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 Posted:   Jan 17, 2014 - 8:24 PM   
 By:   Bond1965   (Member)

NON-STOP

Original Motion Picture Soundtrack

Music Composed by
John Ottman
(Unknown, X-Men 2, Fantastic Four)


Global action star Liam Neeson stars in Non-Stop, a suspense thriller played out at 40,000 feet in the air. During a transatlantic flight from New York City to London, U.S. Air Marshal Bill Marks (Neeson) receives a series of cryptic text messages demanding that he instruct the airline to transfer $150 million into an off-shore account. Until he secures the money, a passenger on his flight will be killed every 20 minutes. The film reunites Neeson with Unknown director Jaume Collet-Serra and producer Joel Silver, and co-stars Golden Globe Award winner Julianne Moore

Composer John Ottman (The Usual Suspects, Valkyrie) ratches up the tension with a riveting, propulsive score.

Universal Pictures will open NON-STOP?nationwide on February 28.

Varese Sarabande Catalog # 302 067 251 8
Release Date: 02/25/14

J

 
 Posted:   Jan 17, 2014 - 8:32 PM   
 By:   losher22   (Member)

Been really looking forward to this flick...now the score is on my radar as well!!!

 
 Posted:   Jan 17, 2014 - 9:45 PM   
 By:   drivingmissdaisy   (Member)

Can't wait to hear the music!

 
 
 Posted:   Jan 18, 2014 - 5:36 AM   
 By:   Trent Easton Navarro   (Member)

Didn't know Ottman scored anything between Jack the Giant Slayer and the upcoming X-Men film. Looking forward to this, hopefully Ottman didn't have to Zimmerfy his sound, like so many other composers on action flicks

 
 Posted:   Jan 18, 2014 - 11:12 AM   
 By:   drivingmissdaisy   (Member)

Imdb says composer Edwin Wendler wrote additional music. I wonder what cues Edwin helped with?

 
 Posted:   Jan 18, 2014 - 3:26 PM   
 By:   DeputyRiley   (Member)

Imdb says composer Edwin Wendler wrote additional music. I wonder what cues Edwin helped with?

I was hoping Edwin contributed! When talking with him during my trip to L.A. I realized he had a considerable hand in some of my favorite Ottman scores -- Resident and Unknown. Can't wait to hear his work alongside/supporting Ottman's for Non-Stop!

 
 Posted:   Jan 18, 2014 - 3:27 PM   
 By:   DeputyRiley   (Member)

Imdb says composer Edwin Wendler wrote additional music. I wonder what cues Edwin helped with?

I was hoping Edwin contributed! When talking with him during my trip to L.A. I realized he had a considerable hand in some of my favorite Ottman scores -- Resident and Unknown. Can't wait to hear his work alongside/supporting Ottman's for Non-Stop!

 
 Posted:   Jan 30, 2014 - 5:58 PM   
 By:   David (Giacchino-fan)   (Member)

Apparently Edwin has also helped with music for X-Men: Days of Future Past.

 
 Posted:   Jan 31, 2014 - 2:26 PM   
 By:   drivingmissdaisy   (Member)

This guy is hot right now!

 
 Posted:   Feb 5, 2014 - 2:14 PM   
 By:   Lokutus   (Member)







Varese Sarabande Catalog # 302 067 251 8
Release Date: 03/04/14

Track List:

1. Non-Stop (3:12)
2. Damaged Goods (3:42)
3. Usual Suspects (1:19)
4. Welcome to Aqualantic (1:03)
5. First Text (3:15)
6. Random Search (1:40)
7. Do Something For Me (2:42)
8. Circling Passengers (3:11)
9. Interrogations (3:23)
10. What Happened to Amsterdam? (3:45)
11. Death Number 1 (2:07)
12. Reluctant Passenger / Blue Ribbon (2:08)
13. F*** It (3:42)
14. Explosions Protocol (1:55)
15. Ambush (1:39)
16. Message Received (3:20)
17. Bathroom Discovery (1:48)
18. 8000 Feet (2:10)
19. Unloaded Weapon (1:30)
20. Crash Landing (1:26)
21. Epilogue (3:54)

http://www.varesesarabande.com/servlet/the-1148/Non-dsh-Stop/Detail

 
 Posted:   Feb 5, 2014 - 3:19 PM   
 By:   Mike Skerritt   (Member)

This guy is hot right now!

Peter, please, we're trying to discuss his music smile

 
 Posted:   Feb 5, 2014 - 6:34 PM   
 By:   drivingmissdaisy   (Member)

What the heck is a pre-lay recording assistant????

I've heard this score and it's quite quite good kiddies!

I forgot to add a wink as I was the pre-lay guy on the score, Peter Hackman. My first and most likely only movie creditsmile

 
 
 Posted:   Feb 5, 2014 - 7:34 PM   
 By:   Mike_H   (Member)

.

 
 Posted:   Feb 5, 2014 - 8:14 PM   
 By:   lostboy408   (Member)

Ha! one of the tracks is called Usual Suspects, another movie that Ottman worked on.

 
 Posted:   Feb 6, 2014 - 10:48 AM   
 By:   drivingmissdaisy   (Member)

Ha! one of the tracks is called Usual Suspects, another movie that Ottman worked on.

That's toooooo funnysmile

 
 Posted:   Feb 6, 2014 - 12:37 PM   
 By:   SBD   (Member)

Ha! one of the tracks is called Usual Suspects, another movie that Ottman worked on.

That's toooooo funnysmile


Even funnier is that one of the tracks is called "F*** It". Can't think of many soundtracks to PG-13 movies where the one F-bomb ends up in the track titles. (After Intrada's THROW MOMMA FROM THE TRAIN, this makes two.)

I presume it's the moment in the film (which I haven't yet seen, but would like to) where the villain gives themselves away to Neeson's character and says the words.

 
 
 Posted:   Mar 27, 2014 - 4:35 PM   
 By:   Bob DiMucci   (Member)

I just saw NON-STOP, and frankly I was so caught up in the story that I don't recall any of the music. But the end title theme is very good, and on that basis alone the score warrants consideration.

 
 Posted:   Mar 27, 2014 - 8:16 PM   
 By:   drivingmissdaisy   (Member)

I thought the movie was quite good as well. The music was of course great. Edwin really tried to be NON Hans Zimmer'y and I think it really works. That is no disrespect to Hans, but we all know many films have that certain sound and Edwin really tried to steer clear of that and be original. As much as he could when you are told to stop writing themes and make it sound darker. Ottman did a good job offering advice and tips to Edwin as he helped with cues.

 
 
 Posted:   Mar 28, 2014 - 12:11 AM   
 By:   Spymaster   (Member)

I thought the score was overly obvious and generic. I also found myself wishing that the score had waited to kick in until the first text message was received. Prior to that there was no need for music and the film would have played better dry.

 
 Posted:   Mar 28, 2014 - 12:40 AM   
 By:   drivingmissdaisy   (Member)

I thought the score was overly obvious and generic. I also found myself wishing that the score had waited to kick in until the first text message was received. Prior to that there was no need for music and the film would have played better dry.

Sadly Joel Silver disagreed and the composers were told to do exactly what he wanted. More memorable and effective music was left on the cutting room floor. I heard some of it and it was great.

 
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