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 Posted:   Dec 27, 2014 - 3:51 PM   
 By:   ijwilson   (Member)

http://www.theguardian.com/film/2014/dec/27/mica-levi-under-the-skin-scarlett-johansson

 
 
 Posted:   Dec 28, 2014 - 2:36 PM   
 By:   joan hue   (Member)

I'm surprised no one has commented on this article. It provides really interesting details as to how this composer decided to score this very unique movie.

The only part I find a bit confusing is when the composer says, "Or there's a bit where she falls in love," referring to Scarlett's character and all the "firsts" for her character. I don't think she or "it" ever fell in love. Maybe it/she fell a bit into empathy or compassion. Not sure.

Thanks for posting this insightful article.

 
 
 Posted:   Dec 28, 2014 - 9:36 PM   
 By:   Smaug   (Member)

I liked her score a lot and I liked the movie. Yeah I didn't think that the almost sexual encounter counts as falling in love. In general I find its hard to comment about this movie as the general mistaken reputation is that it was a movie about Scarjo getting naked. Unlike Monsters Ball which was in fact just an excuse to get Halle Barry naked and then they awarded her with an Oscar for such a bad film and mediocre performance. Under the Skin is a really good film, up my alley anyway and I thought the soundtrack was great. I find that often outsiders or first/second timers do great work as they bring something fresh because they really don't know what they are doing.

Say what you will about Reznor and Ross, whom I personally don't think much of, but you can see by three or four movies in they are showing they only really know their limited way or doing film music. But the first time appeared, at least, to be something different.

Many of my favorite scores are "early" efforts from Conan, to Altered States, to Crouching Tiger to Beetlejuice. It's not to say newcomers are always great or that it's old hat for well established composers, in fact to me it enhances the greatness of Goldsmith or Williams that they can do something incredible and unexpected in their 100th score. We can get excited about newcomers and that's great, but so very rarely do they establish themselves as truly original voices.

 
 
 Posted:   Dec 28, 2014 - 10:00 PM   
 By:   joan hue   (Member)

Smaug, we did have a rather varied discussion about this film on the other side of this board, the non music side. You may find some of the comments about this movie interesting. Just read here.

http://www.filmscoremonthly.com/board/posts.cfm?threadID=102360&forumID=7&archive=0

 
 Posted:   Dec 29, 2014 - 5:53 AM   
 By:   johnbijl   (Member)

Yes, excellent read. I still have to dive into the score, but this got me curious enough.

Many of my favorite scores are "early" efforts from Conan, to Altered States, to Crouching Tiger to Beetlejuice.


Indeed! Same here. Interesting subject (that perhaps deserves a thread on it's own?). It come from a variety of reasons why these "early efforts" stand out... Perhaps a composer giving it more effort because it's big break or is enthusiastic about a new approach. Or being less polished with the inner workings of film production. Perhaps even that in cases as under the skin a relatively new composer is getting more free reign because she was carefully selected by the director and not 'just' picked out in an audition.

 
 
 Posted:   Dec 29, 2014 - 7:32 AM   
 By:   Smaug   (Member)

Others came to mind like Johnny Greenwood's There Will Be Blood or Daft Punk's Tron. Sometimes there are the right people at the right time to do certain things. He won't think of it this way but in Greenwood's case I feel like he's already chasing the high of his first experience but probably unlikely to get there again. I could be wrong as he's a much better "composer" than Reznor/Ross. I'm always interested in finding one off masterpieces/one hit wonders, I'm more interested in finding the most talented people and following their evolution.

 
 Posted:   Dec 29, 2014 - 11:47 AM   
 By:   Jeff Bond   (Member)

I'm surprised as well that there's been very little discussion of this score--one of the most interesting and effective I've heard in quite a while.

 
 Posted:   May 23, 2015 - 12:39 AM   
 By:   Lukas Kendall   (Member)


Just saw this on DVD and bought the album immediately—"Love" is a fantastic track!

Lukas

 
 Posted:   May 23, 2015 - 2:29 AM   
 By:   Anthony Marose   (Member)

Just saw this on DVD and bought the album immediately—"Love" is a fantastic track!

Lukas


Great film with a fantastic score, indeed.

 
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