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The finale reminds me a lot of Leonards great score to Making Love also made around that time in 1982.
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Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?
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Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get? To be specific, what we had was a three-track mix made for a mono movie so it is not panned like you would expect an orchestra to sound naturally. You have all the strings in channel one, all the winds and percussion in channel two, and all the brass in channel three, for example. We use various tricks to try and make it sound like a live orchestra, like splitting the strings left and right based on the frequency. Lukas
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Definitely ordered. Thanks, Lukas--and all at FSM!
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No matter how you arrived at it this, Lukas, it sounds pretty damned good, and this will be a definite order within the next week or so.
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Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get? To be specific, what we had was a three-track mix made for a mono movie so it is not panned like you would expect an orchestra to sound naturally. You have all the strings in channel one, all the winds and percussion in channel two, and all the brass in channel three, for example. We use various tricks to try and make it sound like a live orchestra, like splitting the strings left and right based on the frequency. Lukas Thanks for the extra information Lukas.
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TELEFON I've seen many, many times - it's one of my Bronson favorites. It also sparked my interest in the poetry of Robert Frost.  The score is typical 70s Schifrin action/thriller fodder, a lot of it being thinly-scored suspense music. The only really exciting piece are the End Titles.
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Well, I got one. Pretty good CD!
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