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 Posted:   Oct 31, 2014 - 3:25 PM   
 By:   Jason LeBlanc   (Member)


Marc Streitenfeld has recently composed the music for the upcoming Poltergeist remake. The film is directed by Gil Kenan (Monster House, City of Ember) and stars Sam Rockwell, Rosemarie Dewitt, Jared Harris, Kyle Catlett, Saxon Sharbino, Kennedi Clements and Jane Adams. The movie follows the Bowen family, whose life is suddenly disrupted after a supernatural force takes over their home and begins terrorizing them. David Lindsay-Abaire (Rabbit Hole, Oz the Great and Powerful, Robots) has written the screenplay. Sam Raimi & Robert Tapert (Evil Dead, Drag Me to Hell, The Grudge) are producing the project for Ghost House Pictures, alongside Roy Lee (The Lego Movie, Dark Water). The original Poltergeist movies and its sequels featured music by Jerry Goldsmith. Poltergeist is set to be released on July 24, 2015 by 20th Century Fox.

Streitenfeld who previously scored such films as American Gangster, Robin Hood, Prometheus, The Grey and Body of Lies also recently scored the pilot for the Amazon Studios drama Hand of God, which has been picked up to series last month.


http://filmmusicreporter.com/2014/10/31/marc-streitenfeld-scoring-poltergeist-remake/

 
 
 Posted:   Oct 31, 2014 - 3:36 PM   
 By:   bobbengan   (Member)

Well... We'll see. Color me super-cautiously optimistic. I'm hoping, at least, for a good central THEME even if I have serious doubts the suspense underscore will be anything to write home about.

 
 Posted:   Oct 31, 2014 - 4:09 PM   
 By:   Lokutus   (Member)

ok... one more reason not to give a damn about this.

 
 Posted:   Oct 31, 2014 - 4:15 PM   
 By:   Josh   (Member)

I listened to his score for The Grey earlier today, coincidentally. A fine score it is, too. Very creepy and atmospheric, but with a melodic sensibility and thoughtful instrumentation that elevate it far above mere sound design. In fact, I enjoy every score I've heard by him so far, which now that I think about it includes only that and Prometheus. Looking forward to this.

 
 Posted:   Nov 2, 2014 - 7:42 AM   
 By:   Gold Digger   (Member)

Every mgm movie remake has flopped. You'd think Hollywood would get the message.

 
 Posted:   Nov 2, 2014 - 9:15 AM   
 By:   orion_mk3   (Member)

Ugh, Streitenfeld? The only thing keeping me vaguely interested in the remake was the prospect of a Douglas Pipes or Andrew Lockington score. We'll probably get something like Prometheus: not bad but bland, safe, and with one token nod to Goldsmith that's better than everything esle combined.

 
 Posted:   Nov 2, 2014 - 9:36 AM   
 By:   Mr. Jack   (Member)

Shit.

 
 Posted:   Nov 2, 2014 - 9:38 AM   
 By:   Mr Drive   (Member)

...The original Poltergeist movies and its sequels featured music by Jerry Goldsmith...

Tell that to Joe Renzetti.

 
 
 Posted:   Nov 2, 2014 - 9:59 AM   
 By:   Willgoldnewtonbarrygrusin   (Member)

This will be an uphill battle, IMO.

The film will have to be extra good to at least not make fans of the original (like me) angry.

And no score would be able to equal Goldsmith´s work.

But I try to keep an open mind. I liked Streitenfeld´s score for "Prometheus". And since this remake is not directed by Ridley Scott there is a chance that this score will only be done by Streitenfeld.

 
 
 Posted:   Nov 2, 2014 - 10:23 AM   
 By:   Spymaster   (Member)

The risk of holding Prometheus up as a Streitenfeld standard is that the most significant - and memorable - cue was written by Harry Gregson-Williams.

 
 
 Posted:   Nov 2, 2014 - 11:05 AM   
 By:   Francis   (Member)

For me it will never be as great as the original Poltergeist only because I experienced watching this movie in my childhood and the impact back then of it and its sequel left an impression. Also, the dominant 80s feel with middle class family, the suburbs look, ... It will be hard to update the concept given that there have been so many movies and recent ones as well that tapped into that well. I thought both Insidious movies did a great job of presenting a modern version Poltergeist story.

I'm not expecting much of this version, the director's City of Ember I ultimately found trite, to have Sam Raimi on board for this does translates in some quality control but Spielberg he is not. As for the score, well, I don't think we'll get the same kind of ingenuity 30 years later (that goes for many of the departments of this movie, special effects mainly). Maybe it'll still be a fun movie, who knows.

Seeing this thread its one of those "it had to happen sooner or later". The only positive aside from Sam Raimi might be the absence of the names Michael Bay and Steve Jablonsky. wink

 
 Posted:   Nov 2, 2014 - 12:01 PM   
 By:   SBD   (Member)

Not only could Douglas Pipes have used the work, but I truly believe his music could've matched Goldsmith's scores for the first two movies.

 
 
 Posted:   Nov 2, 2014 - 12:11 PM   
 By:   Francis   (Member)

Not only could Douglas Pipes have used the work, but I truly believe his music could've matched Goldsmith's scores for the first two movies.

Something tells me by the choice of Marc Streitenfeld that's the last thing the producers want to do with the music.

 
 Posted:   Nov 2, 2014 - 10:45 PM   
 By:   lostboy408   (Member)

Every mgm movie remake has flopped. You'd think Hollywood would get the message.

...except Robocop. $242 Million against a $100 million budget

 
 
 Posted:   Nov 2, 2014 - 11:08 PM   
 By:   bobbengan   (Member)

The risk of holding Prometheus up as a Streitenfeld standard is that the most significant - and memorable - cue was written by Harry Gregson-Williams.

Yup!

 
 
 Posted:   Nov 2, 2014 - 11:50 PM   
 By:   gyorgyL   (Member)

I would have scored :

https://www.youtube.com/watch?v=VV_BaXwJijs&list=UUchx11JX0pcBWUuPNHudlKg

 
 
 Posted:   Nov 3, 2014 - 3:17 AM   
 By:   Thor   (Member)

For me it will never be as great as the original Poltergeist only because I experienced watching this movie in my childhood and the impact back then of it and its sequel left an impression. Also, the dominant 80s feel with middle class family, the suburbs look, ... It will be hard to update the concept given that there have been so many movies and recent ones as well that tapped into that well. I thought both Insidious movies did a great job of presenting a modern version Poltergeist story.

This is pretty much my exact thoughts too. Plus, I'm skeptical of MOST remakes in general (unless the original is very old or shitty).

That being said, the proof is in the pudding. It never ceazes to amaze how the FSM crowd loves to draw quick (and often negative) value judgements without knowing anything about how it looks or sounds.

I was skeptical of Streitenfeld when I first discovered him, but I've come to appreciate much of his work, even the Scott stuff. For some reason, I thought he was steering away from film music after his departure from the director, but I guess not. I'm EXPECTING directionless drones (like I do in most horror films -- not my cup of listening tea!), but reserve my right to be positively surprised.

 
 
 Posted:   Nov 3, 2014 - 5:18 AM   
 By:   MikeP   (Member)

The remake isn't an automatic miss for me, since I acknowledge the original - as entertaining as it is - has always been full to the brim of Spielberg styled corn ( don't get me wrong, loves me some Spielberg but the movie has always been a bit creaky big grin ) and is more a fun house movie than a horror movie. A fun movie to be sure but it was never really scary.

Streitenfeld has never wowed me with a score, really tried to like his scores for Ridley Scott but could never feel engaged with any of them. Maybe if he is "turned loose" to go all out on a horror score he might knock it out of the park.

Chris Young in Hellraiser mode... THAT'S what the movie needs. And yeah I'm saying that before seeing even a trailer razz

 
 
 Posted:   Nov 3, 2014 - 5:53 AM   
 By:   Tall Guy   (Member)


The film will have to be extra good to at least not make fans of the original (like me) angry.

And no score would be able to equal Goldsmith´s work.

But I try to keep an open mind.



Well, that's lucky... smile

 
 
 Posted:   Nov 3, 2014 - 6:14 AM   
 By:   JB Fan   (Member)

Second question is - who is Streitenfeld? I don't have much knowledge about contemporary composers, so is he real composer, or another one who simulate Zimmer's and etc. sound?
But most important question is WHY?!!!
WHY they want to make another remake? Original film is rather good and it's still scary even after 32 years!

 
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