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 Posted:   Apr 3, 2015 - 12:32 PM   
 By:   Hurdy Gurdy   (Member)

I know it can be a time and a place thing, plus personal wiring, but after listening to this score 2-3 times in the past few days AND listening to Far From Home - Yellow Dog the same number, Walking Thunder is unforgettable to me now and stuck in my head forever, while FFH is good and solid but not as memorable to me.
It will get more plays and probably grow some in time (things REALLY pick up in Yellow Dog from track 14 onwards), but at the mo, one is top-tier Scott while the other is middle range.

 
 
 Posted:   Apr 3, 2015 - 12:47 PM   
 By:   governor   (Member)

I know it can be a time and a place thing, plus personal wiring, but after listening to this score 2-3 times in the past few days AND listening to Far From Home - Yellow Dog the same number, Walking Thunder is unforgettable to me now and stuck in my head forever, while FFH is good and solid but not as memorable to me.
It will get more plays and probably grow some in time (things REALLY pick up in Yellow Dog from track 14 onwards), but at the mo, one is top-tier Scott while the other is middle range.


Walking thunder is a much stronger score, I agree.

 
 
 Posted:   Apr 3, 2015 - 3:18 PM   
 By:   bobbengan   (Member)

I know it can be a time and a place thing, plus personal wiring, but after listening to this score 2-3 times in the past few days AND listening to Far From Home - Yellow Dog the same number, Walking Thunder is unforgettable to me now and stuck in my head forever, while FFH is good and solid but not as memorable to me.
It will get more plays and probably grow some in time (things REALLY pick up in Yellow Dog from track 14 onwards), but at the mo, one is top-tier Scott while the other is middle range.


Glad to hear you're digging this. Keep at it with FAR FROM HOME. Admittedly the recording is nowhere NEAR as robust as WALKING THUNDER, though the composition sure is. That end title coda is one for the ages - You'd think it underscored the freaking resurrection of Christ or something!

 
 
 Posted:   Apr 28, 2016 - 4:41 AM   
 By:   bobbengan   (Member)

For those who care to see John's magnificent music in context of its cheesy, unfortunate family-film shackles:



Ah, that main title...

 
 
 Posted:   Jan 26, 2017 - 11:43 AM   
 By:   bobbengan   (Member)

 
 
 Posted:   Jan 27, 2017 - 6:18 PM   
 By:   thestat   (Member)

Glad I watched that. First time I ever appreciated anything by Scott. The action music works here and does not sound like desperate mickey mousing. The theme and other music are still terrible. 80s advertiments may be better appropriate for this art.

 
 
 Posted:   Jan 27, 2017 - 6:31 PM   
 By:   bobbengan   (Member)

Huh?

 
 
 Posted:   Feb 8, 2017 - 8:35 PM   
 By:   zippy   (Member)

I'm listening to John Scott's THEME SETS & LIFE'S RITUAL tonight and enjoying the hell out of it!
For more info: https://www.discogs.com/John-Scott-Themes-Sets-Lifes-Ritual/release/7533863

 
 
 Posted:   Feb 9, 2017 - 4:20 AM   
 By:   bobbengan   (Member)

I'm listening to John Scott's THEME SETS & LIFE'S RITUAL tonight and enjoying the hell out of it!
For more info: https://www.discogs.com/John-Scott-Themes-Sets-Lifes-Ritual/release/7533863


Thanks for bringing this to our attention, wasn't familiar with this one. I'll have to hunt it down.

Is it symphonic Scott or jazz/funk Scott (which seems to comprise most of his library music output)?

 
 
 Posted:   Feb 9, 2017 - 12:21 PM   
 By:   Hurdy Gurdy   (Member)

It's a bit like his Cousteau light pop TV scores, without the majestic and wonder bits, bobb.
I have it and have given it a few spins.

 
 Posted:   Feb 9, 2017 - 12:36 PM   
 By:   Solium   (Member)

Glad I watched that. First time I ever appreciated anything by Scott.

He's consistently great. Don't know what you've been listening to.

 
 
 Posted:   Feb 9, 2017 - 3:37 PM   
 By:   bobbengan   (Member)

Glad I watched that. First time I ever appreciated anything by Scott.

He's consistently great. Don't know what you've been listening to.


Ignore that guy. Pretty sure he's an alien or something...

 
 
 Posted:   Mar 26, 2018 - 7:24 PM   
 By:   bobbengan   (Member)

For anyone interested, here's a 13 minute suite of (poorly edited) odds and ends from this incredible score I threw together just for you gorgeous FSM'ers. Enjoy:

http://picosong.com/wYi74/

Scott's own description of this magnificent music he wrote? "Unoriginal rubbish, with nothing to it at all."
Oh, John...

 
 
 Posted:   Mar 28, 2018 - 5:09 AM   
 By:   KT   (Member)

.

 
 Posted:   Mar 28, 2018 - 11:39 AM   
 By:   Justin Boggan   (Member)

Well, I for one want to hear more "Unoriginal rubbish, with nothing to it at all" music from him.


I'm going to go ahead and say it (Warning!): Scott's ""Unoriginal rubbish, with nothing to it at all" music is better than pretty much everything Horner did in the last few years of his life.

 
 
 Posted:   Mar 28, 2018 - 2:59 PM   
 By:   bobbengan   (Member)

Not my favourite of Scott's but the cue Dark Wind Recounts the Legend is sublime.

I have to dig out my old CD (if I can find the damn thing!), it looks like that and a few other cues either weren't ripped or, more egregiously, I may have accidentally deleted them at some point in the past. Thanks for the reminder, Kari!

I am surprised this one doesn't gel with you - are you not as much a fan of this kind of big Western-type sound?

And Justin, I totally agree with you, though I'll go a step further and say that Horner's music got way too simplistic for my taste after the mid-90's or so. I love BATTLE BEYOND THE STARS to KRULL to SOMETHING WICKED and COCOON, from NATTY GANN to WILLOW all the way through THE PAGEMASTER... But a lot of his more "acclaimed" work like APOLLO 13, BRAVEHEART, A BEAUTIFUL MIND et al do absolutely nothing for me whatsoever. In fact, I think some of those are straight-up eye-rolling in their heavy-handedness and melodic simplicity.

The funny thing about Scott is that his music seems to keep getting better with age. Yes, ANTONY AND CLEOPATRA saw him writing one of his best themes and having an enormous canvas to work on, and is probably the crown jewel of his career... But you can hear how much further he refined his melodic and orchestrational chops throughout the 80's into the 90's in later efforts like MAN ON FIRE, KING KONG LIVES, BECOMING COLETTE, HAREM, SHERGAR et al.

A Barry, Williams or Horner all reached definitive "peaks" in their creativity, most will agree. But how many people are writing music this inspired and deeply romantic and full of life as the below excerpt from his guitar concerto at age... 78!?!?

https://drive.google.com/open?id=1ZYq4PmhB48axtdSWwAGOj0WxibEbBJtK

(I know I've shared this before, but what the hell, there's never a good excuse not to allow this unreleased gem one more airing).

 
 
 Posted:   Mar 29, 2018 - 4:53 AM   
 By:   KT   (Member)

.

 
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