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There really isn't that much of Danny Elfman's score as I recall. The "score" is predominantly 70s songs by Donna Summer, Steely Dan, Chicago etc. and some jazz by Duke Ellington and Oscar Peterson. Terrific flick though.
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I think I read that the director isn't a big fan of music scores! Elfman had to really push him to use his music for SILVER LININGS PLAYBOOK. With this being a period drama, he probably thinks the songs will do the job, much like Scorsese does in his gangster films.
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David O. Russell doesn't exactly have a sparkling past in composers, having rejected scores, replaced composers, and tracked score from other films, in at least now five films. Elfman is lucky he even made it to a second film with the guy -- he's only the second composer to accomplish this*. * = on a technicallity, if we count a rejected score.
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Indeed. The Bacon and Buckley music may well be tracked in temp music from previous works by them.
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Indeed. The Bacon and Buckley music may well be tracked in temp music from previous works by them. I don't think so. If that were the case, their individual cues would be credited among the songs. But that's not how they're credited, they're listed as "Additional Music by" in the music section.
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