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 Posted:   Dec 8, 2014 - 5:34 PM   
 By:   johnjohnson   (Member)

A FAR OFF PLACE
Composed and Conducted by JAMES HORNER
INTRADA Special Collection Vol. 303

Combining epic adventure, intimate character drama, fierce action and a good-sized dose of exotic color, the 1993 Disney film A Far Off Place provided Horner with a broad canvas, inspired by the novels of Sir Laurens van der Post. Many of the elements that feature prominently in Horner’s score are present from the film’s opening minutes. The first music to appear is an idyllic passage highlighting flute and gentle percussion, used to underscore establishing shots of an elephant herd at a watering hole. Horner returns to this tone later in the film, using it to emphasize the underlying harmony of life on the savanna—even in seemingly inhospitable locations. Here, however, Horner’s expression of peace is violently interrupted by his jarring music for the poachers. Horner paints the band of killers with rampaging percussion, low brass and piano, both here and during the later scenes of slaughter at the lodge. These initial minutes serve as a prelude to the entrance of Horner’s sweeping, majestic main theme for the film. Strings and flute are the instruments most prominently associated with this theme, while also featuring statements for winds and brass. Shakuhachi also makes its first appearance here, punctuating the music with intense, breathy flourishes. It almost serves as an overture for the score and story to come.

The scoring sessions for A Far Off Place were originally recorded on 2” 24-track tape over five days during January 1993 (with additional sessions in February for keyboards and percussion), then mixed down onto ¼” Dolby SR-format two-track tape by engineer Shawn Murphy at Todd-AO. They were vaulted on DAT, and our expanded CD was mastered directly from those DAT masters. This new presentation has been remastered and lavishly expanded with more than half an hour of additional material not featured on the 1993 release.

The film tells the story of Nonnie Parker (Reese Witherspoon), the teenage daughter of local gamekeepers, and her relationship with a tourist boy named Harry Winslow (Ethan Randall, now going by Ethan Embry). When Nonnie’s parents and Harry’s father are murdered by a band of poachers working for corrupt ivory smuggler John Ricketts (Jack Thompson), the children decide to flee across the arid wastes of the Kalahari rather than risk certain capture by trying to reach a nearby village. They are guided on their journey by Xhabbo (Sarel Bok), a mystical youth who communes with nature and whose visions seem to portend the future. It is Xhabbo’s timely intervention that spares Nonnie and Harry from the poachers’ slaughter, and his wisdom that allows them to navigate the desert as they strive to reach Nonnie’s uncle, the poacher-hunting Col. Mopani Theron (Maximilian Schell), before Ricketts and his thugs ride them down.

INTRADA Special Collection Vol. 303
Retail Price: $19.99
Available 12/11/2014
For track listing and sound samples, please visit
http://store.intrada.com/s.nl/it.A/id.9331/.f

 
 
 Posted:   Dec 8, 2014 - 5:39 PM   
 By:   c8   (Member)

Ordered!

I've wanted this one for a long time. This isn't a grail, but its sure covered in gold pressed Latinum!

 
 Posted:   Dec 8, 2014 - 5:49 PM   
 By:   Solium   (Member)

Heck yeah!

 
 
 Posted:   Dec 8, 2014 - 6:13 PM   
 By:   bobbengan   (Member)

Somehow I'd never heard a note of this before - Very pleasant surprise.

The ethnic portions sound to my ear, in all honesty, very cliched and generic given the genre and implied imagery, but the orchestral sweep is undeniably alluring. That end title is quite something, and to my ear, it doesn't immediately beg any overt similarities to past or future works really, despite feeling like it's born of the vein that gave us LEGENDS OF THE FALL and BLACK GOLD. Those wonderful strings - !

Will be picking this and most likely the Delerue up.

Thanks Intrada as always!

 
 Posted:   Dec 8, 2014 - 7:34 PM   
 By:   Mr. Jack   (Member)

I remember owning the original album back in the day, only to sell it off for some reason before it became super-rare and expensive. Listening to the samples, it's better than I remembered, and doesn't have much of Horner's trademark self-plagiarism. I'll probably pick this up at some point. smile

 
 Posted:   Dec 8, 2014 - 7:44 PM   
 By:   Shaun Rutherford   (Member)

Tom Pasatieri!

 
 
 Posted:   Dec 8, 2014 - 7:46 PM   
 By:   connorb93   (Member)

The James Horner youtube page (run by a fan of course) posted all this material (more or less) a few weeks ago. I asked how he got an expanded score as I've never heard of a bootleg for this. Pretty cool either way!

 
 
 Posted:   Dec 8, 2014 - 8:27 PM   
 By:   Chris Avis   (Member)

The James Horner youtube page (run by a fan of course) posted all this material (more or less) a few weeks ago. I asked how he got an expanded score as I've never heard of a bootleg for this. Pretty cool either way!

That sounds dubious... did someone working on the album leak it?

Chris.

 
 
 Posted:   Dec 8, 2014 - 8:58 PM   
 By:   Avatarded   (Member)

The James Horner youtube page (run by a fan of course) posted all this material (more or less) a few weeks ago. I asked how he got an expanded score as I've never heard of a bootleg for this. Pretty cool either way!

That sounds dubious... did someone working on the album leak it?

Chris.


You may not have been aware of a bootleg, but yes one has been around for well over 10 years. If you check out the tracks on that YouTube page you will notice the track names are different, and the sound quality is poor. A very thick layer of 'hiss' is all over it, similar to an old cassette tape recording. That's the bootleg on YouTube.

 
 
 Posted:   Dec 8, 2014 - 8:59 PM   
 By:   GoblinScore   (Member)

No, there was "another version" for years, that I can now happily throw away....good show Intrada!

I mean, what avatarded said above..

 
 Posted:   Dec 8, 2014 - 10:51 PM   
 By:   Tom Servo   (Member)

Super great, I never wound up buying the original album, even after seeing the movie in the theater back in '93. I'll be ordering this plus GORKY PARK!

 
 
 Posted:   Dec 9, 2014 - 1:12 AM   
 By:   Francis   (Member)

Totally unfamiliar with this movie and score, but I did not expect the samples to be so brooding and ominous judging from the cover. I guess this is a survival/man against nature type of movie?

 
 Posted:   Dec 9, 2014 - 2:17 AM   
 By:   Loren   (Member)

I have this already, but expanded appeals to me very much

 
 
 Posted:   Dec 9, 2014 - 2:37 AM   
 By:   Martin B.   (Member)

Picked the original up on ebay a few years back - a very enjoyable score. Looking forward to the expansion.
With this and Queenie it's a nice batch from Intrada to finish the year with, although whether I will receive them this year remains to be seen.

 
 Posted:   Dec 9, 2014 - 5:14 AM   
 By:   CindyLover   (Member)

Totally unfamiliar with this movie and score, but I did not expect the samples to be so brooding and ominous judging from the cover. I guess this is a survival/man against nature type of movie?

Sort of - it's certainly a pretty serious movie (a whole bunch of animals get massacred in the very first scene, not the kind of thing you expect from a movie whose credits have the names "Walt Disney Pictures" and "Amblin Entertainment"* on them).

*Steven Spielberg's name isn't on this one, however.

 
 
 Posted:   Dec 15, 2014 - 8:27 PM   
 By:   c8   (Member)

Got my copy today. As always, excellent audio work by Intrada. The transfer is great.

As a rather big Horner fan, I'm really rather surprised about this score. I hadn't heard it before this release. There's nothing really wrong with it but there's nothing much right with it either. There's a rather nice main theme that's a cousin of the one he used in Once Upon a Forest. There'a a sub theme that is a hook that shows up across his career. Then there's an hour of the most anonymous underscore I think Horner has composed in his career. A few lines of very simple tone progressions, chords, and simple meandering; nothing that really reminds you this is a James Horner score. Horner has such a distinct style and none of it is really on display here. As simple and taut as the writing is, this screams rush job. Whether it was or not I don't know. I suppose its all appropriately brutal and suspenseful in the film but good listening it does not make.

Again, there's nothing technically wrong, but even the most boring Horner scores usually aren't as anonymous as this.

 
 Posted:   Dec 16, 2014 - 8:35 AM   
 By:   Solium   (Member)

@ c8- Your description sounds about right. I remember catching the very end of the movie, (my first viewing) and fell in love with the end credits. Beautiful and sweeping. So I found the score and was completely surprised how different the rest of the music was. Very understated and minimal.

 
 
 Posted:   Dec 16, 2014 - 1:12 PM   
 By:   MattyT   (Member)

Bummer...That's why I held off on buying the new version of this. I only liked the end credits on the original album and always felt the rest of the underscore was really minimal and boring as a standalone listen. I love Intrada, but sometimes I wonder why certain titles get expanded over others. I thought the original release did the score justice. I'm a big Horner fan, but I may have to pass on this. To each his own...

 
 Posted:   Dec 16, 2014 - 2:08 PM   
 By:   Shaun Rutherford   (Member)

Bummer...That's why I held off on buying the new version of this. I only liked the end credits on the original album and always felt the rest of the underscore was really minimal and boring as a standalone listen. I love Intrada, but sometimes I wonder why certain titles get expanded over others. I thought the original release did the score justice. I'm a big Horner fan, but I may have to pass on this. To each his own...

I dunno, "The Swamp" is pretty good. "The Slaughter" and "Attacked From The Air" barely even sound like Horner at times...

 
 
 Posted:   Dec 16, 2014 - 2:53 PM   
 By:   Spymaster   (Member)

If Horner is *too* Horner he's moaned at. If he's not Horner enough he's moaned at. The poor fella can't win!

 
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