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 Posted:   Jan 8, 2015 - 9:45 AM   
 By:   Gordon Reeves   (Member)



Au Contraire - When They Got the Balance QUITE Write -



Or ... You Always Remember the FIRST wink Department:

 
 Posted:   Jan 8, 2015 - 9:53 AM   
 By:   Solium   (Member)




Ah, the super-sized comics! I had this. big grin

 
 Posted:   Jan 13, 2015 - 7:16 AM   
 By:   Jim Phelps   (Member)

In the mid-80s, two deaths (one as inevitable as a Greek tragedy, the other not originally intended but over-ruled and ordered by the-then Editor-in-Tall-Chief) rocked the Marvel Universe as nothing else had before or, arguably, since (even the overwhelming media hoopla re the supposed 'death' of Supes proved nothing more than an extremely premeditated orchestration of audience manipulation - and financial pilfering).

Our question is: which do you believe had the greatest influential impact?

For us, twas unmistakably Frank Miller's brave and bold (wink unflinching adherence to the dramatic arc he intuitively felt and knew had to be - as courageous a creative decision heretofore unknown but which remains an utterly unique legacy all its own ...


I meant to answer this but got sidetracked by the usual crap around here. wink

For me, the death of Jean Grey was devastating. I was pretty young when i read it and in comparing it to that "other" Major Death Event of the time, Elektra, well, I felt nothing for Elektra or the alleged emotional weight of that storyline even if it is good reading (and I think the world of Miller's run on that title, though not because he made me feel sorrow over Elektra's demise)

As for Jean Grey's death, we as X-Men readers had a years-long bond with Jean in her various incarnations and to see her slowly overwhelmed by forces beyond her and any human control month after month was so sad, so when it came to issue #137, it was a crushing blow to see someone who was essentially a member of the surrogate family die. The X-Men were a family by choice and that alone makes them a more intimate grouping than the people I was randomly thrown into by fate and biological circumstances. But that's just my experience. Mileage may vary for yous guys and gals. wink

Thankfully, I never read any subsequent ret-conned stories so it is the Claremont-Byrne-Austin arc that I acknowledge as gospel.

 
 
 Posted:   Jan 13, 2015 - 9:55 AM   
 By:   Gordon Reeves   (Member)



Actually, our sympathies are specifically on yer side, Meester P. Purely from the emotional standpoint, Jean's demise was far more cataclysmic. If we rated Mr. Miller's epic slightly higher, it's only from the side of a creator who had the courage to follow the foundations he'd unerringly formulated all the way to their inevitable conclusion.

Messrs. Claremont and Byrne had the same general idea but low-ruler-of-the-tall-editorial-roost JayEs HADDA have everything conform to his simplistic black-and-white idea of 'justice'.

So, yes, we concur with you completely ...

 
 
 Posted:   Jan 13, 2015 - 10:17 AM   
 By:   Gordon Reeves   (Member)

And whilst we also agree the Claremont-Bryne-Austin run

is royally Olympian in its ever-lastin' legacy, nothin' will e'er replace

Stan and Jack's original run in artistically-seeding

all that came after ...

 
 
 Posted:   Jan 13, 2015 - 4:03 PM   
 By:   Gordon Reeves   (Member)

Imperius Rex' In Extraordinary Extremis Department:



cool Gil Kane, cool Jack Kirby, cool Stan Lee, cool Jim Steranko, cool Will Eisner & Jerry Siegel cool

 
 
 Posted:   Jan 13, 2015 - 4:03 PM   
 By:   Gordon Reeves   (Member)

Imperius Rex' In Extraordinary Extremis Department:

cool Gil Kane, cool Jack Kirby, cool Stan Lee, cool



Jim Steranko, cool Will Eisner & Jerry Siegel
cool

 
 Posted:   Jan 16, 2015 - 9:33 AM   
 By:   Gary S.   (Member)

In the mid-80s, two deaths (one as inevitable as a Greek tragedy, the other not originally intended but over-ruled and ordered by the-then Editor-in-Tall-Chief) rocked the Marvel Universe as nothing else had before or, arguably, since (even the overwhelming media hoopla re the supposed 'death' of Supes proved nothing more than an extremely premeditated orchestration of audience manipulation - and financial pilfering).

Our question is: which do you believe had the greatest influential impact?

For us, twas unmistakably Frank Miller's brave and bold (wink unflinching adherence to the dramatic arc he intuitively felt and knew had to be - as courageous a creative decision heretofore unknown but which remains an utterly unique legacy all its own ...


I meant to answer this but got sidetracked by the usual crap around here. wink

For me, the death of Jean Grey was devastating. I was pretty young when i read it and in comparing it to that "other" Major Death Event of the time, Elektra, well, I felt nothing for Elektra or the alleged emotional weight of that storyline even if it is good reading (and I think the world of Miller's run on that title, though not because he made me feel sorrow over Elektra's demise)

As for Jean Grey's death, we as X-Men readers had a years-long bond with Jean in her various incarnations and to see her slowly overwhelmed by forces beyond her and any human control month after month was so sad, so when it came to issue #137, it was a crushing blow to see someone who was essentially a member of the surrogate family die. The X-Men were a family by choice and that alone makes them a more intimate grouping than the people I was randomly thrown into by fate and biological circumstances. But that's just my experience. Mileage may vary for yous guys and gals. wink

Thankfully, I never read any subsequent ret-conned stories so it is the Claremont-Byrne-Austin arc that I acknowledge as gospel.



The Death of Jean Grey brings back memories of DC killing of Ferro Lad in Legion of Superheroes, he was not a member of the group long but his death still resonates with me all these years later.

 
 Posted:   Feb 13, 2015 - 8:55 AM   
 By:   Jim Phelps   (Member)



Included in the Uncanny X-Men Marvel Masterworks Volume 9 that I received last week is the near-legendary 1982 graphic novel, GOD LOVES, MAN KILLS, which I call near-legendary because it was unattainable to young me back in '82 due to the imposing $5.95 cover price, so I've never read this until now. GLMK was intended as a "prestige" publication as the book's creator's are named "Christopher Claremont" and "Brent Eric Anderson" for this title. I'm 27 pages into it--I'm savoring this for my night-time reading--and it really is intense stuff, especially for the time period. Cheers to MMW for including this tale along with the Wolverine miniseries and regular UXM run.

As for the Uncanny X-Men MMW series, I could easily see myself sticking with this until at least issue #200, which is well over a year after I largely quit comics.

 
 Posted:   Feb 22, 2015 - 8:10 AM   
 By:   Jim Phelps   (Member)

The Question of Gerry Conway Dept.

What are your thoughts on this wunderkind writer of 1970s fame? He began writing The Amazing Spider-Man at age 19. Conway's run is best remembered for two things: the fate of Gwen Stacy (#121):





and creation of The Punisher (ish #129).

 
 
 Posted:   Mar 13, 2015 - 11:44 AM   
 By:   Gordon Reeves   (Member)



As Brilliantly-Belated A Reply as Always Department:

We always regarded Mr. Conway as an incredibly accomplished Pro, whose craftmanship was beyond
reproach. Whilst primarily known for that (in?)famous ish regarding sultry Ms. Stacey



we remember him most fondly for how impressively he handled the Supes-Spidey inaugural company
cross-over, something we don't believe was ever equalled, let alone exceeded.



As to that, our major creative chagrin with him is he never seemed to have the kinda transcendently-
talented artistic breakthrough that definitively spotlighted his strengths and creative vision the way
"Tomb of Dracula" did for Marv Wolfman, "Howard" for Steve Gerber or The Black Panther
as envisioned by Don McGregor.



Still, he more than made his Marvel-ous mark ... wink

 
 
 Posted:   Mar 13, 2015 - 11:57 AM   
 By:   Gordon Reeves   (Member)



Next on Marvel Street Blues Department:



We wanna focus on our favorite effort from the chap on the left above who's
gotten woefully short shrift on this elongated (not man) strip ...

 
 Posted:   Mar 24, 2015 - 8:55 AM   
 By:   Jim Phelps   (Member)

Everyone here who likes the X-Men comics of yore--meaning "just me'--will no doubt enjoy this superb blog which is in the process of reviewing the entire run of the X-Men. I'm highly impressed at the rate of posts and the high quality of said posts, as well as the often-insightful and intelligent comments section of these "X-aminations":

http://www.therealgentlemenofleisure.com/p/x.html

I recently bought the Claremont-John Romita Jr run of Uncanny X-Men--the last first-run issue I bought as a kid was #189, so I have a lot of catching up to do.

 
 Posted:   Mar 25, 2015 - 9:07 AM   
 By:   Jim Phelps   (Member)

I Remember You Dept.

Often lost amid the shuffle of UNCANNY X-MEN legends Cockrum and Byrne is artist Paul Smith, whose all-too-brief run (#166-175) on UXM made a serious impression on yours truly circa 1983, particularly the Wolverine wedding two-parter (#172-173):





Which nicely complemented the superlative Claremont-Miller Wolverine mini series from around that same time.



Next up: JRJR...

 
 Posted:   Mar 28, 2015 - 5:17 AM   
 By:   Jim Phelps   (Member)

When Comic Creators Looked Like Members of Toto Dept.



 
 Posted:   Mar 28, 2015 - 11:30 AM   
 By:   Jim Phelps   (Member)

 
 Posted:   Apr 9, 2015 - 5:54 AM   
 By:   Jim Phelps   (Member)

Hugh Jackman and Chris "Co-Father of the X-Men" Claremont. Photo taken backstage after Jackman's performance in "The River."

 
 Posted:   Apr 11, 2015 - 10:34 AM   
 By:   Jim Phelps   (Member)

Now Reading Dept:

Comic Creators on X-Men (2006)



Not nearly as comprehensive--or as good a read--as Fantagraphics' two-volume X-Men Companion set from 1982. It remains the definitive account of the Uncanny X-Men (from Lee-Kirby-Thomas-Adams-Claremont-Cockrum-Byrne-Austin et al) as we're likely to get in published book form.





I can't recommend these volumes enough.

 
 Posted:   Apr 12, 2015 - 3:14 AM   
 By:   Jim Phelps   (Member)

As to that, our major creative chagrin with him is he never seemed to have the kinda transcendently-
talented artistic breakthrough that definitively spotlighted his strengths and creative vision the way
"Tomb of Dracula" did for Marv Wolfman, "Howard" for Steve Gerber or The Black Panther
as envisioned by Don McGregor...


...or Doug "Whatta" Moench over at the hallowed Master of Kung Fu right around that same time.

 
 
 Posted:   Apr 15, 2015 - 11:19 AM   
 By:   Gordon Reeves   (Member)







frown frown

 
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