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(mamber) asked,
Can you tell me which TZ episodes use the cue “Jail Break”, please?
Thanks.
Absolutely!
Season 2 episode 24 "The Rip Van Winkle Caper" at ~13:32 for 36 seconds, when Simon Oakland's De Cruz gets in a car to run another man down, then the car goes over a cliff.
Season 4 episode 2 "The Thirty Fathom Grave" at ~45:30 for 63 seconds, right after Mike Kellen's Chief Bell dramatically leaves a chat with Captain Beecham (Simon Oakland! The 'Jailbreak' man, apparently.) and goes overboard, an emergency follows.
Season 4 episode 4 "He's Alive" at ~3:13 for 20 seconds, as a fight breaks out in the street due to Dennis Hopper's rhetoric.
The timings are relative, Dan Hollis having given two sets of times based on two different DVD releases. Sometimes I corrected my original notes once I found the piece, and sometimes I didn't, I'm sorry to say, but the music will be within 15 seconds, if it's not right on the dot.
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Oh, David can pretty much tell you where *every* CBS library cue was used on Twilight Zone, including the ones written for other programs.  Of course, that's mostly thanks to Martin Grams Jr. and Dan Hollis. BTW (Member), could you edit your post of our copy above? We corrected/added a bit (the Ron Burbella link went to the wrong place).
Yavar
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David, thanks.
My pleasure, sir or ma'am!
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Dropping tonight...
Haha....this makes it look like, "Watch out for the KNIFE CHORD droppin' on ya!"
Yavar
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Posted: |
Sep 26, 2018 - 4:29 PM
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By: |
Rollin Hand
(Member)
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Episode 13 - CBS Music Library Spectacular Part 2
http://goldsmithodyssey.buzzsprout.com/159614/812543-episode-13-cbs-music-library-spectacular-part-2
In the second and final part of our CBS Library Music Spectacular, returning guest W. David LICHTY guides your humble hosts Jens, Yavar, and Clark through a remarkably diverse array of suites spotlighting a large portion of Goldsmith's contribution to the CBS music library. Over the course of this episode, you'll hear playful comedy, moody suspense, lush romance, chilling horror, and lots of other musical goodies. Even if you're a devoted Goldsmith fan, odds are high that the majority of this music will be new to you. Join us as we don our research caps and complete a sojourn into one of the most under-explored corners of Goldsmith's career!
To follow along with David's custom suites, please consult this Google Doc for a thorough breakdown.
https://docs.google.com/document/d/1F6srW9eqNS9rPKcdY0VRskSCjDCRKnX6F8R52rCFF0I/edit
Duration
01:40:20
The Work
The Twilight Zone: The Complete Series (Blu-ray at Amazon)
David’s Bibliography
Ron BURBELLA supplied us with his TransWorld 78s (discussed in GOLDSMITH / HERRMANN - TransWorld Recorded Library).
http://www.filmscoremonthly.com/board/posts.cfm?threadID=115812
Martin GRAMS, Jr. wrote The Twilight Zone: Unlocking the Door to a Television Classic. This gave names and running times for all of the tracks used in each episode. Note his excellent coverage of “To Serve Man” in his sample section.
http://martingrams.biz/books-2/the-twilight-zone-unlocking-the-door-to-a-television-classic/
Dan HOLLIS supplied the time locations for all of the cues used in each Twilight Zone episode via his thread at Twilight Zone Cafe -> Twilight Zone, Etc. -> Classic Twilight Zone -> Musical Cues.
https://www.tapatalk.com/groups/twilightzoneworfr/musical-cues-t4163.html
Bill WROBEL documented the mass of CBS Music Library stuff donated to UCLA, giving us a little more info on the tracks we’ve acquired. Even more helpful info was found in his piece "Television Works of Bernard Herrmann." You can find some of the TransWorld tracks used in the show on his YouTube channel. We also recommend his video on "Autumn Love."
http://www.filmscorerundowns.net/other/cbs_collection.pdf
http://www.filmscorerundowns.net/herrmann/bh_tvworks.pdf
https://www.youtube.com/channel/UCMIbnRNnyhv40h_dmHMinvQ
https://www.youtube.com/watch?v=pW6t9c1YSOA
Despite being uncredited, Gene FELDMAN supervised The Twilight Zone scores for all five seasons. The Twilight Zone isn’t listed for him on IMDb, but Grams Jr.'s book may explain why, and Bill Wrobel's research seems to confirm that he was CBS’s guy for this process.
The Goldsmith Odyssey: All Episodes
http://goldsmithodyssey.buzzsprout.com
Contact The Goldsmith Odyssey
mail@goldsmithodyssey.com
* * *
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Quoth (member) These CBS cues needs a re-recording.
YES!
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"As far as unreleased music is concerned, part one of our CBS Music Library Spectacular was a mere appetizer. Now it is time for our nutrient-dense entree, comprised entirely of rare delicacies from one of Jerry Goldsmith’s most obscure cookbooks. Bon appétit!" - Jens
Here's the track listing for this episode:
Music sources: Twilight Zone isolated score tracks and TransWorld 78 transfers from Ron Burbella, and Bill Wrobel's YouTube page
Here are the locations and run times of each suite, as well as the timestamps for each part of the suites:
within the show / within the suites themselves.
0:03-0:12 Laramie Hoedown
CBS “Comedy Material” SUITE 6:40-7:22 [42 seconds]
06:40 / 0:00 A Clever Trick (29 seconds)
07:09 / 0:29 Laramie Hoedown (9 seconds)
07:18 / 0:38 Hop and a Skip (3 seconds)
This is Eugene Feldman’s blend of three tracks for "Bewitchin' Pool"
CBS “Dramatic Landscapes” 9:42-11:03 [1:21]
09:42 / 0:00 Saturday Night (38 seconds [it overlaps Good Morning])
10:13 / 0:32 Good Morning (11 seconds [overlaps Rural Bounce])
10:20 / 0:38 Rural Bounce (43 seconds)
CBS “Dramatic Landscapes” 12:36-12:57
12:36 Good Morning [20 seconds] (This is a fuller version of the middle piece from above)
CBS “Dramatic Bridges” 14:15-14:32
14:15 Sad Departure [17 seconds]
CBS “Dramatic Punctuations and Flareouts” 14:41-14:44
14:41 Knife Chord [3 seconds]
CBS “Suspense Backgrounds and Bridges—Indian Suspense” SUITE 16:15-18:43 [2:28]
16:15 / 0:00 Run Afoul pt. 1 [10 seconds]
16:26 / 0:10 Run Afoul pt. 2 [14 seconds]
16:40 / 0:24 Thrust in the Dark [12 seconds]
16:52 / 0:36 Drunk at Six [18 seconds]
17:14 / 0:58 Figures in the Fog [17 seconds]
17:31 / 1:15 Departure in the Fog [43 seconds] {oboe/bass clarinet/bassoon/2 horns/ timp/harp/strings}
18:14 / 1:58 Mist Lifts [17 seconds]
CBS “Mystery” SUITE - from Dirge pt. 1 & pt. 2 20:24-21:05 [41 seconds]
20:24 / 0:00 Dirge pt. 1 [16 seconds]
20:40 / 0:16 Dirge pt. 2 [25 seconds]
CBS “Orchestral Composites” SUITE - Silent Flight 24:47-31:18 [6:30]
24:47 / 0:00 Silent Flight C [40 seconds]
25:27 / 0:40 Silent Flight BC [49 seconds]
26:16 / 1:29 Silent Flight ABD [55 seconds]
27:11 / 2:24 Silent Flight [1:52]
29:03 / 4:16 Silent Flight (Dark Room) [1:12]
30:15 / 5:28 Silent Flight (Dark Room) C [1:03]
A -- horns
B -- piano, bass, cello, viola, harp
C -- vibraphone, bassoon, oboe, piccolo
Thanks to Dan Hollis for breaking this down
https://www.tapatalk.com/groups/twilightzoneworfr/musical-cues-t4163-s50.html
35:20-36:35 Silent Flight AD [1:15]
“Light-hearted” Spitball SUITElet 37:12-38:01 [49 seconds]
37:12 / 0:00 Essay [31 seconds]
37:43 / 0:30 Anticipation [18 seconds]
“Wistful” Spitball SUITE 40:58-45:37 [4:39]
40:58 / 0:00 Summer Sadness [22 seconds]
41:20 / 0:22 Lonely Moment [1:53] [at 42:50 it switches to TransWorld]
43:13 / 2:18 Autumn Mist [41 seconds] {flute/oboes/ 2 clarinets/vibe/harp}
43:57 / 2:56 Friendly Talk [1:40] [includes TransWorld]
“Mystery” Spitball SUITElet 47:17-48:29 [1:12]
47:17 / 0:00 Defeat [54 seconds]
48:11 / 0:55 Nocturnal Interlude [18 seconds]
“Crime” Spitball SUITE from The Hitchhiker 50:11-51:03 [54 seconds]
Here’s another Eugene Feldman suite, where each track overlaps the others
50:11 / 0:00 Doom 2s
50:13 / 0:03 Run For Cover overlaps all 2s of Doom
50:38 / 0:28 Strange Visit overlaps the end of Run For Cover by 3s
50:45 / 0:35 Into Danger overlaps Strange Visit
“Suspense” Spitball SUITE 53:10-56:21 [3:11]
53:10 / 0:00 Peeping Creeps [25 seconds]
53:35 / 0:25 The Shake-Down [21 seconds]
53:56 / 0:46 Challenge [15 seconds]
54:11 / 1:01 Rapid Flight [35 seconds]
54:46 / 1:35 Terror Struck [1:] (sounds like two tracks - it’s the only part with a gap)
“Horror” Spitball SUITE 0:58:47-1:03:34 [4:47]
0:58:47 / 0:00 Deep Thoughts (9s), The Plot (5s), Secret Circle (39s) (well blended by Feldman)
0:59:36 / 0:48 Secret Circle (much more of it) [1:46]
1:01:22 / 2:35 Black Mood [51 seconds]
1:02:03 / 3:14 The Secret Room [58 seconds]
1:03:01 / 4:12 Strange Return [33 seconds]
“Drama” Spitball SUITE 1:11:35-1:15:40 [4:05]
1:11:35 / 0:00 Solemn Finish [19 seconds]
1:11:54 / 0:19 The Plot [34 seconds]
1:12:28 / 0:53 Gray Morning [42 seconds]
1:13:10 / 1:35 Heartbreak [37 seconds] (‘yearny’)
1:13:47 / 2:12 Contemplation [31 seconds]
1:14:18 / 2:44 Secret Circle [33 seconds]
1:14:54 / 3:17 Meditation [33 seconds]
“Autumn Love” Suite - pt.s 1-7 - TZ + YouTube TransWorld - 9:08
1:19:03 / 0:00 Autumn Love pt. 1 [49 seconds] - TZ, mostly, bracketed by tiny TransWorld bits
1:19:48 / 0:45 Autumn Love pt. 2 [1:39] - YouTube TransWorld
1:21:24 / 2:21 Autumn Love pt. 3 [1:56] - YouTube TransWorld
1:23:18 / 4:16 Autumn Love pt. 4 [1:13] - TZ
1:24:29 / 5:27 Autumn Love pt. 5 [1:34] - YouTube TransWorld
1:26:01 / 6:58 Autumn Love pt. 6 [1:47] - YouTube TransWorld
1:27:47 / 8:46 Autumn Love pt. 7 [22 seconds] - TZ
1:34:09 Mounting Tension [56 seconds from Nick of Time] - TZ with dialogue and FX
1:37:12 Restless Moment [1:40] - YouTube TransWorld
1:38:52 Easy Moment [1:27] - YouTube TransWorld (“Yearning” again)
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...all told, about 45 minutes of music.
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Thank you for the listing. It helps.
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Quoth (member) These CBS cues needs a re-recording.
YES!
OR -- they just need to be excavated and released complete from the CBS archives. Those cues on the Prometheus Early Years album sound great IMO. If all the rest of this stuff (the other two thirds of the cues Jerry wrote, plus the full versions of all these we found) was released on one good-sounding box set, that would be awesome. But yeah if this stuff is lost I need a new recording of some of these full cues at the very least: City Mood, Jailbreak, Autumn Love 1-7, and some of those other dramatic cues for sure, including all three "Moment"s.
(Member), one of our listeners actually recently wrote us asking about a Goldsmith CBS Music Library cue used in Rawhide (I could tell from listening to the episode clip that it was Goldsmith, but it was not one of the cues among the Twilight Zone isolated scores or TransWorld/EZ Cue material we have). I think if we can uncover other unique library cues in the show which we haven't covered in this recent two-parter, we might play and discuss them as a bonus before the sole original Rawhide score Jerry wrote. Same goes for any other shows like Have Gun - Will Travel, if people want to seek out other Goldsmith library cues that might've been used in them. It's just that we don't have a guide to find the cues like David did (Grams and Hollis) for The Twilight Zone. And of course those shows also don't have isolated score tracks, so we'd have to play/discuss the cues with dialogue and sound effects (far from ideal).
Yavar
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I'm experiencing again the fifth season of Rawhide and guess what? I recognized "Jailbreak" used during a wild raid.. . .
(member), likewise, I've recently been catching some Perry Masons on broadcast TV as I head for bed, most from the first season, it turns out, and I've heard them use Silent Flight twice within just a few episodes for opening sequences where mysterious things were happening, and another, the short one used as a scene transition in the Twilight Zone 'Masks' episode, as a scene transition in the Mason program. Now that I know them, I expect I'll catch them over and over, much the way many of us do the tracked music in original Star Treks.
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Quoth (member) These CBS cues needs a re-recording.
Quothing myself YES!
und quoth the undersigned OR -- they just need to be excavated and released complete from the CBS archives. Those cues on the Prometheus Early Years album sound great IMO. Yavar
Yes, I have to agree. I'll take either, especially after the marvels that are Tadlow's Thriller discs, but absolutely I'd want to hear the originals in Prometheus quality.
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