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Posted: |
Jul 5, 2015 - 4:19 AM
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By: |
Thor
(Member)
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No, no...you understood completely what I was after. There were some, however, that picked cues from different composers. Although if there is one thing I could perhaps specify, it's that the cue in question should be the 'generally-agreed-upon' centerpiece cue of a score. Then again, there will always be a large amount of subjectiviy involved. Not EVERYONE necessarily agrees that, say, "The Trees" from MEDICINE MAN is the setpiece track of that score.
It's often difficult to get parameters across in a forum like this. In your mind, you know exactly what you're after, but it's not always easy to translate that into words.
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May I ask what the purpose of all this is, Thor? Is it for your radio show?
I was trying to do a Rózsa setpiece list, but I found that in many cases they were often bookended in the film (and on the soundtrack releases) by other pieces which, although still forming a compositional "whole", only included the centrepiece as the...eh... centrepiece. So, off the top of my head, in EL CID you'd get "Battle Preparations/ Starvation/ Revolt" totalling 7:38 on the Tadlow recording, but including transitional scenes etc.
It would be so much easier if you hadn't done Goldsmith yourself first. "No Escape" from PLANET OF THE APES should be at the top of the list!
But these things are only problematical for me if I think I should be taking it really seriously and putting time into it. Which is why I asked the purpose.
//Edited a bit later.../// "I see you put in The Hunt from POTA anyway, and that it does have a Celluloid Tunes connection. So, forget me, and........
AKEEEETA!!!/// (mensaje supervisado por satélite espía: apropado - luz verde)
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