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 Posted:   Jul 26, 2015 - 6:20 AM   
 By:   ZardozSpeaks   (Member)

The Prodigal

Music Composed by Bronislau Kaper, Conducted by André Previn

 
 
 Posted:   Jul 26, 2015 - 9:30 AM   
 By:   Hurdy Gurdy   (Member)

I discovered the music of Andre Previn by default.
It must have been sometime around 1979/80.
I had come home and switched the telly on late one night.
There was a broad comedy/farce film on starring Jack Lemmon and Shirley MacLaine and I was convinced, as the film played, that the music was by John Williams, who's music I was really getting into at that time (I'd missed the opening credits).
In a panic, I grabbed a cassette and hooked a tape recorder into the telly and started to record the music, thinking I was getting some prime new John Williams.
Anyway, after checking my Halliwell's Film reference bible, I was a bit disappointed to discover that IRMA LA DOUCE was scored by Previn, so I'd been wrong all along.
Having said that, the music was great and I picked up the LP later on (and have it on CD now too).
The only other Previn score I have is ALL IN A NIGHT'S WORK (also starring Shirley MacLaine) and if I'm honest, I only took a punt on that CD to beef up an existing order when it was about $3.
I ain't played it yet!!!
I keep meaning to give some other scores by him a listen, but haven't done so thus far.
I will have to make sure Shirley MacLaine was in it first though smile

 
 
 Posted:   Jul 26, 2015 - 10:16 AM   
 By:   Rozsaphile   (Member)

If we're piling on the encomiums, one might also give Maestro Previn credit for conducting several major Rozsa works: Piano Concerto (Houston), Tripartita (London), and Viola Concerto (Pittsburgh [world premiere] and Los Angeles).

 
 
 Posted:   Jul 26, 2015 - 11:17 AM   
 By:   Bob DiMucci   (Member)

The music for the I'M NOBODY'S SWEETHEART NOW film, from Universal in 1940, would, of course, have been conducted by great uncle, Charles Previn, not Andre, who was then only 10 or 11.


Thanks for this. I've turned in a correction to the source of the error.

 
 
 Posted:   Jul 26, 2015 - 11:29 AM   
 By:   Bob DiMucci   (Member)

The Prodigal

Music Composed by Bronislau Kaper, Conducted by André Previn



Missed that one, since Previn goes uncredited on the film. I wonder why Previn conducted so often for Kaper (at least 6 times).

 
 
 Posted:   Jul 26, 2015 - 11:44 AM   
 By:   eriknelson   (Member)

Previn was completely unique and a genius (he still is - I just listened to his recent opera of Brief Encounter, which is excellent). He had his orchestration trademarks (no one wrote French horn like Previn), and his melodic gift is astonishing.

I had the pleasure of seeing BRIEF ENCOUNTER during its world premiere at Houston Grand Opera. Beautifully performed and staged. The train station steam effects were really something. The Maestro was of course in attendance and sat in the Orchestra section. There was quite an ovation at the end. For some odd reason, Previn did not go on stage for the curtain calls. Instead, he was lit by a spotlight and stood up from his seat to take a bow. Afterward, audience members swamped him and he was very gracious.

This was sort of a homecoming for Previn. His first music directorship after leaving Hollywood was with the Houston Symphony.

 
 
 Posted:   Jul 26, 2015 - 11:55 AM   
 By:   Bob DiMucci   (Member)

I wonder why Previn conducted so often for Kaper (at least 6 times).


Well, I think I answered my own question. In looking over Kaper's filmography (at least those released on recordings), it appears as if Kaper NEVER conducts. So, I guess my real question is: Why did Kaper typically not conduct his own scores?

 
 
 Posted:   Jul 26, 2015 - 3:53 PM   
 By:   eriknelson   (Member)

I wonder why Previn conducted so often for Kaper (at least 6 times).


Well, I think I answered my own question. In looking over Kaper's filmography (at least those released on recordings), it appears as if Kaper NEVER conducts. So, I guess my real question is: Why did Kaper typically not conduct his own scores?


I've read that he didn't think he spoke English well enough to communicate effectively with the players.

 
 Posted:   Jul 26, 2015 - 4:18 PM   
 By:   Doug Raynes   (Member)

I wonder why Previn conducted so often for Kaper (at least 6 times).


Well, I think I answered my own question. In looking over Kaper's filmography (at least those released on recordings), it appears as if Kaper NEVER conducts. So, I guess my real question is: Why did Kaper typically not conduct his own scores?


I've read that he didn't think he spoke English well enough to communicate effectively with the players.



That handicap didn't seem to stop Tiomkin smile

 
 
 Posted:   Jul 30, 2015 - 8:16 PM   
 By:   Howard L   (Member)

Incidentally, FWIW, IT'S ALWAYS FAIR WEATHER happens to be my favorite Gene Kelly movie. It may not be his best film, but then, Kelly's own favorite was ON THE TOWN, and that wasn't his best film, either. (Of course, as many of you already know, FAIR WEATHER was originally planned to be a sequel to TOWN.)

Dr., that film hit me as a youngster and to this day I know what did it: not the roller skating number, not these three titans of film musicals dancing in ensemble, but the moment whenever a reunion was over, they looked around sheepishly, then headed off in different directions. The camera pulling back...oh, my.

 
 
 Posted:   Jul 31, 2015 - 12:37 PM   
 By:   eriknelson   (Member)

To paraphrase you know who: "Exclude me in." I was so sorry I suddenly had to miss the last show, but am hoping to get back on track for the Previn panorama.

Incidentally, FWIW, IT'S ALWAYS FAIR WEATHER happens to be my favorite Gene Kelly movie. It may not be his best film, but then, Kelly's own favorite was ON THE TOWN, and that wasn't his best film, either. (Of course, as many of you already know, FAIR WEATHER was originally planned to be a sequel to TOWN.)


I've always thought of SINGIN' IN THE RAIN, THE BAND WAGON and IT'S ALWAYS FAIR WEATHER as a Comden and Green trilogy of satires concerning show business. Movies, Broadway and television, respectively.

 
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