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 Posted:   Feb 27, 2015 - 6:54 PM   
 By:   Krakower Group   (Member)

WALT DISNEY RECORDS PRESENTS THE
CINDERELLA ORIGINAL MOTION PICTURE SOUNDTRACK
AVAILABLE MARCH 10

(February 25, 2015— Burbank, CA) - Walt Disney Records will release the original motion picture soundtrack for Cinderella on March 10, 2015. The album features original music by Patrick Doyle (“Brave,” “Thor”) marking the eleventh time Doyle has teamed with director Kenneth Branagh. The score was recorded at Air Lyndhurst Studio in London, and was performed by the London Symphony Orchestra conducted by James Shearman and produced by Maggie Rodford. The film arrives in theaters on March 13, 2015.

Patrick Doyle’s long-time creative collaboration with Branagh began in 1989 with “Henry V.” The film’s song ‘Non Nobis Domine’ was awarded the 1989 Ivor Novello Award for Best Film Theme. In 1991, they re-teamed for “Dead Again,” which earned Doyle a Golden Globe®-nomination. Subsequent collaborations include “Frankenstein,” “Much Ado About Nothing,” “Love’s Labour’s Lost,” “As You Like It,” “Hamlet” (for which Doyle received an Oscar® nomination for Best Original Score), “Sleuth,” and “Jack Ryan: Shadow Recruit.”

Doyle has scored over 50 international feature films, including “Rise of the Planet of the Apes,” “Harry Potter and the Goblet of Fire,” “Gosford Park,” “Sense and Sensibility,” “Indochine,” “Carlito’s Way” and “A Little Princess.” His work has led to collaborations with some of the most acclaimed directors in the world, including Regis Wargnier, Brian De Palma, Alfonso Cuarón, Ang Lee, Chen Kaige, Mike Newell and Robert Altman.

In addition to the score, the soundtrack also includes end credit tracks by Lily James (“Cinderella”) and Helena Bonham Carter (“Fairy Godmother”), plus the end credit original theme song “Strong” (written by Patrick Doyle, Kenneth Branagh and Tommy Danvers) performed by Compound/Motown recording artist Sonna Rele and produced by TommyD (Kylie, Kanye West, Corinne Bailey Rae, FUN). Sonna, the London born singer-songwriter, was discovered by multi Grammy®-Award winning singer-songwriter/ actor NE-YO and chosen by Kenneth Branagh to record “Strong.” The album was produced by Patrick Doyle and executive produced by Kenneth Branagh.

Cinderella track list follows:

1. A Golden Childhood
2. The Great Secret
3. A New Family
4. Life and Laughter
5. The First Branch
6. Nice and Airy
7. Orphaned
8. The Stag
9. Rich Beyond Reason
10. Fairy Godmother
11. Pumpkins and Mice
12. You Shall Go
13. Valse Royale
14. Who Is She
15. La Valse de L’Amour
16. La Valse Champagne
17. La Polka Militaire
18. La Polka de Paris
19. A Secret Garden
20. La Polka de Minuit
21. Choose That One
22. Pumpkin Pursuit
23. The Slipper
24. Shattered Dreams
25. Searching the Kingdom
26. Ella and Kit
27. Courage and Kindness
28. Strong Performed by Sonna Rele
29. A Dream Is a Wish Your Heart Makes Performed by Lily James
30. Bibbidi-Bobbidi-Boo (The Magic Song) Performed by Helena Bonham Carter

The story of “Cinderella” follows the fortunes of young Ella (Lily James) whose merchant father remarries following the death of her mother. Eager to support her loving father, Ella welcomes her new Stepmother (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drisella (Sophie McShera) into the family home. But, when Ella’s father unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family.

Soon, she is forced to become their servant, disrespected, covered in ashes and spitefully renamed Cinderella. Yet, despite the cruelty inflicted upon her, Ella will not give in to despair nor despise those who mistreat her, and she continues to remain positive, determined to honor her mother’s dying words and to “have courage and be kind.”

When Ella meets a dashing stranger in the woods, unaware that he is really the Prince (Richard Madden) and not merely Kit, an apprentice at the palace, she believes she has finally found a kindred soul. It appears her fortunes may be about to change when the King (Derek Jacobi) summons all maidens in the kingdom to attend a royal ball at the palace, raising Ella’s hopes of once again encountering the charming Kit. Alas, her Stepmother forbids her to attend and callously destroys her dress.

Meanwhile, the calculating Grand Duke (Stellan Skarsgård) devises a plan to thwart the Prince’s hopes of reuniting with Ella and enlists the support of the devious Stepmother. But, as in all good fairy tales, help is at hand. Soon, a kindly beggar woman (Helena Bonham Carter) steps forward and, armed with a pumpkin, a few mice and a magic wand, changes Cinderella’s life forever.

The Cinderella original motion picture soundtrack will be available wherever music is sold on March 10, 2015. The album is now available for pre-order at iTunes http://smarturl.it/cnsa1 and Amazon http://smarturl.it/cnsama1. The digital soundtrack
includes 3 bonus instrumental tracks (“Strong,” “A Dream is a Wish,” “Bibbidi-Bobbidi-Boo”). The physical CD will include an insert to download a new original song performed by Idina Menzel, Kristen Bell and Cast from the short “Frozen Fever.” The animated short will be shown in front of “Cinderella” and includes the new song written by Oscar and Grammy-winning composers Kristen Anderson-Lopez and Robert Lopez.

###

For more information on Walt Disney Records’ releases, become a fan at Facebook.com/disneymusic or follow us at Twitter.com/disneymusic.

For more information on Sonna Rele please visit www.sonnarele.com or www.facebook.com/sonnarelemusic

For more information on Patrick Doyle, contact krakowerpolingpr@gmail.com or @krakowerpoling on Twitter

 
 
 Posted:   Feb 28, 2015 - 1:16 AM   
 By:   jamesluckard   (Member)

One of my most anticipated scores of the year, cannot WAIT to get the CD.

However:

"The digital soundtrack includes 3 bonus instrumental tracks (“Strong,” “A Dream is a Wish,” “Bibbidi-Bobbidi-Boo”)."

Not thrilled about this at all. These should have been on the CD as well. Tired of finding content that's intentionally left off the main version of something that I want to buy.

 
 Posted:   Feb 28, 2015 - 4:27 AM   
 By:   The Thing   (Member)

Cassettes sometimes used to have bonus tracks that weren't on the vinyl version. Then CDs offered bonus tracks not on the other formats. Now downloads offer additional content not on CD (as well as earlier release dates).

It's the industry trying to push people to their preferred format.

 
 Posted:   Feb 28, 2015 - 10:13 AM   
 By:   A. A. Ron   (Member)

One of my most anticipated scores of the year, cannot WAIT to get the CD.

However:

"The digital soundtrack includes 3 bonus instrumental tracks (“Strong,” “A Dream is a Wish,” “Bibbidi-Bobbidi-Boo”)."

Not thrilled about this at all. These should have been on the CD as well. Tired of finding content that's intentionally left off the main version of something that I want to buy.


To most people (i.e. those outside of our little film score communities), the digital release IS the "main version." The industry isn't trying to push anyone anywhere. It's just a case of business executives going where the money is -- iTunes.

 
 Posted:   Feb 28, 2015 - 10:29 AM   
 By:   Solium   (Member)

One of my most anticipated scores of the year, cannot WAIT to get the CD.

However:

"The digital soundtrack includes 3 bonus instrumental tracks (“Strong,” “A Dream is a Wish,” “Bibbidi-Bobbidi-Boo”)."

Not thrilled about this at all. These should have been on the CD as well. Tired of finding content that's intentionally left off the main version of something that I want to buy.


To most people (i.e. those outside of our little film score communities), the digital release IS the "main version." The industry isn't trying to push anyone anywhere. It's just a case of business executives going where the money is -- iTunes.



We live in a multi use platform society. Why should one platform get special treatment? Unless the additional cues can't fit on the CD, there's no excuse for not having them on the physical release.

 
 
 Posted:   Feb 28, 2015 - 1:33 PM   
 By:   TerraEpon   (Member)

Actually it's probably simple.

Digital release makes more money (despite being cheaper, the overhead of a physical release and far far less upfront costs outweigh it). Thus they put a bigger incentive to buy the digital -- a lot of people, unfortunetly, DON'T care about format and will go for whatever is convenient or they fine more value.

(In the realm of 'don't care', I've seen multiple times people comment that they bought a digital release of a video game -- where it's the SAME price mind you -- because the physical was sold out and they HAD to have it at release time. So yeah there are people who don't care which version they get as long as they get it).

 
 
 Posted:   Feb 28, 2015 - 1:49 PM   
 By:   jamesluckard   (Member)

To most people (i.e. those outside of our little film score communities), the digital release IS the "main version." The industry isn't trying to push anyone anywhere. It's just a case of business executives going where the money is -- iTunes.

Looks like last year, depressingly, digital download sales weer expected to surpass CDs for the first time:

http://www.spin.com/articles/cd-sales-digital-downloads-2014-album-numbers/

Can't find any articles from the end of the year to say whether it actually happened.

However it also looks like these formats have shorter and shorter lifespans. Digital downloads may not have long on top. Spotify and other services are already devouring them:

http://pando.com/2014/07/03/digital-music-sales-are-in-a-free-fall-as-spotify-does-to-itunes-what-itunes-did-to-cds/

 
 Posted:   Feb 28, 2015 - 2:07 PM   
 By:   Solium   (Member)

To most people (i.e. those outside of our little film score communities), the digital release IS the "main version." The industry isn't trying to push anyone anywhere. It's just a case of business executives going where the money is -- iTunes.

Looks like last year, depressingly, digital download sales weer expected to surpass CDs for the first time:

http://www.spin.com/articles/cd-sales-digital-downloads-2014-album-numbers/

Can't find any articles from the end of the year to say whether it actually happened.

However it also looks like these formats have shorter and shorter lifespans. Digital downloads may not have long on top. Spotify and other services are already devouring them:

http://pando.com/2014/07/03/digital-music-sales-are-in-a-free-fall-as-spotify-does-to-itunes-what-itunes-did-to-cds/


If I can't find the CD in the store how can I buy it? As been mentioned before the companies move consumers into the buying patterns that they want. Does it help that a single song now costs $1.29? No, but that's the plan, to get you off downloading (legally) and into "free" streaming.

Once everyone is stuck with streaming only all memberships will require a monthly fee and those prices will go up significantly. Even with paying memberships they will probably force us to hear advertising too just like cable and watch apps. They will also have price ranges where you have to pay more for the most popular music.

Luckily for a lot of us old folks specialty labels should continue to support physical media for some time to come.

 
 Posted:   Feb 28, 2015 - 6:19 PM   
 By:   A. A. Ron   (Member)

...They will also have price ranges where you have to pay more for the most popular music.

Where do you get these ideas? We're never going to be herded into using just one medium for our music because there will always be consumers who prefer one medium over the others. Sure, individual formats and brand names go under from time to time, but even if Pepsi somehow went under (just as an example), something else would take its place as the Coke alternative. It was the same with CDs and iTunes, it'll be the same with Spotify and the rest of the streaming services. That's how the free market works.

Honestly, a lot of the comments in this thread just sound paranoid!

 
 Posted:   Jun 22, 2015 - 6:17 AM   
 By:   Chris Rimmer   (Member)

Just received the score for Father's Day, it's absolutely gorgeous, one of the best scores I've heard this year.

Most enjoyable.

 
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