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Posted: |
Jan 30, 2015 - 12:31 PM
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By: |
Grecchus
(Member)
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I have not seen the film, nor heard any of the music till now, Lud.
But your analysis can be understood and comprehended based on the historical record that has flooded the public awareness since Turing emerged from his posthumous dark shadows and, consequently, into a more tolerated light. Rescued, as it were, from a kind of suspended relative obscurity. The declassification of Bletchley Park has obviously gone a long way in the reviewing of Turing as a historical figure of significant import.
So there's really no need to see the film! 
Just one more thing. Is it possible Desplat was also formulating the music to mimic the nature of algorithmic code itself in the musical structures being lent to some of the film's scenes? Even if not, Desplat's style is just about word perfect in which to wrap up a storyline such as this. Then again, film music is a form of coded information, is it not?
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