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I apologize for my delay in finding this thread, but I think I can be a little bit helpful here.
The original masters for the Tipton material in Phantom (and all the other music, including the wedding music, apart from the Williams songs) were lost in a flood in Gary Ulmer's storage space (Gary ran MRI studios back in the day), along with a tremendous number of other masters. I know this because Paul Williams and I went looking for these tapes a few years ago when a boutique label expressed interest in producing a "comprehensive" release of the music.
So, unless someone finds dupes of those tapes someday, the closest we can probably get to masters is the Music & Effects track that can be found on the Shout Factory bluray release.
But what I think a lot of folks don't realize is that much of the music in the film that is generally and mistakenly attributed to Tipton is actually Beethoven...and so it's readily available.
For example, the music that plays during Winslow's escape from prison, and Swan visiting Phoenix in her dressing room...that's all Beethoven.
The prison escape is Beethoven's Piano Quartet in E-Flat Major, WoO 36, No. 1: II. Allegro con Spirito. I've posted it here: https://swanarchives.org/audio/Escape%20from%20Sing%20Sing.mp3
And the music accompanying Swan's visit to Phoenix is the second movement of Beethoven's Piano Sonata No. 1. Also posted: https://swanarchives.org/audio/namethattune.mp3
So for anyone who's still interested after all these years, I hope that's helpful.
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And the music accompanying Swan's visit to Phoenix is the second movement of Beethoven's Piano Sonata No. 1. Also posted: https://swanarchives.org/audio/namethattune.mp3
Interesting that this too is an arrangement for (apparently) Piano Quartet, as it is originally of course for solo piano. It's been too long since I've seen Phantom to remember this music. Guess that means time to watch it again!
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And the music accompanying Swan's visit to Phoenix is the second movement of Beethoven's Piano Sonata No. 1. Also posted: https://swanarchives.org/audio/namethattune.mp3
Interesting that this too is an arrangement for (apparently) Piano Quartet, as it is originally of course for solo piano. It's been too long since I've seen Phantom to remember this music. Guess that means time to watch it again!
So it turns out Beethoven used this piano part twice...in the Piano Sonata No. 1, and also in his Piano Quartet in C major, WoO 36 No. 3, Adagio Con Expressione. The version in Phantom (and to which I linked above, sorry for my error) is the Quartet.
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Ah, cool, didn't realize that the movement of the piano sonata was also in the quartet - I don't know the Beethoven chamber music very well. Thanks for clarifying!
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