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 Posted:   Feb 26, 2015 - 7:41 PM   
 By:   David-R.   (Member)

John Ottman has officially signed on to score X-Men: Apocalypse. The film is directed by Bryan Singer and star Jennifer Lawrence, James McAvoy, Michael Fassebender, Nicholas Hoult, Evan Peters and Rose Byrne who return in their roles from X-Men: First Class and Days of Future Past. They are joined by new cast members Sophie Turner who will play Jean Grey, Alexandra Shipp as Storm, Tye Sheridan as Cyclops, Kodi Smit-McPhee as Nightcrawler, as well as Oscar Isaacs and Ben Hardy. Simon Kinberg who scripted the previous film in the franchise is writing the screenplay for the sequel, which takes place in the 1980s. Singer and Kinberg are also producing the project with Lauren Shuler Donner and Hutch Parker. Ottman will also once again serve as the film’s editor. The composer has previously scored and edited Singer’s X2 and last year’s X-Men: Days of Future Past. X-Men: Apocalypse is set to be released on May 27, 2016 by 20th Century Fox.



http://filmmusicreporter.com/2015/02/26/john-ottman-to-return-for-x-men-apocalypse/

 
 Posted:   Feb 26, 2015 - 9:07 PM   
 By:   mastadge   (Member)

Here's hoping both the film and the score will be better than the lousy last one. I really really want to love an X-Men movie and they still haven't gotten it right. Maybe one of these decades.

 
 Posted:   Feb 26, 2015 - 11:04 PM   
 By:   Tom Servo   (Member)

I've really loved all the X-MEN movies so far, especially FIRST CLASS and DAYS OF FUTURE PAST, I'm a big fan of the series. The scores are all enjoyable, but some are better than others, with Powell's LAST STAND still my favorite.

 
 
 Posted:   Feb 27, 2015 - 9:59 AM   
 By:   Randy Watson   (Member)

Not too surprising I guess with Singer once again directing. Hope it'll be more like X2 than Days of Future Past

 
 Posted:   Feb 27, 2015 - 10:21 AM   
 By:   David-R.   (Member)

Not too surprising I guess with Singer once again directing. Hope it'll be more like X2 than Days of Future Past

I have to agree. But perhaps that is more to do with the score presentation on the album. I really enjoy X2 (especially LLL's deluxe treatment), but the Days of Future Past CD did mostly nothing for me. Perhaps it's much more interesting in whole, and LLL can release another 2-disc presentation.

 
 Posted:   Feb 27, 2015 - 10:51 AM   
 By:   LeHah   (Member)

Sort of on topic - Ottman is (or has?) gone back to the podium to score a couple quick scenes for the Director's Cut / "Rogue Cut" of Days Of Futures Past.

 
 Posted:   Feb 27, 2015 - 11:15 AM   
 By:   Shaun Rutherford   (Member)

Which composer's podium is he picking the music up from?

 
 Posted:   Feb 27, 2015 - 11:55 AM   
 By:   LeHah   (Member)

Which composer's podium is he picking the music up from?

Your mom's.

 
 Posted:   Feb 27, 2015 - 12:26 PM   
 By:   David-R.   (Member)

Which composer's podium is he picking the music up from?

Your mom's.


 
 Posted:   Feb 27, 2015 - 1:39 PM   
 By:   Shaun Rutherford   (Member)

Ha, she's actually quite an accomplished vocalist, which I can only imagine would be a step up for Ottman.

 
 Posted:   Feb 27, 2015 - 6:16 PM   
 By:   mastadge   (Member)

Sort of on topic - Ottman is (or has?) gone back to the podium to score a couple quick scenes for the Director's Cut / "Rogue Cut" of Days Of Futures Past.

When is this being released?

 
 Posted:   Feb 27, 2015 - 6:42 PM   
 By:   The Thing   (Member)

Should be good if it's John Ottoman.

Been listening to my CDs of his recently; he always comes up with great scores. I consider him to be underrated in a similar way to John Scott or Lee Holdridge. Always dependable to get a great, traditional-sounding score with melody and themes, but didn't become one of the big "name" famous composers. At least Ottoman gets some blockbusters.

 
 Posted:   Feb 27, 2015 - 7:19 PM   
 By:   Shaun Rutherford   (Member)

^ Wow

 
 Posted:   Feb 27, 2015 - 7:33 PM   
 By:   SBD   (Member)

Should be good if it's John Ottoman. (sic)

Until about this time last year, I'd have not only believed this statement, but I'd have had it tattooed on my body a la The Illustrated Man...and getting tattooed freaks me out.

It was one thing for a score to a Liam Neeson thriller to be all loops and dissonance, but I still find it hard to put into words just how sad Ottman's DoFP score made me. Sure, there was his (who cares if it wasn't 100% original; it was memorable, dammit!) X2 main theme...but that's it. I couldn't hum a note of the DoFP score at gunpoint and I sure don't remember any other themes from that film; nothing to hang on to or anything even slightly hummable, evocative or lingering.

When Tyler Bates writes a better comic book score than you, it is time to take a good, hard look at your life.

Which is to say that (at least, given the scale of the movie teased in the DoFP post-credits cookie) I hope 'Jack the Giant Slayer' Ottman is allowed out...and that 'Days of Future Past' Ottman is taken behind the woodshed.

 
 Posted:   Feb 28, 2015 - 1:01 AM   
 By:   LeHah   (Member)

Sort of on topic - Ottman is (or has?) gone back to the podium to score a couple quick scenes for the Director's Cut / "Rogue Cut" of Days Of Futures Past.

When is this being released?


The DVD had been announced months ago.

A score expansion wasn't mentioned to me by John but only was implied.

 
 Posted:   Feb 28, 2015 - 3:20 AM   
 By:   The Thing   (Member)

Nowt wrong with Ottman's DoFP.

Think yourself lucky it wasn't like Henry Jackman's "Winter Soldier" score.

 
 Posted:   Mar 17, 2016 - 4:20 PM   
 By:   mastadge   (Member)

Let's hope for a rare home run from Ottman here. If nothing else this movie should be big. Should be a chance to go all-out.

 
 Posted:   Mar 17, 2016 - 4:28 PM   
 By:   SalaciousAckbar   (Member)

I will never understand the hatred for Ottman. He's a terrific composer.

 
 Posted:   Mar 18, 2016 - 1:56 PM   
 By:   drivingmissdaisy   (Member)

Additional music by

E d w i n
W e n d l e r

 
 
 Posted:   Mar 18, 2016 - 7:12 PM   
 By:   thestat   (Member)

Ottman has to be the most significantly lacking action composer working on big budget blockbusters. He would not be able to make an orchestral piece move for anything. It just sounds like mickey mousing of a very simple kind - in this case, done to random 'dissonant' gestures rather than the fun of a Raymond Scott.

His themes are fine. The Usual Suspects (besides ripping off Basic Instinct), Apt Pupil, Incognito (especially, except the horrible chase music!), X-Men 2, besides everything that involves action.

The man is good at designing ideas for a score but he has no idea how to execute them.

This is especially surprising as he has a team of orchestrators who could put a bit of life into those non starting 5 second segments.

This is especially bizarre considering his admittedly formidable editing skills. He can put a film together, but why does he lack consistency in music, outside of the painting theme in Incognito which is genius.


 
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