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Well, just remember that keeping things properly filed and stored is expensive, and a studio only makes a few thousand dollars on an archival release of a film score, so it's not really hard to see how this isn't really a priority. I'm not suggesting the studios are completely mercenary about preservation (some are better than others across the board), but given how much there is to preserve (and I have a friend who is a costume designer who is appalled that so many original costume sketches have been destroyed), it's not really shocking that not everything survives. Nevertheless, the studios assiduously ensure that they OWN everything connected to their "works-for-hire," whether or not they have any inclination or wherewithal to preserve and maintain said materials.
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I just finally got the Varese club Right Stuff and find it's a really weird listen for me. I'm so used to the original release (the one paired with North and South) that the synths, especially, seem truly out of place. Also, I am reminded of the numerous, um, homages to Holst.
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If i read one more comments along the line of.....j " the synths took me out of picture. ..they are "anachronistic, ".... I might just launch a nuclear missile aimed at Hawaii. (or Phelps' home town ). Juzt stop it!
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Use the search engine dammit! Have a Nice day. Brm
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Use the search engine dammit! Have a Nice day. Brm What is this comment about?
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