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Earl-ier on when we did our own private award acknowledgments, this richly reflective score was our unanimous choice for 1969’s finest – and our all-tyme favorite from this celebrated composer. Simultaneously introspective, joyous, pensive, softly and subtly sensitive that encompasses and enhances the film’s conflicted triangle of love, loyalty, friend- ship, competition, betrayal and transcending all that happens with all that truly Matters, Mr. Grusin’s evocative music-scape is a sheer delight whose luster hasn’t dimmed but only increased (in fact, it can be arguably used as an influential ancestor of later efforts, especially the vibrant California Montage cue that’s a virtuous cousin to “On Golden Pond”’s jubilant New Hampshire Hornpipe sequence). Twas all aces then, and no less luminously so now …
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You'd have thought this one would be a cert for a CD release. Gorgeous music for Paul Newman 60s movie
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