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 Posted:   Dec 14, 2011 - 5:41 AM   
 By:   Eric Paddon   (Member)

Not only that, Mike was a complete hypocrite and was sexist in his treatment of Gloria. His "enlightened" beliefs are proof enough that the writers of AITF gave both barrels to each side of the spectrum.

I have to disagree there. Any criticisms of Meathead the show made were inevitably done in the context of him being a hypocrite for not acting true to the instincts of his far leftism, or for having an attitude problem. Only once did an episode challenge him from the perspective that he was an extremist and that was the one with their dueling recollections of the refridgerator repairmen.

Norman Lear created this show and all his other shows of the 70s for one purpose only. To push agendas that were always at one end of the political spectrum, and to rely on the adoring praise of critics to hail him for being "groundbreaking" to give him protective cover for being perpetually one-sided. Of all his "groundbreaking" shows, AITF is the only one that endures simply by virtue of the fact that the force of O'Connor's performance transcended the goals Lear set out to achieve. By contrast, the other shows of the day he developed reek big time of being relics that have not withstood the test of time, especially when compared to contemporaneous sitcoms of the day like the MTM and Bob Newhart Shows.

 
 Posted:   Dec 14, 2011 - 5:58 AM   
 By:   Jim Phelps   (Member)

Not only that, Mike was a complete hypocrite and was sexist in his treatment of Gloria. His "enlightened" beliefs are proof enough that the writers of AITF gave both barrels to each side of the spectrum.

I have to disagree there. Any criticisms of Meathead the show made were inevitably done in the context of him being a hypocrite for not acting true to the instincts of his far leftism, or for having an attitude problem. Only once did an episode challenge him from the perspective that he was an extremist and that was the one with their dueling recollections of the refridgerator repairmen.


That may have been Lear's intent--actually, I'm sure it was--but seeing these episodes now reveals, at least to my eyes, that Mike was nearly as wrongheaded, ignorant, and bigoted as Archie. If Mike was supposed to be the mouthpiece for Lear's worldview, then that aspect of AITF has dated as poorly as every episode of Maude. Perhaps we--make that "I"-- should give more credit to Rob Reiner's characterization for either playing Mike as hugely flawed himself, or for a few subversive writers for injecting it into the character...or for me, for seeing it in the first place. wink

Maybe we should pick this up in StevenJ's AITF thread. smile

 
 Posted:   Dec 14, 2011 - 6:03 AM   
 By:   Eric Paddon   (Member)

That may have been Lear's intent--actually, I'm sure it was--but seeing these episodes now reveals, at least to my eyes, that Mike was nearly as wrongheaded, ignorant, and bigoted as Archie.

I would call that ultimately a case of purely "unintentional" humor. The writers expected the audience to take all of Meathead's soapboxing to heart or similar soapboxing from characters like Irene Lorenzo, and today when we look back at this, the joke is suddenly on them, with the ultimate example of how the joke suddenly became on them in hindsight when Archie, after being topped by Meathead shouts at him in late 1976, "You're gonna get Ree-gan in 1980, wise guy!"

 
 
 Posted:   Dec 14, 2011 - 7:02 AM   
 By:   El Goodo   (Member)

To push agendas that were always at one end of the political spectrum...

Yeah, I just hate it when people do that.


 
 
 Posted:   Dec 14, 2011 - 2:26 PM   
 By:   Lee S   (Member)

Without getting too deeply into OUR various political views, I think the intent of AITF is more complex than you are allowing. Clearly, the show's political sympathies are with Mike, but it is no accident that he is often less likable than Archie. Norman Lear responded to critics alleging that Archie was too sympathetic by asking if they had never had a loved one surprise them with a flash of prejudice. Archie's shadings were always part of the point, as were Mike's. Again, the show embraces Mike's philosophy, but has no reluctance about pointing out where he falls short. And Archie is portrayed with a particular advantage as a family man. Episodes like "Amelia's Divorce" overtly take Archie's side, relative to less traditional marital relationships.

As Edith once told Stephanie, "You mustn't pay too much attention to what comes out of your Uncle Archie's mouth. It's what's goin' on in his heart that matters...not what's goin' on in his head." And the series was mostly consistent in supporting that statement.

 
 
 Posted:   Dec 14, 2011 - 2:49 PM   
 By:   Lee S   (Member)

And, lest we completely derail the discussion, my favorite M*A*S*H years were the middle ones. There were some wonderful shows early on, too, but I thought the replacement characters (BJ, Potter, and Winchester) were more interesting and believable than their predecessors. There was greater contrast between Hawkeye and BJ than Hawkeye and Trapper and it made for a much wider reservoir of potential stories. Winchester was a much less easy target as an adversary, too; he wasn't just a collection of petty hypocrisies the way Burns often was. And having a Regular Army commanding officer allowed for a different perspective sometimes, one which was absent with Blake. Not to knock earlier seasons--it was always a very good show. I just felt the character changes added some new layers.

 
 Posted:   Dec 14, 2011 - 4:36 PM   
 By:   TominAtl   (Member)

And, lest we completely derail the discussion, my favorite M*A*S*H years were the middle ones. There were some wonderful shows early on, too, but I thought the replacement characters (BJ, Potter, and Winchester) were more interesting and believable than their predecessors. There was greater contrast between Hawkeye and BJ than Hawkeye and Trapper and it made for a much wider reservoir of potential stories. Winchester was a much less easy target as an adversary, too; he wasn't just a collection of petty hypocrisies the way Burns often was. And having a Regular Army commanding officer allowed for a different perspective sometimes, one which was absent with Blake. Not to knock earlier seasons--it was always a very good show. I just felt the character changes added some new layers.

Those are excellent and very valid points, and you are right. Having fewer goofballs and more serious minded characters offset much of Hawkeye's and BJ's devilish fun.

 
 Posted:   Oct 20, 2015 - 9:04 AM   
 By:   Jim Phelps   (Member)

Making my way through the series nice again and last night's episode, "Cease Fire", from season one has a tour-de-force performance from our own Bruce Kimmel (noted previously in this or another Mash thread). If Bruce reads this, perhaps he could share his memories of working on the show?

 
 Posted:   Oct 20, 2015 - 9:32 AM   
 By:   Solium   (Member)

And, lest we completely derail the discussion, my favorite M*A*S*H years were the middle ones. There were some wonderful shows early on, too, but I thought the replacement characters (BJ, Potter, and Winchester) were more interesting and believable than their predecessors. There was greater contrast between Hawkeye and BJ than Hawkeye and Trapper and it made for a much wider reservoir of potential stories. Winchester was a much less easy target as an adversary, too; he wasn't just a collection of petty hypocrisies the way Burns often was. And having a Regular Army commanding officer allowed for a different perspective sometimes, one which was absent with Blake. Not to knock earlier seasons--it was always a very good show. I just felt the character changes added some new layers.

Those are excellent and very valid points, and you are right. Having fewer goofballs and more serious minded characters offset much of Hawkeye's and BJ's devilish fun.


Loved M*A*S*H as a whole but disliked the buffoonery of the first half. The second half was much better with Potter and other cast changes. They got rid of the weak characters and the series improved. They made Margaret into a real intelligent person you could sympathize with. Yeah, second half was much better.

 
 Posted:   Oct 20, 2015 - 9:54 AM   
 By:   Jim Phelps   (Member)

I'm finding that I happen to like whatever era of the show I'm presently watching, meaning I like it all!

It's interesting to note that of the people who prefer the earlier years often dislike the largely faithful BJ, Winchester, and Potter and prefer philanderers Trapper, Henry, and Frank (not passing judgment; merely an observation).

 
 Posted:   Oct 20, 2015 - 11:00 AM   
 By:   Solium   (Member)

Recently (last few years I mean) I saw the episode where Margaret breaks down in front of her nurses, because she always feels like the outsider, never had any friends, and was the butt of their jokes. Jesus what a performance.

 
 
 Posted:   Oct 21, 2015 - 11:32 AM   
 By:   lars.blondeel   (Member)

Seasons 1-3 for me

 
 Posted:   Oct 21, 2015 - 12:03 PM   
 By:   Jim Phelps   (Member)

Speaking of season one, the IMO funniest moment of the entire season is when Henry is away and Burns is left in charge and Frank hints via a clearing of the throat and a half-assed salute to Hawkeye and Trapper that he, Frank, wants to be saluted. Instead, they just do the throat clearing half assed salute back to him. Hilarious (perhaps only to me).

I believe it's "Henry, Please Come Home":

http://www.imdb.com/title/tt0638326/reference

 
 Posted:   Oct 21, 2015 - 12:14 PM   
 By:   Octoberman   (Member)

The Linville years.

 
 Posted:   Oct 21, 2015 - 12:44 PM   
 By:   Solium   (Member)

I've only caught a couple of episodes in syndication over the last 20 years. But the series really holds up well. I need to seriously revisit the whole series again.

 
 Posted:   Oct 22, 2015 - 7:54 AM   
 By:   Jim Phelps   (Member)

Recently (last few years I mean) I saw the episode where Margaret breaks down in front of her nurses, because she always feels like the outsider, never had any friends, and was the butt of their jokes. Jesus what a performance.

Although Swit was always excellent, I do wonder why there was never another female lead (I don't count Klinger). Another thing--*sexist remark incoming* I've noticed is how the nurses went from beautiful Marcia Strassman, Anita Gillette, and Odessa Cleveland to those rather unattractive nurses that stuck around in later seasons.

 
 Posted:   Oct 22, 2015 - 4:44 PM   
 By:   RoryR   (Member)

I can't say I like more than the first season or two of ANY TV series. With rare exceptions, most TV series go downhill over time. Each season is like a sequel to the last, and eventually the writing gets tired.

But anyway..... about the movie M*A*S*H..... I like the first half of that better than the second half!

 
 Posted:   Oct 22, 2015 - 4:50 PM   
 By:   Bill Carson, Earl of Poncey   (Member)

Which half? The sausages!


Great series throughout. Some absolutely wonderful sharp lines in every episode.

 
 
 Posted:   Oct 22, 2015 - 5:46 PM   
 By:   Charlie Chan   (Member)

Hello there

The uncanned half

The US version with canned laughter comes across completely differently to the laughter free version we had here in the UK.

Full marks to the BBC for removing it.

Regards

CC

 
 Posted:   Oct 22, 2015 - 7:16 PM   
 By:   Octoberman   (Member)

Not a fan of canned laughter by any means, but I can understand why it was there.
I suspect for a lot of folks it provided a contextual "cue" through which one could find the dark humor safe enough to laugh at (or along with).

 
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