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I'm sure he'll chime in, but this is what Doug Adams said about that: "We squeezed a little score talk in there, but yes, hopefully more depth for Smaug. Plenty to discuss!!"
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Posted: |
Nov 19, 2013 - 12:27 AM
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By: |
Cooper
(Member)
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There is something on the composer that wrote the MISTY MOUNTAINS song that the dwarves sing however. So that's not a Shore composition? I was fooled. Must have been the way the melody's carried by the brass in some scenes of the film; very LOTR. Odd that maybe the most prominent new theme in the film turns out not to be Shore material. The Misty Mountains song was written by Plan 9, who wrote some (all?) of the source music in the LOTR trilogy (definitely all from FOTR, at any rate - the birthday party music "Flaming Red Hair," the bar songs the Hobbits sing, and the music for the elves traveling through the wood in the Extended Edition). They wrote Misty Mountains with the intention of it fitting in with Shore's style of Middle Earth scoring, and then Shore (in his score) and the guy who did the end song each "made it their own" through rearrangement and interpretation. Thanks for the info. Pretty seamless collaboration; easy to reverse engineer it, think it was Shore handing his theme off for others to adapt as source or closing song arrangements. Only just saw Unexpected Journey in its extended version for the first time last night, and it was great to hear Shore back in Middle Earth, drawing on and embellishing his Rings material while taking new, Hobbity excursions along the way.
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