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Posted: |
Jan 17, 2014 - 9:24 PM
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By: |
Bond1965
(Member)
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NON-STOP
Original Motion Picture Soundtrack
Music Composed by
John Ottman
(Unknown, X-Men 2, Fantastic Four)
Global action star Liam Neeson stars in Non-Stop, a suspense thriller played out at 40,000 feet in the air. During a transatlantic flight from New York City to London, U.S. Air Marshal Bill Marks (Neeson) receives a series of cryptic text messages demanding that he instruct the airline to transfer $150 million into an off-shore account. Until he secures the money, a passenger on his flight will be killed every 20 minutes. The film reunites Neeson with Unknown director Jaume Collet-Serra and producer Joel Silver, and co-stars Golden Globe Award winner Julianne Moore
Composer John Ottman (The Usual Suspects, Valkyrie) ratches up the tension with a riveting, propulsive score.
Universal Pictures will open NON-STOP?nationwide on February 28.
Varese Sarabande Catalog # 302 067 251 8
Release Date: 02/25/14
J
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Can't wait to hear the music!
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Didn't know Ottman scored anything between Jack the Giant Slayer and the upcoming X-Men film. Looking forward to this, hopefully Ottman didn't have to Zimmerfy his sound, like so many other composers on action flicks
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Imdb says composer Edwin Wendler wrote additional music. I wonder what cues Edwin helped with?
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This guy is hot right now!
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This guy is hot right now!
Peter, please, we're trying to discuss his music 
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What the heck is a pre-lay recording assistant????
I've heard this score and it's quite quite good kiddies!
I forgot to add a wink as I was the pre-lay guy on the score, Peter Hackman. My first and most likely only movie credit
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Ha! one of the tracks is called Usual Suspects, another movie that Ottman worked on.
That's toooooo funny
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I thought the movie was quite good as well. The music was of course great. Edwin really tried to be NON Hans Zimmer'y and I think it really works. That is no disrespect to Hans, but we all know many films have that certain sound and Edwin really tried to steer clear of that and be original. As much as he could when you are told to stop writing themes and make it sound darker. Ottman did a good job offering advice and tips to Edwin as he helped with cues.
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I thought the score was overly obvious and generic. I also found myself wishing that the score had waited to kick in until the first text message was received. Prior to that there was no need for music and the film would have played better dry.
Sadly Joel Silver disagreed and the composers were told to do exactly what he wanted. More memorable and effective music was left on the cutting room floor. I heard some of it and it was great.
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