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LOG IN Forgot Login? Register General Discussion • Trading Post • Non-Film Score Discussion  Profile • Preferences • Community Rules • Help/Contact • Search Board Search Terms:  Search Within:  topics posts since 2019 2018 posts 2017 posts 2016 posts 2015 posts 2014 posts 2013 posts 2012 posts 2011 posts 2010 posts 2009 posts 2008 posts 2007 posts 2006 posts 2005 posts 2004 posts 2003 posts 2002 posts 2001 posts 2000 posts users  search tips  You must log in or register to post.   Go to page:  1 2      General Discussion: MUSASHI Symphonic Morricone #37    FIRST   PRIOR   1 2       Last Post   Posted:   Aug 7, 2011 - 12:03 PM     By:   nuts_score   (Member) Since this thread is up again, someone who could share his opinion on this? Much appreciated. What's the difference between the Japanese (Victor) and Spanish (Discmedi) release of this score? If there is any (sound-/presentation-wise?). Which one is "the one to go" ...? I ordered mine (used) from this Amazon page and it is the Victor pressing of the release. The sound quality is very good. No complaints from me. http://www.amazon.com/Musashi-S-T-Ennio-Morricone/dp/B00007KL3J/ref=sr_1_1?s=music&ie=UTF8&qid=1312740152&sr=1-1    Posted:   Aug 7, 2011 - 1:13 PM     By:   Morricone   (Member) I always heard the Japanese pressings are superior, but the main reason to lean toward the Victor is that is the only label with volume 2 which I prefer.    Posted:   Aug 7, 2011 - 3:48 PM     By:   franz_conrad   (Member) It is one of many. But that series I did helped me get over it. It reinforced why I have a love for his music. And frankly I've never seen another such tribute to a composer on here ever, although I certainly would like to. I would go so far as to say it would not be possible for another major film composer to receive the treatment you've given Morricone and have it be a revelation. The obsession with the scoring of American films means there truly has been nothing new to say about Barry, Williams, Goldsmith, Bernstein, North, Rosza, Herrmann in years, if I may risk saying so. Morricone is one of the few who is so understudied relative to the scale of his contribution.    Posted:   Aug 8, 2011 - 12:06 PM     By:   nuts_score   (Member) I would go so far as to say it would not be possible for another major film composer to receive the treatment you've given Morricone and have it be a revelation. The obsession with the scoring of American films means there truly has been nothing new to say about Barry, Williams, Goldsmith, Bernstein, North, Rosza, Herrmann in years, if I may risk saying so. Morricone is one of the few who is so understudied relative to the scale of his contribution. Most certainly! I'd like to see someone brave enough to undertake such other masterful European composers like Krzysztof Komeda and Zbigniew Preisner or Eastern composers like Shigeru Umebayashi or Akira Ifukube.    Posted:   Dec 29, 2017 - 10:35 AM     By:   Giacmar   (Member) Yes, I do like this score. I was really surprised when I found it. I bought it early this year from Intermezzo Media: http://www.intermezzomedia.com/index.php3?SCREEN=item_details&sid=zg5yKUGLTiLLtn6w&item=4995&sku_id=5015 "Musashi encore!!" is outstanding too! Marco    Posted:   Jan 27, 2018 - 9:18 AM     By:   Tall Guy   (Member) Bump    Posted:   Jan 27, 2018 - 10:03 AM     By:   DavidCoscina   (Member) I like Morricones score but, for me, nothing will top Ikuma Dan’s score to the samurai trilogy. Though an original score doesn’t exit the thematic material appears in his Symphony #2.     General Discussion: MUSASHI Symphonic Morricone #37    << < 1 2  >   Go to page:  1 2   First Post    General Discussion • Trading Post • Non-Film Score Discussion  Profile • Preferences • Community Rules • Help/Contact • Search Board You must log in or register to post.   Go to page:  1 2

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