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This is a comments thread about FSM CD: Telefon/Hide in Plain Sight
 
 Posted:   Mar 2, 2011 - 10:05 AM   
 By:   Katie @ SAE   (Member)

http://www.screenarchives.com/title_detail.cfm/ID/14997/TELEFON-HIDE-IN-PLAIN-SIGHT/

 
 Posted:   Mar 2, 2011 - 10:19 AM   
 By:   drivingmissdaisy   (Member)

The finale reminds me a lot of Leonards great score to Making Love also made around that time in 1982.

 
 Posted:   Mar 2, 2011 - 10:29 AM   
 By:   Lokutus   (Member)

The finale reminds me a lot of Leonards great score to Making Love also made around that time in 1982.

Interesting wink The first few notes remind me a lot of the song from Star Trek V smile

 
 Posted:   Mar 2, 2011 - 10:32 AM   
 By:   Sirusjr   (Member)

This is the kind of release where I would love to be able to buy only the tracks I wanted, namely the Rosenman music, and skip the Schifrin. The samples of the Rosenman music sound great.

 
 
 Posted:   Mar 2, 2011 - 11:55 AM   
 By:   bhur59   (Member)

thanks for information ordered!!!

 
 Posted:   Mar 2, 2011 - 12:01 PM   
 By:   JackDVD78@gmail.com   (Member)

Great release, seems like a lot of classic Bronson films get their releases :-)

Great price for both scores. :-)

 
 
 Posted:   Mar 2, 2011 - 12:55 PM   
 By:   FalkirkBairn   (Member)

Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?

 
 Posted:   Mar 2, 2011 - 12:58 PM   
 By:   Lukas Kendall   (Member)

Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?

To be specific, what we had was a three-track mix made for a mono movie so it is not panned like you would expect an orchestra to sound naturally. You have all the strings in channel one, all the winds and percussion in channel two, and all the brass in channel three, for example. We use various tricks to try and make it sound like a live orchestra, like splitting the strings left and right based on the frequency.

Lukas

 
 Posted:   Mar 2, 2011 - 1:01 PM   
 By:   mildcigar   (Member)

Any movie soundtrack for sale starring Charles Bronson is ORDERED.

Mild.

 
 Posted:   Mar 2, 2011 - 1:15 PM   
 By:   Anthony Marose   (Member)

Definitely ordered. Thanks, Lukas--and all at FSM!

 
 
 Posted:   Mar 2, 2011 - 1:39 PM   
 By:   vinylscrubber   (Member)

No matter how you arrived at it this, Lukas, it sounds pretty damned good, and this will be a definite order within the next week or so.

 
 
 Posted:   Mar 2, 2011 - 3:20 PM   
 By:   FalkirkBairn   (Member)

Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?

To be specific, what we had was a three-track mix made for a mono movie so it is not panned like you would expect an orchestra to sound naturally. You have all the strings in channel one, all the winds and percussion in channel two, and all the brass in channel three, for example. We use various tricks to try and make it sound like a live orchestra, like splitting the strings left and right based on the frequency.

Lukas


Thanks for the extra information Lukas.

 
 
 Posted:   Mar 2, 2011 - 7:45 PM   
 By:   Robert0320   (Member)

Lalo and Lenny? and Elmer? Oh, my aching wallet!

 
 
 Posted:   Mar 3, 2011 - 1:50 AM   
 By:   BillCarson   (Member)

I just cant post the Woods are dark and deep quote again.

Too obvious.

About as predictable as a Thor previous thread reminder! ha ha


You know, I think I might just order this.

 
 Posted:   Mar 3, 2011 - 4:06 AM   
 By:   goldsmith-rulez   (Member)

TELEFON I've seen many, many times - it's one of my Bronson favorites. It also sparked my interest in the poetry of Robert Frost. big grin

The score is typical 70s Schifrin action/thriller fodder, a lot of it being thinly-scored suspense music. The only really exciting piece are the End Titles.

 
 
 Posted:   Mar 3, 2011 - 6:24 AM   
 By:   Robert0320   (Member)

TELEFON I've seen many, many times - it's one of my Bronson favorites. It also sparked my interest in the poetry of Robert Frost. big grin

The score is typical 70s Schifrin action/thriller fodder, a lot of it being thinly-scored suspense music. The only really exciting piece are the End Titles.


I'll take warmed over Schifrin instead of 90% of what passes for a film score today. Thank you, Lukas. And for releasing another Rosenman. Now, how about HEART OF THE STAG?

 
 
 Posted:   Mar 3, 2011 - 6:26 AM   
 By:   BillCarson   (Member)

"....Hi, Doug's Dug-out! ....No, I told you, he's gone fishing...."

 
 
 Posted:   Mar 9, 2011 - 2:39 PM   
 By:   Robert0320   (Member)

This gem arrived today. Of course, the Schifrin is good to have but Rosenman's score is quite beautiful in sections, quite close to some of the scoring he was to do 2 years later in MAKING LOVE.

Thank you Lukas and FSM.

 
 
 Posted:   Mar 17, 2011 - 5:29 AM   
 By:   BillCarson   (Member)

I just got this yesterday.

I like it. Very Schifrin. If you like his 70s style - that stuff he does with the cimbaloms (and mandolins?) - I think you'll love this.

When this score has been discussed on the forum in the past people seemed to be very keen. Since its release - the reception seems, well, luke warm. Especailly compared to other releases around the same time.

Even this thread didnt make page 2.

Has everyone who wanted it, got one?

 
 
 Posted:   Mar 17, 2011 - 6:01 AM   
 By:   James MacMillan   (Member)

Well, I got one. Pretty good CD!

 
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