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I think I just read somewhere in this thread that Goldsmith's score to Psycho II was "a low point". Umm. No. I can't even fathom the thought processes that reach that conclusion. Gives me a headache.
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Some very interesting opinions all around. Most of them YOR does not agree, but is nice to know different points of view about master Goldsmith work. As someone mentioned above, it is very hard to pick a Goldsmith score that actually did not fit the movie well. That is why YOR chose "I.Q.". Honestly, it is the only score from Goldsmith that YOR remembers no helping the movie, on the contrary... BTW, YOR loves those funny GIFs. Sometimes, it says something better than a thousand words! YOR does not understand why one gets mad at it. Very strange! Well, YOR likes to party while listening to Goldsmith's "Night Fight". Maybe others are just too serious.
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NONE GOLDSMITH RULES Well, I have to agree with you a little. I do really care for his 60's scores like SEBASTIAN, reminds me of Mancini and I have liked very few Mancini scores. The Goldsmith TWILIGHT ZONE TV episodes are great. Kim Tong
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Air Force One LA Confidential Malice Total Recall Leviathan Legend
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Air Force One LA Confidential Malice Total Recall Leviathan Legend What? AIR FORCE ONE, TOTAL RECALL and LEGEND?
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Air Force One LA Confidential Malice Total Recall Leviathan Legend
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Air Force One LA Confidential Malice Total Recall Leviathan Legend What? AIR FORCE ONE, TOTAL RECALL and LEGEND? Kim, our friend First Brests is just kidding! No one with a half-working brain would trash such glorious scores, yes?
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I know I'm going to get lynched for this but I just can't enjoy his Omen scores.
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Well, Legend has some annoying synths...
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Air Force One LA Confidential Malice Total Recall Leviathan Legend I agree and to go on with the worst list: Patton Planet of the Apes The Wind and the Lion Lilies of the Field Lonely Are the Brave and so many others. Just pure crap.
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YOR does not understand what people have against the 90's! It was such a cool period, yes?
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