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On the short(ish) side for a Brian Tyler action/adventure score, isn't it?
Yes, because the movie's lenght is quite short - only 85 minutes.
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I love storm movies so I'm sure I'll enjoy this and I LOVE found footage scary films so this will probably be right up my alley. 
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la la land records is releasing expendables 3 on aug 26
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new release date of the physical CD - August 19.
http://www.varesesarabande.com/servlet/the-1178/Into-The-Storm/Detail
This is because the artwork approvals weren't done in time. Blame the studio not Varese.
James
No need to blame anyone, James. Sometimes folks at the studios get over worked and they try to play catch up with stuff and this is one thing that fell behind, but luckily they got it approved and it will be available mid August.
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This is because the artwork approvals weren't done in time. Blame the studio not Varese.
James
OK, but release date of the digital version (August 5, 2014) is still the same, i think?
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I'd like to see this kind of enthusiasm from someone who actually listens to Adams or Corigliano.
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I'd like to see this kind of enthusiasm from someone who actually listens to Adams or Corigliano.
Can't say enough good things about Coriglianos Music from The Edge (of Darkness) but to be honest Adams whose music from the '80s and early '90s I adored has become less interesting to me since. Where works like Harmonielerhe or Harmonium or Nixon in China burst with originality of the blend between Glassia minimalism and late Romantic harmony/orchestral forces, his new work from the 2000s on has seemed to be somewhat of a rehash stylistically or else a struggle to move into a new direction. I think he's an amazingly articulate and intelligent composer having had the chance to talk with him years ago but not much of his recent works inspire me the way something like The wound dresser or Short arise in a fast machine do.
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Brian's few words about this score:
"INTO THE STORM was an opportunity to do a completely conceptual score. The idea was that an approaching storm is represented by the premise of being stalked in the savanna by a lion or tiger - primal, but patient. African flutes whistle in the far distance over completely still strings holding like a lion stalking, waiting patiently to strike. Then without warning, the power of the storm is upon you before you are even aware. This was a really fun and rewarding concept for me to compose.
The other side of the music for INTO THE STORM emphasizes human emotion including loneliness. It features a melancholy tone that comes from realizing we all are fragile and at the mercy of powers outside of ourselves."
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