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 Posted:   Jul 30, 2014 - 6:11 PM   
 By:   Zooba   (Member)

Doesn't have to be the same for Episode and Score, but can.

Mine would definitely be THE MISSION as fave episode and with, in my opinion, that Mini Masterpiece John Williams score! Loved the look and Spielberg's direction. Story a little hokey, but who cares?

https://www.youtube.com/watch?v=xVCYanmEKKE

The Landing sequence scored by Williams in this (sorry for the quality) youtube posting is simply brilliant with the top drawer cinematography and Spielberg's tension building editing. Music and Picture MAGIC, we all love so much!

https://www.youtube.com/watch?v=ItnJbsljcE4

 
 
 Posted:   Jul 30, 2014 - 7:01 PM   
 By:   Zooba   (Member)

Definitely worth mentioning are Georges Delerue's three wonderful Amazing Stories Scores: THE DOLL, DOROTHY AND BEN and WITHOUT DIANA. Brilliant and beautiful work by the Maestro!

WITHOUT DIANA - Georges Delerue:

https://www.youtube.com/watch?v=AjP75JCA-Ow

A cool page on the Amazing Stories Composers at this Amazing Stories Site:

http://www.geocities.com/TelevisionCity/Studio/8849/amazimag/composer.html

 
 Posted:   Jul 30, 2014 - 7:06 PM   
 By:   SBD   (Member)

I admit to not having seen every episode, but as for scores...

- Craig Safan's THE MAIN ATTRACTION; almost like REMO WILLIAMS 1.5 at points. I also love the sarcastic rendition of the main theme in the next to last track and the over-the-top romantic version in the finale.

- John Addison's THE PUMPKIN COMPETITION. I can only assume that Addison couldn't obtain a harpsichord for this score, but the keyboard makes for an amusing and effective substitute.

- Johnny Mandel's ONE FOR THE ROAD. I love the Irish flavor of it.

- David Newman's SUCH INTERESTING NEIGHBORS. I just love early Newman and this is a nice companion to BRAVE LITTLE TOASTER.

- John Addison's THE GREIBBLE. This has a terrific main theme.

- Danny Elfman and Steve Bartek's THE FAMILY DOG (also a neat episode). A delightfully rambunctious score. Pity the whole thing couldn't be retrieved.

 
 
 Posted:   Jul 30, 2014 - 8:01 PM   
 By:   Montana Dave   (Member)

'The Doll' is a very close second, because of the score and of course, John Lithgow's Emmy Winning performance. However, I've a short story to relate here:
In 1990 I moved to Seattle and for a (very) few months, was working at a Blockbuster Video Store - remember video tapes? At a certain time every evening I'd put on 'The Mission' video tape and it would play on the several overhead tv's around the store. I don't know exactly what the draw was, John Williams propulsive score, the special effects, the dramatic story of the guy trapped in the machine-gun turret on the bottom of the plane, or everything I just mentioned. But every night that I put that tape on, there would always, always be 2-4-6 people viewing the monitors with their necks craned up, just transfixed to the screen. I always got some satisfaction when they'd eventually start browsing again at the end of the episode, and sometimes they'd actually rent the episode too, after asking what it was they just saw.

 
 Posted:   Jul 30, 2014 - 10:21 PM   
 By:   Lokutus   (Member)

The Doll

 
 
 Posted:   Jul 30, 2014 - 11:33 PM   
 By:   BrenKel   (Member)

James Horner's Alamo Jobe

 
 
 Posted:   Jul 31, 2014 - 4:53 AM   
 By:   Hurdy Gurdy   (Member)

Such a great series for music.
Obvously the John Williams theme and scores (The Mission and Ghost Train) stand out.
I love the Main Titles from the David Newman episode (Such Interesting Neighbours).
The Delerue's are gorgeous, with Dorothy and Ben just edging out The Doll in the 'makes me cry more' stakes.
Horner's Alamo Jobe is thrilling and highly derivative of himself all at the same time.
Some of the Brougton scores are fun and I enjoy the Fred Steiner, Billy Goldenberg and David Shire ones too.
Sadly, the Jerry Goldsmith and Michael Kamen efforts leave me cold and the Thomas Newman never seems to excite me the way it should.

 
 
 Posted:   Jul 31, 2014 - 5:44 AM   
 By:   Smitty   (Member)


Sadly, the Jerry Goldsmith and Michael Kamen efforts leave me cold and the Thomas Newman never seems to excite me the way it should.


The Thomas Newman and wildly suspenseful Kamen scores are my favorites of the bunch. The two are unique for their time.

I also cannot get into the Goldsmith score, though.

 
 Posted:   Jul 31, 2014 - 6:23 AM   
 By:   First Breath   (Member)

Pat Metheny's and Thomas Newman's.

 
 Posted:   Jul 31, 2014 - 7:34 AM   
 By:   Justin Boggan   (Member)

I've still yet to hear many of them, but certainly "Family Dog". I also consider it one the best Elfman scores.

 
 Posted:   Jul 31, 2014 - 11:35 AM   
 By:   dogplant   (Member)

My favorite "Amazing Stories" score is John Williams' 'The Mission' and Delerue's scores are beautiful, too, especially 'The Doll'. I am also very partial to Thomas Newman's 'Santa '85' although I have never seen the episode.

As for favorite episodes, I enjoyed the Zemeckis episode 'Go to the Head of the Class' which had a fun, prototypical 80s Alan Silvestri score, but I didn't get to see many episodes until years after their release as UK viewers only had a couple of theatrical anthologies and then a spotty VHS release. "Family Dog" was another highlight for what the series did best, in its diversity. When I got to see more of the show, I realized there were some pretty awful clunkers.

The three Intrada albums offered a wonderful cross-section of the music, which in my opinion was the series' strongest point. I posted a similar thread to this one in June 2007, after #3 appeared:

http://www.filmscoremonthly.com/board/posts.cfm?threadID=42957

Bumper #1 still rules.

 
 Posted:   Jul 31, 2014 - 12:50 PM   
 By:   Freejack   (Member)

Favourite Episode: MUMMY DADDY

Favourite Score: Elfman's MUMMY DADDY or Silvestri's GO TO THE HEAD OF THE CLASS

 
 Posted:   Dec 24, 2017 - 10:13 AM   
 By:   Jim Phelps   (Member)

I was trying to remember if this was from the 1985 Twilight Zone revival series or Amazing Stories, but it turned out to be the latter:

"Ignored by his self-absorbed, social-climbing parents, 5-year-old Jonah Kelley wanders his lonely, sterile house and then the outside world, searching for someone who will see him, while things and people disappear in his wake."

Favorite Episode: "What If?" Stumbled on this episode some years back, long after it originally aired, but it was so wonderfully autobiographical in some ways. LOL

The incomparable Billy Goldenberg composed the score, and since I'm largely unfamiliar with the series and its music, for now I'll say this was my favorite score of the show.

http://www.imdb.com/title/tt0511130/

 
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