 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I'll probably sell my copy (in good condition) for a little less than that or offer for trade, in the near future.
|
|
|
|
|
|
And I would advise any person interested in buying the Varese CD to be patient and wait for a much cheaper re-issue.
Not that I'm complaining about my Club release. I love that CD.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Like I said in another thread when I found out Labson had worked on it:
Damnit, that's what's wrong with "Ghostbusters". It always sounded kind of flat and weird, too loud sometimes and dynamics missing.
I think it may have been reverbed a little too much, too, at times.
It's a personal favorite of mine and I can only hope some label does right by it some day, as well as including the whole score (and the two restaurant souce cues by Bernsterin). I'd gladly buy it again.
|
|
|
|
|
|
|
|
|
|
Which he later followed up with they tried and tried but were not able to do it.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Listened to this CD the other day. It's a fun score and I'd buy a better version.
It's really a shame Sony didn't let a specialty label release a 30th Anniversary Edition of Ghostbusters along with a 25th Anniversary Edition of Ghostbusters II in 2014. That would have been really cool. You'd think they'd at least capitalize on the new movie this year to finally allow someone to work on them, but it doesn't seem to be the case.
Anyways, the Varese CD is really odd, especially how after the end credits, it suddenly plays a random piece of music Elmer wrote for his "Merlin" play. How did that happen?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
