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 Posted:   Jun 20, 2012 - 10:53 PM   
 By:   RM Eastman   (Member)

Excellent score, way to good for this movie, the big shots for this production are a bunch of idiots no style or taste. They should bow down to Goldsmith, not reject him.

 
 
 Posted:   Jun 20, 2012 - 10:54 PM   
 By:   RM Eastman   (Member)

Two thumbs up for this Goldsmith gem.

 
 
 Posted:   Jun 20, 2012 - 10:55 PM   
 By:   RM Eastman   (Member)

Excellent score, way to good for this movie, the big shots for this production are a bunch of idiots no style or taste. They should have bowed down to Goldsmith, not reject him.

 
 
 Posted:   Jun 20, 2012 - 11:44 PM   
 By:   ssaegusa   (Member)

Big congrats to Intrada for releasing 2 DAYS. I hope it succeeds well enough that they'll pursue the release of other un-used/rejected scores like the previously mentioned SOMETHING WICKED. And the ones I'd love to hear, Goldsmith's THE PUBLIC EYE and whatever he actually did record for BABE....

My 2 DAYS from Intrada sounds beautiful BTW - though I've only had time to listen to the first 4 tracks.


Something Wicked rejected is released from Universal France:

http://www.screenarchives.com/title_detail.cfm/ID/16634/GEORGES-DELERUE-UNUSED-SCORES-REGARDING-HENRY-SOMETHING-WICKED-THIS-WAY-COMES/

 
 Posted:   Jun 29, 2012 - 4:59 PM   
 By:   Tom Servo   (Member)

I received my copy from Intrada and I gotta admit that I quite enjoyed this score. It was entirely new to me and seeing as how I pretty much can connect with anything Goldsmith composes, I might have been predisposed to get into this one as well. It does fit in with his early 90's output, more streamlined and low-key, with elements of LOVE FIELD, THE VANISHING and BASIC INSTINCT, yet I really like the multi-thematic approach. The main theme is a pre-cursor to L.A. CONFIDENTIAL, but the secondary themes for Dosmo and Becky are winners, along with the suspense and action material. The lengthy tracks such as "The Cemetary" and "End Credits" are very nice indeed.

1996 was quite a busy year for Goldsmith, with this plus GHOST & THE DARKNESS, FIRST CONTACT, CITY HALL and EXECUTIVE DECISION and while 2 DAYS IN THE VALLEY may never make it to any fan's top 10 or top 20 lists of Goldsmith scores I still find it an enjoyable listen and worthy puzzle piece to that decade of transition for the maestro.

 
 Posted:   Jun 29, 2012 - 5:06 PM   
 By:   Buscemi   (Member)

I actually think this was Jerry's best score in 1996. Who knows what the director was thinking when he rejected it.

 
 Posted:   Jun 29, 2012 - 5:33 PM   
 By:   Tom Servo   (Member)

I actually think this was Jerry's best score in 1996. Who knows what the director was thinking when he rejected it.

Interesting... I'll have to give this score some more time to settle in before I figure out where it ranks in that year's Jerry output, but I usually place GHOST & THE DARKNESS at the top for '96.

 
 
 Posted:   Oct 22, 2012 - 6:12 PM   
 By:   avalanche   (Member)

From Intrada's site:

AVAILABLE UNTIL NOV 5 2012 OR WHILE SUPPLIES LAST!

 
 
 Posted:   Oct 24, 2012 - 4:41 AM   
 By:   Martin B.   (Member)

From Intrada's site:

AVAILABLE UNTIL NOV 5 2012 OR WHILE SUPPLIES LAST!


Going so soon? Tremendous Goldsmith score - shame it's going.

 
 
 Posted:   Oct 28, 2012 - 8:48 PM   
 By:   jamoase   (Member)

Sold out at Intrada - still available elsewhere.....

 
 
 Posted:   Oct 28, 2012 - 10:27 PM   
 By:   ILOVESCORES65   (Member)

Sold out at Intrada - still available elsewhere.....

The problem is...Where?? MovieMusic doesn't have it. What other US retailers have it besides Screen Archives? I wish Intrada had mentioned how many copies were left.

 
 Posted:   Oct 28, 2012 - 10:47 PM   
 By:   Tom Servo   (Member)

Sold out at Intrada - still available elsewhere.....

The problem is...Where?? MovieMusic doesn't have it. What other US retailers have it besides Screen Archives? I wish Intrada had mentioned how many copies were left.


That's not Intrada's method anymore... they don't state how many are initially available of a limited edition, so they're not going to state how many are remaining when the album is going out of print.

 
 
 Posted:   Oct 29, 2012 - 12:05 AM   
 By:   hollywoodvegas   (Member)

And you cannot trust that Screen Archives actually has it. This is not Screen Archives fault. In my opinion, this is the problem with Intrada's lack of transparency. I have never missed a limited edition that I wanted until Young Guns II. It sold out in less than a day after Intrada said that it was going out on a specific date and they made no mention 'or until quantities last' since then they have put that on all going out of print messages thankfully.

In this case I was waiting to combine items to save shipping and when I was ready to order I placed it through Screen Archives because they had all the titles available. Just a couple days later Screen Archives put that Young Guns II was going out of print on a specific date. I was not concerned as I had already placed my order. Then less than a day later the sold out message went up and I still was not concerned, but I felt that Intrada should have warned people. Then about 10 days later Screen Archives contacted me via email letting me know that my order was being shipped without Young Guns II because they could no longer obtain the title.

I asked them why, as I had order before Intrada had even put up their going out of print message and was informed that Intrada had not given them any warning that the title was going away and they felt they were sure to get more and it did not happen.

This was a huge missed opportunity for Intrada as Young Guns II is going for huge amounts on the secondary market. Always over $80. When other titles with longer runs like Baby, I was able to scoop it up for a friend still sealed for $18.99 which is less than Intrada sold it for initially.

All in all, Intrada does a great job but this proves that they are not perfect. Nobody is.

 
 Posted:   Oct 29, 2012 - 1:21 AM   
 By:   Souchak   (Member)

All in all, Intrada does a great job but this proves that they are not perfect. Nobody is.

Your sorrowful tale got me all misty-eyed. wink But let's face it: No matter how a label is handling supply and availability, there will always be bitching and moaning.

And at the end of the day it's always the same: You really want it? Then go and get it. You're waiting for a better deal? Your risk.

 
 Posted:   Oct 29, 2012 - 9:05 AM   
 By:   SunSword   (Member)

Had it in my cart for a week at SAE. This morning I discovered some "thief" had snatched it from me. wink But I was able to pick it up at another shop, so no harm done.

 
 Posted:   Nov 2, 2012 - 7:36 AM   
 By:   Juanki   (Member)

I missed it people. Do you know where could I get a copy of it? Thanks!!

 
 
 Posted:   Nov 2, 2012 - 2:30 PM   
 By:   Clark Wayne   (Member)

Surprised how quickly this one disappeared-don't seem to be any on ebay either-no opportunists cashing in? Do you think people bought it because they wanted to listen to it and not to make money on it????

 
 Posted:   Nov 2, 2012 - 2:34 PM   
 By:   Maleficio   (Member)

Surprised how quickly this one disappeared-don't seem to be any on ebay either-no opportunists cashing in? Do you think people bought it because they wanted to listen to it and not to make money on it????

It was available for a good time and it seems that everyone that wanted a copy, got a copy.

 
 Posted:   Jan 18, 2013 - 4:59 AM   
 By:   Diederik   (Member)

This score has me a bit divided. On the one hand it has some really nice themes and music that Jerry Goldsmith uses creatively and interestingly, but on the other hand the entire score just doesn't really grab me. Somehow the score as a whole doesn't work for me, while I do enjoy many of its themes and constructs. Perhaps it has something to do with the many short cues on the album and how they fragment the overall arc of the album too much, causing a lack of fluidity.

 
 Posted:   Jan 18, 2013 - 9:21 AM   
 By:   Tom Servo   (Member)

This score has me a bit divided. On the one hand it has some really nice themes and music that Jerry Goldsmith uses creatively and interestingly, but on the other hand the entire score just doesn't really grab me. Somehow the score as a whole doesn't work for me, while I do enjoy many of its themes and constructs. Perhaps it has something to do with the many short cues on the album and how they fragment the overall arc of the album too much, causing a lack of fluidity.

I think part of the reason for this "lack of fluidity" is due to the film's multiple story lines and crosscutting structure. It doesn't have a linear plot structure and is so many seemingly random, unrelated bits with separated characters who only start to interact later in the film. It would be tough for any one composer to make his music flow among all the unrelated bits, that are all very different in tone, which is why the preceding, style-setting "Pulp Fiction" worked best with a song-score only. Goldsmith did the best he could and there are fun themes and motifs in the score, but there's just no way it could all feel "of one piece".

 
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