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 Posted:   Jul 24, 2014 - 5:00 AM   
 By:   DeputyRiley   (Member)

On the short(ish) side for a Brian Tyler action/adventure score, isn't it?

Which is usually a good thing!


Troublemaker!

Instigator!

mad

wink

 
 
 Posted:   Jul 24, 2014 - 6:47 AM   
 By:   Machionic   (Member)

Usally that means not a lot of music in the film. But, then again, this kind of thing did not stop him with the Final Destination 5 and the use of alternates and film versions of same cues in one album was baffling.

 
 Posted:   Jul 24, 2014 - 7:22 AM   
 By:   mastadge   (Member)

I wasn't dissing Tyler -- I like the guy. But his 80 minute CDs tend to run much too long, and tend to be sequenced weirdly. 45-50 minutes sounds just about right, especially if this is going to be a clangy-percussive nonstop "orchestral frenzy" of a score. More than that wears my ears out.

 
 Posted:   Jul 24, 2014 - 9:49 AM   
 By:   Adam Krysinski   (Member)

On the short(ish) side for a Brian Tyler action/adventure score, isn't it?

Yes, because the movie's lenght is quite short - only 85 minutes.

 
 Posted:   Jul 24, 2014 - 10:32 PM   
 By:   Adam Krysinski   (Member)

Full tracklist & back cover have been revealed!

1. Into The Storm (03:01)
2. Atonement (02:38)
3. Fate (03:20)
4. Titus Versus The Tornado (03:56)
5. Humanity Arising (02:09)
6. Culmination (01:43)
7. Prelude To Phenomenon (02:35)
8. Providence (03:12)
9. The Fire Tornado (04:26)
10. Evacuation And Interception (02:35)
11. Last Words (02:26)
12. We Stand Together (02:27)
13. The Titus (01:45)
14. Multiple Vortices (01:46)
15. Remembrance And Regret (01:51)
16. Readying For Incoming Storm (02:35)
17. The Power Of Nature (01:07)
18. Aurora (04:00)

Total time - 47:25



 
 Posted:   Jul 24, 2014 - 10:46 PM   
 By:   yonythemoony   (Member)

I think the reason why is there only 45 minutes of music is because the film is a hybrid between "found footage" genre and certain scenes where it feels cinematic, which is why these scenes have original score. I agree, about Tyler's discs being too long, it's like he wants to include all the written music into the CD, but he ruins it by changing the chronological order (other than Thor: The Dark World, very few Tyler CDs had a good balance and narrative through 75 minutes).

I hope he has written something like Mancina's Twister, representing with awe the power of nature, than just a wall of sound. Natural disasters has always brought great scores. And this film wants to capture tornadoes like Gravity captured space.

 
 
 Posted:   Jul 24, 2014 - 10:47 PM   
 By:   Mike_H   (Member)

Ah, teal 'n orange.

 
 Posted:   Jul 25, 2014 - 12:11 AM   
 By:   drivingmissdaisy   (Member)

I love storm movies so I'm sure I'll enjoy this and I LOVE found footage scary films so this will probably be right up my alley. smile

 
 
 Posted:   Jul 25, 2014 - 1:14 AM   
 By:   scrapsly   (Member)

Anyone heard any news about if or when "Teenage Mutant Ninja Turtles" or "The Expendables 3" are going to get CD releases ??? Isn't Varesse releasing TMNT ? Any release date ? LaLa Land is releasing Expendables 3 correct ? Any release date ? I haven't kept up lately.

 
 Posted:   Jul 25, 2014 - 2:56 AM   
 By:   DizStoreCM12   (Member)

la la land records is releasing expendables 3 on aug 26

 
 Posted:   Jul 25, 2014 - 10:48 AM   
 By:   Adam Krysinski   (Member)

new release date of the physical CD - August 19.

http://www.varesesarabande.com/servlet/the-1178/Into-The-Storm/Detail

 
 
 Posted:   Jul 25, 2014 - 4:02 PM   
 By:   Bond1965   (Member)

new release date of the physical CD - August 19.

http://www.varesesarabande.com/servlet/the-1178/Into-The-Storm/Detail


This is because the artwork approvals weren't done in time. Blame the studio not Varese.

James

 
 Posted:   Jul 25, 2014 - 4:19 PM   
 By:   drivingmissdaisy   (Member)

new release date of the physical CD - August 19.

http://www.varesesarabande.com/servlet/the-1178/Into-The-Storm/Detail


This is because the artwork approvals weren't done in time. Blame the studio not Varese.

James


No need to blame anyone, James. Sometimes folks at the studios get over worked and they try to play catch up with stuff and this is one thing that fell behind, but luckily they got it approved and it will be available mid August. smile

 
 Posted:   Jul 25, 2014 - 11:51 PM   
 By:   Adam Krysinski   (Member)

This is because the artwork approvals weren't done in time. Blame the studio not Varese.

James


OK, but release date of the digital version (August 5, 2014) is still the same, i think?

 
 Posted:   Aug 1, 2014 - 12:33 PM   
 By:   Adam Krysinski   (Member)

Around 48:20, Brian Tyler is briefly interviewed and then there are clips from Ninja Turtles, Into the Storm (for this one he claims inspiration from Corigliano and Adams) and Expendables 3: http://www.thescore.org/posts/summer-blockbusters-2014/

Corigliano? John Adams? Wow smile

 
 Posted:   Aug 1, 2014 - 12:36 PM   
 By:   Shaun Rutherford   (Member)

I'd like to see this kind of enthusiasm from someone who actually listens to Adams or Corigliano.

 
 Posted:   Aug 1, 2014 - 3:20 PM   
 By:   DavidCoscina   (Member)

I'd like to see this kind of enthusiasm from someone who actually listens to Adams or Corigliano.

Can't say enough good things about Coriglianos Music from The Edge (of Darkness) but to be honest Adams whose music from the '80s and early '90s I adored has become less interesting to me since. Where works like Harmonielerhe or Harmonium or Nixon in China burst with originality of the blend between Glassia minimalism and late Romantic harmony/orchestral forces, his new work from the 2000s on has seemed to be somewhat of a rehash stylistically or else a struggle to move into a new direction. I think he's an amazingly articulate and intelligent composer having had the chance to talk with him years ago but not much of his recent works inspire me the way something like The wound dresser or Short arise in a fast machine do.

 
 Posted:   Aug 1, 2014 - 11:30 PM   
 By:   Adam Krysinski   (Member)

Brian's few words about this score:

"INTO THE STORM was an opportunity to do a completely conceptual score. The idea was that an approaching storm is represented by the premise of being stalked in the savanna by a lion or tiger - primal, but patient. African flutes whistle in the far distance over completely still strings holding like a lion stalking, waiting patiently to strike. Then without warning, the power of the storm is upon you before you are even aware. This was a really fun and rewarding concept for me to compose.

The other side of the music for INTO THE STORM emphasizes human emotion including loneliness. It features a melancholy tone that comes from realizing we all are fragile and at the mercy of powers outside of ourselves."

 
 
 Posted:   Aug 2, 2014 - 12:21 AM   
 By:   Mike_H   (Member)

The idea was that an approaching storm is represented by the premise of being stalked in the savanna by a lion or tiger - primal, but patient. African flutes whistle in the far distance over completely still strings holding like a lion stalking, waiting patiently to strike.

This storm sounds like the 'intelligent' shark in Jaws: The Revenge. "I'm gonna get me a Brody if it's the last thing I do! Glug glug glug" big grin

 
 Posted:   Aug 2, 2014 - 1:08 AM   
 By:   Adam Krysinski   (Member)

First, acclaim review cool - http://www.soundtrackgeek.com/v2/soundtrack-review-into-the-storm/

 
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