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@Lokutus...."Marvel garbage"?? Really? The film's not even been finished yet and you already know it's garbage, eh? >
Since all of the previous are, then it's safe to assume that no matter who directs it or scores it, the final product will be another crappy piece of shit by the formula.
Not even Branagh, Portman, Hopkins and Doyle made the previous film watchable.
you forgot the words..."in my opinion" and "watchable for ME". Fortunately millions of others disagree.
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Posted: |
Dec 2, 2012 - 11:59 AM
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By: |
Khan
(Member)
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Portman for Thor 2 is like trying to get Randy Newman to score Air Force One.
It ain't gonna work, except for a couple bars.
Based on "The Man Who Loves Cat Dancing", "Cinderella Liberty", "Daddy's Gone A-Hunting", and "Earthquake", who'd have hired John Williams to score "Star Wars". That's crazy talk! Pft. That's like hiring that Silvestri guy who scored "CHiPs" and "Starsky and Hutch" to do "Back to the Future"! LOL.
Williams had decades in jazz and classical and was well-versed in the symphonic language well before Star Wars was a gleam in George Lucas' little brain.
pre-Star Wars we have what...The Reivers? Jaws? Images? Concerti for Flute, and Violin, The Poseidon Adventure, The Towering Inferno.
=p
Which doesn't translate in the ability to pull off a full major score for what was a big thing at the time. It was a chance. He just pulled it off.
So, are we saying Portman couldn't? Okay, I already listed three scores, like you listed scores. She's writen a children's opera, a "dramatic choral symphony", and she is also classically trained.
But Heaven forbid, what ever variation on ooposing creditials given hereafter, one was given a chanceto spread their wings. We cannot have that in film!
Do you even know what you're saying in response to JJH here? I'm not sure that you do.
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Posted: |
Dec 2, 2012 - 12:05 PM
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By: |
JJH
(Member)
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Portman for Thor 2 is like trying to get Randy Newman to score Air Force One.
It ain't gonna work, except for a couple bars.
Based on "The Man Who Loves Cat Dancing", "Cinderella Liberty", "Daddy's Gone A-Hunting", and "Earthquake", who'd have hired John Williams to score "Star Wars". That's crazy talk! Pft. That's like hiring that Silvestri guy who scored "CHiPs" and "Starsky and Hutch" to do "Back to the Future"! LOL.
Williams had decades in jazz and classical and was well-versed in the symphonic language well before Star Wars was a gleam in George Lucas' little brain.
pre-Star Wars we have what...The Reivers? Jaws? Images? Concerti for Flute, and Violin, The Poseidon Adventure, The Towering Inferno.
=p
Which doesn't translate in the ability to pull off a full major score for what was a big thing at the time. It was a chance. He just pulled it off.
So, are we saying Portman couldn't? Okay, I already listed three scores, like you listed scores. She's writen a children's opera, a "dramatic choral symphony", and she is also classically trained.
But Heaven forbid, what ever variation on ooposing creditials given hereafter, one was given a chanceto spread their wings. We cannot have that in film!
^I have no idea what that last line even means. SPELL. damn.
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Portman for Thor 2 is like trying to get Randy Newman to score Air Force One.
It ain't gonna work, except for a couple bars.
Based on "The Man Who Loves Cat Dancing", "Cinderella Liberty", "Daddy's Gone A-Hunting", and "Earthquake", who'd have hired John Williams to score "Star Wars". That's crazy talk! Pft. That's like hiring that Silvestri guy who scored "CHiPs" and "Starsky and Hutch" to do "Back to the Future"! LOL.
Williams had decades in jazz and classical and was well-versed in the symphonic language well before Star Wars was a gleam in George Lucas' little brain.
pre-Star Wars we have what...The Reivers? Jaws? Images? Concerti for Flute, and Violin, The Poseidon Adventure, The Towering Inferno.
=p
Which doesn't translate in the ability to pull off a full major score for what was a big thing at the time. It was a chance. He just pulled it off.
So, are we saying Portman couldn't? Okay, I already listed three scores, like you listed scores. She's writen a children's opera, a "dramatic choral symphony", and she is also classically trained.
But Heaven forbid, what ever variation on ooposing creditials given hereafter, one was given a chanceto spread their wings. We cannot have that in film!
Do you even know what you're saying in response to JJH here? I'm not sure that you do.
100%. You don't want a demeaning route and me to spell it out in baby words, right? I mean, one accidenalt added letter and two words connected, both easily seen, doesn't change what I wrote. Come on, people.
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Well, I've shot off a question to somebody asking. I'll try somebody else if this doesn't work. They both work with him, so maybe somebody knows.
I didn't ask about "Jack Ryan".
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Looks like Carter Burwell got the job if this poster is to be believed:
http://imgur.com/ilD8gIf
It is. Interesting choice. Can't wait.
MV
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An amazing left-field choice! Burwell is one of my favourite composers and I'm really thrilled at the prospect of him trying something this different! Perhaps we'll get a hint of what his Serenity score would have sounded like.
Having said all this I'm not getting my hopes up too high, I can certainly see him getting replaced.
Didn't see this one coming! Very excited about this, Burwell is one of my favorite composers. But it wouldn't surprise if he's replaced at the last moment.
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