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 Posted:   Aug 20, 2015 - 10:47 AM   
 By:   CCW1970   (Member)

My brother & sister-in-law saw them back in 2012 and I asked him to take note of anything they played from the 1st 3 albums. He said it was all Perry-era stuff.
My God, what a wasted opportunity to sneak in "Kohoutek" or "Spaceman". frown


If they're not sharing a stage with two other bands and they play a longer set, they'll throw in something from Eclipse or Generations, but otherwise, it's "Perrytown" all the way, from "Any Way You Want It" to "Separate Ways" and everything in-between. The encore is always "Open Arms."

I should add the Jan Hammer–Journey connection extends to the two albums Neal & Jan recorded in the early '80s called Untold Passion and Here To Stay. Those are great rock records. Neal took one song and rerecorded it for Journey's Generations years later (I forget which). Between the two S/H albums, there are four or five instrumentals. Here's one called "Arc" (from Untold Passion).

https://www.youtube.com/watch?v=zpEUR6QeFtI


When they played at the Hollywood Bowl with the LA Phil back in late June, Journey did perform some Infinity songs they almost never do live: "Winds of March," "Patiently" and "Opened the Door." Granted, it's not the cool instrumental prog pre-Perry stuff. But, those songs are more complex than the typical Journey arena pop rock song, especially with a live orchestra. Incidentally, "Open Arms" was early in the first half of that concert.

Also, Jan Hammer performed on a track, appropriately named "Schon & Hammer Now," from Neal Schon's recent double album Vortex:

https://www.youtube.com/watch?v=xJu8A4ADJKY

 
 Posted:   Aug 20, 2015 - 11:49 AM   
 By:   pzfan   (Member)


Why didn't he do big in the 90s and beyond, when a composer like Hans Zimmer did so well, a guy clearly using a couple of tricks from the Hammer songbook?


Limited composing range, inability to evolve his style? There were dozens, maybe hundreds of talented composers of electronic but also symphonic music.
Oh, you didn't think, he can make it into the new millennium with some Fairlight synthesizer, right?big grin

 
 Posted:   Aug 20, 2015 - 11:57 AM   
 By:   First Breath   (Member)

I can't see what this guy is writing.

I guess I have him on ignore.

 
 Posted:   Aug 20, 2015 - 12:57 PM   
 By:   drop_forge   (Member)


Why didn't he do big in the 90s and beyond, when a composer like Hans Zimmer did so well, a guy clearly using a couple of tricks from the Hammer songbook?


Limited composing range, inability to evolve his style? There were dozens, maybe hundreds of talented composers of electronic but also symphonic music.
Oh, you didn't think, he can make it into the new millennium with some Fairlight synthesizer, right?big grin


Jan has plenty of moola. The thing he doesn't do is work with an orchestra, which is what Hollywood requires nowadays. It's not the '80s, where a guy with just a few synths will be hired to score a film (even Basil Poledouris went that route with No Man's Land). Even Junkie XL and other guys have larger expectations to meet. Maybe Mark Snow (who does mainly TV) can make a living consistently doing electronic scores (Blue Bloods), but he still evokes an orchestra with it. That was never Jan's approach to scoring. His is and was "instrumental rock" and I like it that way.

 
 Posted:   Aug 20, 2015 - 12:59 PM   
 By:   drop_forge   (Member)

Also, Jan Hammer performed on a track, appropriately named "Schon & Hammer Now," from Neal Schon's recent double album Vortex:

https://www.youtube.com/watch?v=xJu8A4ADJKY


Should have called it "Schon and, If You Listen Very Closely, Hammer Now."

 
 Posted:   Aug 20, 2015 - 2:14 PM   
 By:   CCW1970   (Member)

Also, Jan Hammer performed on a track, appropriately named "Schon & Hammer Now," from Neal Schon's recent double album Vortex:

https://www.youtube.com/watch?v=xJu8A4ADJKY


Should have called it "Schon and, If You Listen Very Closely, Hammer Now."


Heh. Indeed. razz

 
 Posted:   Aug 20, 2015 - 3:57 PM   
 By:   pzfan   (Member)


Jan has plenty of moola. The thing he doesn't do is work with an orchestra, which is what Hollywood requires nowadays. It's not the '80s, where a guy with just a few synths will be hired to score a film (even Basil Poledouris went that route with No Man's Land). Even Junkie XL and other guys have larger expectations to meet. Maybe Mark Snow (who does mainly TV) can make a living consistently doing electronic scores (Blue Bloods), but he still evokes an orchestra with it. That was never Jan's approach to scoring. His is and was "instrumental rock" and I like it that way.


Requirements from producers and directors has changed, but his style was stuck in eighties and he was not able to move forward.
Or simply didn't want to, because he was rich enough, didn't need a job and maybe preferred to do a music for fun only.

 
 Posted:   Aug 20, 2015 - 4:06 PM   
 By:   drop_forge   (Member)

Or simply didn't want to, because he was rich enough, didn't need a job and maybe preferred to do a music for fun only.

Pretty much what I said earlier in this thread.

Jan has done a fair amount of work since the '80s, just not mainstream Hollywood fare.

 
 
 Posted:   Aug 25, 2015 - 8:39 AM   
 By:   wayfarer_1969   (Member)

I've been on the lookout for the Chancer theme for ages, it's not even on youtube, but a short clip is here:

http://www.allmusic.com/album/chancer-theme-from-the-central-television-series-mw0000934668

Tracks 2 and 3 are Eurocops.

What tracks on Drive were from Chancer?


Tracks:
Capital News
Up Or Down (I think. I'll try and remember to check when I get home)

The "Father's Theme" turned up somewhere but I can't recall why or how. it may have been a flexi or Christmas Mp3 that got sent to online newsletter recipients.

 
 Posted:   Aug 25, 2015 - 9:28 AM   
 By:   the_limited_edition   (Member)

Hammer was the hottest composer alive in the mid 80s

That's a good one!

 
 Posted:   Aug 25, 2015 - 9:45 AM   
 By:   First Breath   (Member)

I've been on the lookout for the Chancer theme for ages, it's not even on youtube, but a short clip is here:

http://www.allmusic.com/album/chancer-theme-from-the-central-television-series-mw0000934668

Tracks 2 and 3 are Eurocops.

What tracks on Drive were from Chancer?


Tracks:
Capital News
Up Or Down (I think. I'll try and remember to check when I get home)

The "Father's Theme" turned up somewhere but I can't recall why or how. it may have been a flexi or Christmas Mp3 that got sent to online newsletter recipients.


I thought Capital News was from Capital News?

 
 Posted:   Aug 25, 2015 - 9:51 AM   
 By:   First Breath   (Member)

Hammer was the hottest composer alive in the mid 80s

That's a good one!


I guess you didn't notice. Probably busy drinking.

Or listening to Franz Friedhoffer.

 
 
 Posted:   Aug 26, 2015 - 1:45 AM   
 By:   wayfarer_1969   (Member)

I've been on the lookout for the Chancer theme for ages, it's not even on youtube, but a short clip is here:

http://www.allmusic.com/album/chancer-theme-from-the-central-television-series-mw0000934668

Tracks 2 and 3 are Eurocops.

What tracks on Drive were from Chancer?


Tracks:
Capital News
Up Or Down (I think. I'll try and remember to check when I get home)

The "Father's Theme" turned up somewhere but I can't recall why or how. it may have been a flexi or Christmas Mp3 that got sent to online newsletter recipients.


I thought Capital News was from Capital News?


I thought Capital News was used in the first episode of Chancer, during the early scenes at the traders. i could be wrong about that. It's not a track I like. Up or Down is definitely from Chancer and was used a number of times as an end credit theme.

The Jeff Beck track from Who Else; Even Odds. Part of it sounds similar to the theme used in the Season 2 Miami Vice episode "The Fix", as Judge Ferguson is approaching Pagone's boat, to kill him. That short burst of music was never used again in a Miami Vice episode.

 
 Posted:   Aug 26, 2015 - 5:03 AM   
 By:   the_limited_edition   (Member)

Hammer was the hottest composer alive in the mid 80s

That's a good one!


I guess you didn't notice. Probably busy drinking.

Or listening to Franz Friedhoffer.


Your taste in music is almost uniquely poor (your profile reads like a "who's crappy in film music"). No wonder you have everything in life upside down.

 
 
 Posted:   Aug 26, 2015 - 6:00 AM   
 By:   MikeP   (Member)

Hammer was the hottest composer alive in the mid 80s

That's a good one!


I guess you didn't notice. Probably busy drinking.

Or listening to Franz Friedhoffer.


Your taste in music is almost uniquely poor (your profile reads like a "who's crappy in film music"). No wonder you have everything in life upside down.




What was that last name you used around here? Seems like you were just as unpleasant with that one, too.

FB is passionate about the music he loves, just as you are about the music you love, isn't it "only good music" ?


I'd strongly disagree with his suggestion that Hammer was the "hottest composer alive" at any point in time, but Hammer did have a huge breakthrough with Miami Vice.

You can disagree with him all you want, just stop being an douche.

 
 Posted:   Aug 26, 2015 - 9:04 AM   
 By:   First Breath   (Member)

Hammer was the hottest composer alive in the mid 80s

That's a good one!


I guess you didn't notice. Probably busy drinking.

Or listening to Franz Friedhoffer.


Your taste in music is almost uniquely poor (your profile reads like a "who's crappy in film music"). No wonder you have everything in life upside down.


If you believe I will accept musical recommendations from an old booze head like you, then I have to disappoint you.

You asked some people to "get a life" on the other forum. You may have to consider that yourself.

 
 Posted:   Aug 26, 2015 - 9:13 AM   
 By:   drop_forge   (Member)

your profile reads like a "who's crappy in film music"

I also own and enjoy the works of many of the composers/synthesists he lists. So what you're saying is you think electronic music sucks.

TEHO. The Nino Rota Lounge is thattaway.

 
 Posted:   Aug 30, 2015 - 7:50 AM   
 By:   First Breath   (Member)

[

I'd strongly disagree with his suggestion that Hammer was the "hottest composer alive" at any point in time, but Hammer did have a huge breakthrough with Miami Vice.


Well, he entered the top spots of the hit lists wth Miami Vice Theme and Crockett's Theme. That's what I meant with "hottest composer".

 
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