it obviously.

 
 Posted:   Mar 23, 2016 - 1:10 PM   
 By:   Moviedrone   (Member)

Wonderful score, delicately tender but not throwing the sugar straight in.

 
 
 Posted:   Mar 23, 2016 - 2:39 PM   
 By:   haineshisway   (Member)

So the same twelve people who took a chance on The Spider, a truly brilliant score by Soren Hyldgaard, are taking a chance on this wacky thing. Great.

 
 
 Posted:   Mar 23, 2016 - 3:30 PM   
 By:   kaseykockroach   (Member)

The Spider was sadly not a soundtrack to a B-horror film about an oversized arachnid, so it was not to my tastes. razz

 
 
 Posted:   Apr 2, 2016 - 9:12 AM   
 By:   kaseykockroach   (Member)

So to those who bought this, any word as to whether or not this is indeed worthwhile?

 
 
 Posted:   Apr 2, 2016 - 10:20 AM   
 By:   bobbengan   (Member)

The Spider was sadly not a soundtrack to a B-horror film about an oversized arachnid, so it was not to my tastes. razz

In that case, you might enjoy this very obscure gem I acquired when I first started collecting:



Anyway, ABULELE arrived yesterday and I'm going to spin it today. I'll report back with thoughts soon.

 
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