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 Posted:   Mar 5, 2015 - 11:24 AM   
 By:   DOGBELLE   (Member)

THE PHENIX CITY STORY has anybody seen this movie?

the I remember is when they kill a little

black girl as warning to the good guys.

I found it very hard t watch at times.

 
 
 Posted:   Mar 5, 2015 - 12:42 PM   
 By:   filmusicnow   (Member)

A fine film, replete with fine performances by John McIntire, Richard Kiley and Edward Andrews. And even the National Guard is involved!

 
 
 Posted:   Mar 5, 2015 - 3:58 PM   
 By:   Preston Neal Jones   (Member)

I saw it when I was very young on TV. Caught it again on the big screen several years ago. I know what you mean about the impact, but it wasn't just in that one scene you mention, of course. Practically EVERYBODY is murdered in this film, and it hurts all the more because it's based on a true story. One of a kind, head and shoulders above other films of that era in its hard-hitting real-life horror.

 
 Posted:   Mar 5, 2015 - 5:16 PM   
 By:   Heath   (Member)

Quite a graphic little movie from what I remember, especially for its time. But it may have had its heart in the right place. A bit like director Phil Karlson's later movie Walking Tall, a movie that, as I recall, some commentators considered fascist. I saw it a few years back and it's certainly NOT fascist. Sure it was a bit thick-ear and (gasp) blue collar, but it slipped-in some racial issues in a positive and pretty sincere way. Quite surprising.

Clearly, Karlson was a director with an agenda, although he never quite registered in the arena of interesting B-movie directors in the way that Sam Fuller did. Fuller had far more versatility.

 
 
 Posted:   Mar 5, 2015 - 10:23 PM   
 By:   Preston Neal Jones   (Member)

Oh, I'd say you can rest assured without any doubt that PHENIX had its heart in the right place. Like WALKING TALL, based on a true story, and it's all about crusading D.A.'s sacrificing themselves to combat evil through the ballot box. Couldn't get more kosher than that.

(Speaking of the truth aspect, if memory serves, many prints of the film begin with a pure documentary segment, and the widow of the John McIntire character appears in an epilog as herself -- which explains why throughout the movie her character is spoken about but never appears on camera.)

 
 
 Posted:   Mar 6, 2015 - 2:18 AM   
 By:   Bob DiMucci   (Member)

(Speaking of the truth aspect, if memory serves, many prints of the film begin with a pure documentary segment, and the widow of the John McIntire character appears in an epilog as herself -- which explains why throughout the movie her character is spoken about but never appears on camera.)


The 13-minute documentary sequence was offered to exhibitors at no extra charge, and did not have to be included when showing the picture. The film ran 87 minutes without the newsreel, and 100 minutes with it. In the documentary sequence, noted reporter Clete Roberts interviews several of the townspeople involved in the actual incidents that occurred in Phenix City, AL. They included reporter Ed Strickland, who, along with fellow reporter Gene Wortsman wrote a book about Phenix City; townsmen Hugh Bentley and Hugh Britton, who fought against the organized crime that controlled the city; and the widow of Albert L. Patterson, the Alabama State Attorney General nominate who was murdered by the crime syndicate opposed to his reforms.

As noted by Roberts, Patterson was killed on 18 June 1954 and was succeeded by his son John Patterson, a fellow lawyer and World War II veteran. (John Patterson went on to serve as governor of Alabama from 1959 to 1963.) The town, which was dubbed "Sin City, U.S.A." by the national press, had long been controlled by gambling, prostitution, drugs and racketeering syndicates, which catered to tourists and soldiers from nearby Columbus, GA.

After the film's credits roll, a written statement reads: "There is no other place in the world as Phenix City, Alabama. For almost one hundred years it has been the modern Pompeii where vice and corruption were the order of the day. Unlike Pompeii it did not require a Vesuvius to destroy it, for Phenix City is now a model community--orderly--progressive--and a tribute to the freedom loving peoples everywhere."

 
 
 Posted:   Mar 6, 2015 - 8:04 AM   
 By:   Rozsaphile   (Member)

I recall Phenix City as the sleepiest little town in 1969. It's just across the river from Columbus, Georgia, and Fort Benning, where I spent a little time. I knew of the picture even then (though I haven't yet caught up with it today), and it was difficult to imagine the sordid history of the place.

 
 Posted:   Mar 6, 2015 - 9:44 AM   
 By:   Recordman   (Member)

[startquote by Rozsaphile] I recall Phenix City as the sleepiest little town in 1969. It's just across the river from Columbus, Georgia, and Fort Benning, where I spent a little time. I knew of the picture even then (though I haven't yet caught up with it today), and it was difficult to imagine the sordid history of the place.(endquote)



I too was at Ft. Benning Georgia in OCS during 66-early 67. Instructors liked to mention Phenix City from time to time as a place to avoid even then (we didn't have any free time anyway.) I do remember during night field exercises in Ala. near Phenix City we stumbled upon an outside KKK rally. Different times......

 
 
 Posted:   Mar 6, 2015 - 12:28 PM   
 By:   filmusicnow   (Member)

(Speaking of the truth aspect, if memory serves, many prints of the film begin with a pure documentary segment, and the widow of the John McIntire character appears in an epilog as herself -- which explains why throughout the movie her character is spoken about but never appears on camera.)


The 13-minute documentary sequence was offered to exhibitors at no extra charge, and did not have to be included when showing the picture. The film ran 87 minutes without the newsreel, and 100 minutes with it. In the documentary sequence, noted reporter Clete Roberts interviews several of the townspeople involved in the actual incidents that occurred in Phenix City, AL. They included reporter Ed Strickland, who, along with fellow reporter Gene Wortsman wrote a book about Phenix City; townsmen Hugh Bentley and Hugh Britton, who fought against the organized crime that controlled the city; and the widow of Albert L. Patterson, the Alabama State Attorney General nominate who was murdered by the crime syndicate opposed to his reforms.

As noted by Roberts, Patterson was killed on 18 June 1954 and was succeeded by his son John Patterson, a fellow lawyer and World War II veteran. (John Patterson went on to serve as governor of Alabama from 1959 to 1963.) The town, which was dubbed "Sin City, U.S.A." by the national press, had long been controlled by gambling, prostitution, drugs and racketeering syndicates, which catered to tourists and soldiers from nearby Columbus, GA.

After the film's credits roll, a written statement reads: "There is no other place in the world as Phenix City, Alabama. For almost one hundred years it has been the modern Pompeii where vice and corruption were the order of the day. Unlike Pompeii it did not require a Vesuvius to destroy it, for Phenix City is now a model community--orderly--progressive--and a tribute to the freedom loving peoples everywhere."



It's on the D.V.D..

 
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